A classic book now available on audio With narration by Christopher Ragland, who presents a bracingly provocative critique of one of our most cherished ideas and institutions Most people believe democracy is a uniquely just form of government. They believe people have the right to an equal share of political power. And they believe that political participation is good for us—it empowers us, helps us get what we want, and tends to make us smarter, more virtuous, and more caring for one another. These are some of our most cherished ideas about democracy. But Jason Brennan says they are all wrong. In this trenchant book, Brennan argues that democracy should be judged by its results—and the results are not good enough. Just as defendants have a right to a fair trial, citizens have a right to competent government. But democracy is the rule of the ignorant and the irrational, and it all too often falls short. Furthermore, no one has a fundamental right to any share of political power, and exercising political power does most of us little good. On the contrary, a wide range of social science research shows that political participation and democratic deliberation actually tend to make people worse—more irrational, biased, and mean. Given this grim picture, Brennan argues that a new system of government—epistocracy, the rule of the knowledgeable—may be better than democracy, and that it's time to experiment and find out. A challenging critique of democracy and the first sustained defense of the rule of the knowledgeable, Against Democracy is essential reading for scholars and students of politics across the disciplines. Featuring a new preface that situates the book within the current political climate and discusses other alternatives beyond epistocracy, Against Democracy is a challenging critique of democracy and the first sustained defense of the rule of the knowledgeable.

Thucydides called his account of two decades of war between Athens and Sparta “a possession for all time;” and indeed it is the first and still the most famous work in the Western historical tradition. Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom. However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war of all time is rigorous and meticulous, yet omits the many aids to comprehension modern readers take for granted—such as brief biographies of the story's main characters, maps and other visual enhancements, and background on the military, cultural, and political traditions of ancient Greece. Robert Strassler's new edition amends these omissions, and not only provides a new coherence to the narrative overall but effectively reconstructs the lost cultural context that Thucydides shared with his original audience. Based on the venerable Richard Crawley translation, updated and revised for modern readers, The Landmark Thucydides includes a vast array of superbly designed and presented maps, brief informative appendices by outstanding classical scholars on subjects of special relevance to the text, explanatory marginal notes on each page, an index of unprecedented subtlety and depth, and numerous other useful features. Readers will find that with this edition they can dip into the text at any point and be immediately oriented with regard to the geography, season, date, and stage of the conflict. In any list of the Great Books of Western Civilization, The Peloponnesian War stands near the top. This handsome, elegant, and authoritative new edition will ensure that its greatness is appreciated by future generations.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY 2021 FINALIST FOR THE PULITZER PRIZE FOR GENERAL NON-FICTION 2021 A New York Times Top Book of 2020 Chosen as a Guardian Book of 2020 A BBC Culture Best Books of 2020 Nominated for Good Reads Books of 2020 One of Time's Must-Read Books of 2020 'Unputdownable ... Hong's razor-sharp, provocative prose will linger long after you put Minor Feelings down' - AnOther, Books You Should Read This Year 'A fearless work of creative non-fiction about racism in cultural pursuits by an award-winning poet and essayist' - Asia House 'Brilliant, penetrating and unforgettable, Minor Feelings is what was missing on our shelf of classics ... To read this book is to become more human' - Claudia Rankine author of Citizen 'Hong says the book was 'a dare to herself', and she makes good on it: by writing into the heart of her own discomfort, she emerges with a reckoning destined to be a classic' - Maggie Nelson, author of The Argonauts What happens when an immigrant believes the lies they're told about their own racial identity? For Cathy Park Hong, they experience the shame and difficulty of "minor feelings". The daughter of Korean immigrants, Cathy Park Hong grew up in America steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality. With sly humour and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche - and of a writer's search to both uncover and speak the truth.

The Future of OZ starts here! Jump into a vast fantasy universe where beloved characters return, new heroes rise, and the magic of L. Frank Baum’s imagination is more powerful than ever. “Citizens of OZ, get ready — there's another star in your midst.” – People.com The Lost Lands picks up right after the classic Wizard of Oz story ends. Developed in close collaboration with leading OZ historians, this bold new adventure invites readers to explore long-forgotten lands, unearth buried secrets, and reconnect with beloved characters through an authentic, fresh and richly illustrated lens. "Every moment with a book is precious and I was dazzled by the first instalment in the Ultimate Oz Universe, celebrating the legacy of Baum’s genius and the heritage of colour, unique characters and the triumph of goodness” — Elton John In this captivating graphic novel, you’ll meet Tip who embarks on a transformative journey through the Lands of Oz, uncovering the truth about his origins and the magic within him. During his wild adventure, he encounters familiar faces — like Dorothy and the Tin Woodman — and meets new characters, like Hungry Tiger and H.M. Wogglebug, T.E., as he ventures through wonderous places like Fiddlestick Forest and Gillikin Country. Through thrilling twists and unexpected turns, Tip unravels the mystery of his birth and discovers his true identity and destiny. Steeped in rich lore and imaginative storytelling, this Oz adventure is firmly rooted in Baum’s OZ canon, blending nostalgia with fresh perspectives for fantasy lovers and longtime Oz fans alike. The all-star creative team includes bestselling comic writer Cullen Bunn (Harrow County, The Sixth Gun), acclaimed writer, musician and producer Larry King, and legendary comic book artist Mike Deodato Jr. (Wonder Woman, The Amazing Spider-Man, Not All Robots) who bring OZ to to life with masterful storytelling and stunning visuals. The Lost Lands is the must-have OZ event book of 2025.

'A voice like no other' Lena Dunham The instant Sunday Times bestseller 'I LOVED IT . . . Masterfully and totally realised' PANDORA SYKES 'The most wildly original book of the year' HARPER'S BAZAAR 'Required reading in the same way that Normal People was' JACK EDWARDS 'The debut novel for 2026 that has undoubtedly been the most shouted about. ' THE SUNDAY TIMES STYLE 'The year's brightest literary star' INDEPENDENT 'Get ready to laugh out loud' ELLE 'A darkly funny family saga' BUSTLE == Think your family is dysfunctional? Meet the Flynns. For the three Flynn daughters, it's been disastrous since their parents opened up their marriage. Abigail, the eldest, is dating an ex-soldier several years her senior nicknamed 'War Crimes Wes'. Louise, the middle child, maintains a secret correspondence with an online terrorist. And the brilliant youngest, Harper, is being sent to a wilderness reform camp due to her insistence that someone - or something - is monitoring the town's citizens. Casting a shadow across their lives is Paul Alabaster, a nefarious local billionaire. Rumours of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with Alabaster's machinations sends the family hurtling into a criminal conspiracy - one that may just, finally, bring them closer together. 'As bold and assured a debut as Zadie Smith's White Teeth or Jeffrey Eugenides' The Virgin Suicides ' MEGAN NOLAN 'An instant classic and a comic novel about family you could recommend to just about anyone' SHORTLIST 'Manages to capture something we can all universally relate to: how normal it is to have a dysfunctional family' SUNDAY TIMES Readers love LOST LAMBS 'What a ROMP!'¿ ¿ ¿ ¿ ¿ 'The hype is real!'¿ ¿ ¿ ¿ ¿ 'Hilarious, weird, original and addictive!'¿ ¿ ¿ ¿ ¿ 'If Wes Anderson wrote Little Women.'¿ ¿ ¿ ¿ ¿ 'I'm shouting it from every rooftop: THIS IS THE BOOK OF THE YEAR!'¿ ¿ ¿ ¿ ¿ 'Perhaps the funniest book I've ever read.'¿ ¿ ¿ ¿ ¿

A new translation of one of the earliest volumes of Max Frisch's innovative notebooks. Throughout his life, the great Swiss playwright and novelist Max Frisch (1911-1991) kept a series of diaries, or sketchbooks, as they came to be known in English. First published in English translation in the 1970s, these sketchbooks played a major role in establishing Frisch as, according to the New York Times, "the most innovative, varied and hard-to-categorize of all major contemporary authors." His diaries, said the Times, "read like novels and his best novels are written like diaries." Now Seagull Books presents the first unabridged English translation of Sketchbooks, 1946-1949 in a new translation by Simon Pare. This edition reinstates material omitted from the 1977 edition, including a screenplay for an unmade film. In this first volume, which covers the years 1946 to 1949, Frisch chronicles the intellectual and material situation in postwar Europe from the vantage point of a citizen of a neutral, German-speaking country. His notes on travels to the scarred cities of Germany, to Austria, France, Italy, Prague, Wroclaw, and Warsaw paint a complex and stimulating picture of a continent emerging from the rubble as new fault lines are drawn between East and West. As Frisch completes his final architectural projects and garners early success as a writer, he reflects on theater, language, and writing, and he sketches the outlines of plays, including The Fire Raisers and Count Öderland. Whatever experience he chronicles in the sketchbook--whether it's a Bastille Day party, an Italian fish market, or a tightrope display amid the ruins of Frankfurt or an afternoon by Lake Zurich with Bertolt Brecht, to take just a few examples--his keen dramatist's eye immerses the reader in the setting while also probing the deeper significance and motivations underlying the scene. This new translation will serve to draw out the immediacy and contemporary quality of Frisch's observations from the shadow of his status as a classic author, bringing his work to life for a new audience.

A special hardback gift edition of classic fantasy novel by Terry Pratchett, a standalone Discworld novel. 'You ride along on his tide of outlandish invention, realising that you are in the presence of a true original' The Times 'Another marvellous tale by the king of fantasy' 5-star reader review 'That's the trouble about the good guys and the bad guys! They're all guys!' In the small yet aggressive country of Borogravia, there are strict rules citizens must follow. For a start, women belong in the kitchen - not in jobs, pubs, or indeed trousers. And certainly not on the front line. Polly Perks has to become a boy in a hurry if she wants to find her missing brother in the army. Cutting off her hair and wearing the trousers is easy. Going to war however, is not. Polly and her fellow raw recruits are suddenly in the thick of a losing battle. All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee. It's time to make a stand. The Discworld novels can be read in any order, but Monstrous Regiment is a standalone. Praise for the Discworld series: '[Pratchett's] spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction' Mail on Sunday 'Pratchett is a master storyteller ' Guardian 'One of our greatest fantasists, and beyond a doubt the funniest' George R.R. Martin 'One of those rare writers who appeals to everyone ' Daily Express 'One of the most consistently funny writers around' Ben Aaronovitch ' Masterful and brilliant ' Fantasy & Science Fiction 'Pratchett uses his other world to hold up a distorting mirror to our own... he is a satirist of enormous talent ... incredibly funny ... compulsively readable' The Times 'The best humorous English author since P.G. Wodehouse' The Sunday Telegraph 'Nothing short of magical ' Chicago Tribune 'Consistently funny , consistently clever and consistently surprising in its twists and turns' SFX '[Discworld is] compulsively readable, fantastically inventive , surprisingly serious exploration in story form of just about any aspect of our world... There's never been anything quite like it ' Evening Standard

A paperback edition with the original cover art of the classic fantasy novel by Terry Pratchett, the first book in the City Watch series, part of the Discworld novels. 'This is one of Pratchett's best books . Hilarious and highly recommended' The Times 'Possibly the funniest book ever written' 5-star reader review 'Noble dragons don't have friends. The nearest they can get to the idea is an enemy who is still alive.' The city of Ankh-Morpork is in turmoil, its citizens revolting. Again. A shadowy secret brotherhood has summoned a dragon to spread terror throughout the city, intent on overthrowing the Patrician and ruling in his place. Too bad the dragon has ideas of its own ... It's up to Captain Sam Vimes and the ramshackle Night Watch to stop it. Only problem is, the Watch are more used to dealing with mobs than dragons. And if they can't bring down this fire-breathing tyrant and reinstate their own, slightly less dangerous one, Ankh-Morpork might be lost. For ever... Guards! Guards! is the first book in the City Watch series, but you can read the Discworld novels in any order. Praise for the Discworld series: '[Pratchett's] spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction' Mail on Sunday 'Pratchett is a master storyteller .' Guardian 'One of our greatest fantasists, and beyond a doubt the funniest' George R.R. Martin 'One of those rare writers who appeals to everyone ' Daily Express 'One of the most consistently funny writers around' Ben Aaronovitch ' Masterful and brilliant ' Fantasy & Science Fiction 'Pratchett uses his other world to hold up a distorting mirror to our own... he is a satirist of enormous talent ... incredibly funny ... compulsively readable' The Times 'The best humorous English author since P.G. Wodehouse' The Sunday Telegraph 'Nothing short of magical ' Chicago Tribune 'Consistently funny , consistently clever and consistently surprising in its twists and turns' SFX '[Discworld is] compulsively readable, fantastically inventive , surprisingly serious exploration in story form of just about any aspect of our world... There's never been anything quite like it ' Evening Standard

A new translation of one of the earliest volumes of Max Frisch's innovative notebooks. Throughout his life, the great Swiss playwright and novelist Max Frisch (1911-1991) kept a series of diaries, or sketchbooks, as they came to be known in English. First published in English translation in the 1970s, these sketchbooks played a major role in establishing Frisch as, according to the New York Times, "the most innovative, varied and hard-to-categorize of all major contemporary authors." His diaries, said the Times, "read like novels and his best novels are written like diaries." Now Seagull Books presents the first unabridged English translation of Sketchbooks, 1946-1949 in a new translation by Simon Pare. This edition reinstates material omitted from the 1977 edition, including a screenplay for an unmade film. In this first volume, which covers the years 1946 to 1949, Frisch chronicles the intellectual and material situation in postwar Europe from the vantage point of a citizen of a neutral, German-speaking country. His notes on travels to the scarred cities of Germany, to Austria, France, Italy, Prague, Wroclaw, and Warsaw paint a complex and stimulating picture of a continent emerging from the rubble as new fault lines are drawn between East and West. As Frisch completes his final architectural projects and garners early success as a writer, he reflects on theater, language, and writing, and he sketches the outlines of plays, including The Fire Raisers and Count Öderland. Whatever experience he chronicles in the sketchbook--whether it's a Bastille Day party, an Italian fish market, or a tightrope display amid the ruins of Frankfurt or an afternoon by Lake Zurich with Bertolt Brecht, to take just a few examples--his keen dramatist's eye immerses the reader in the setting while also probing the deeper significance and motivations underlying the scene. This new translation will serve to draw out the immediacy and contemporary quality of Frisch's observations from the shadow of his status as a classic author, bringing his work to life for a new audience.

#1 NEW YORK TIMES BEST SELLER From the award-winning, best-selling author of the classic A Little Life-a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. A BEST BOOK OF THE YEAR: VOGUE ESQUIRE NPR GOODREADS To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara's understanding of the aching desire to protect those we love-partners, lovers, children, friends, family, and even our fellow citizens-and the pain that ensues when we cannot. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist's damaged granddaughter tries to navigate life without him-and solve the mystery of her husband's disappearances. These three sections comprise an ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can't exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.

What would happen if the Planet Express crew and the citizens of New York City in the 31st Century met the Simpsons and the citizens of Springfield . . . and how is it even possible? Prepare yourself for a Simpsons saga filled with Futurama! A Futurama fable suffused with the Simpsons! Featuring a plethora of pleasing plot devices including: evil brain spawn, lactose-intolerant space aliens, a giant ball of yarn, flying cars, mistaken identities, world domination, the brittle fabric of reality torn asunder, a comic book-collecting sentient planet, the Dewey Decimal system, self-eating watermelons, slave labor, space pirates, power-crazed vampires, super hero battles, unflattering underwear, mad science run amok, and much, much more! This is the epic story that you've been waiting for . . . a story so big, so ambitious, so sweeping that it can only be told in a 208-page, large format, slip-cased edition, complete with new material, supplemental stories, preliminary sketches, character designs, and a pin-up gallery featuring the talents of comics industry luminaries Alex Ross, Sergio Aragonés, Geof Darrow, Kyle Baker, Peter Kuper, and Bernie Wrightson, among others. It's a comic convergence on a reality ripping, time altering, space traveling, intergalactic scale! It's The Simpsons Futurama Crossover CrisisUncut and all comedy! First published in 2002 and 2005 as two two-part, comic book mini-series (Futurama/Simpsons Infinitely Secret Crossover Crisis and The Simpsons/Futurama Crossover Crisis II), these four hard-to-find comics are collected together for the first time in a hardcover collection, encased in a die-cut slipcase, and packaged with a reprint of the very first Eisner Award-winning issue of Simpsons Comics from 1993. ¿Abrams¿ initial release is a beautifully designed package, a glossy hardcover in a glossier slipcover, as bright and colorful as a grab-bag bin in a candy-store.¿¿The Onion AV ClubFrom Publishers Weekly Two classic animated series are brought together in a comic that offers many surprises, including how well it all works when transported to a new medium. Although both sources are the creation of cartoonist Matt Groening, the broadcast runs of each series referred to the other as works of fiction within their own universes, perhaps seeking to avoid the temptation of an attention grabbing crossover. And yet somehow this assemblage ably accomplishes just such a task while remaining faithful to the source materials. When Futurama's crew from the Planet Express delivery service become trapped in the fictional world of a Simpsons comic book, they must escape from Springfield. But shortly afterward they open a rift that brings the Simpsons characters into the Planet Express world, where the fictional characters must be rescued and returned to the pages of their comic book. Boothby's writing excels at letting each universe and the characters in them maintain their subtly distinct identities even when they blend. The overarching story for the book is designed to easily allow opportunities for affectionate references to comics, to science fiction, and to notable works of fiction. While the Simpsons comics included in the collection are not as strong, the crossover story takes what could have been a simple throwaway gag and instead crafts a funny, intricately detailed story. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

WINNER OF THE 2024 WAINWRIGHT PRIZE FOR CONSERVATION FINANCIAL TIMES 2023 HIGHLIGHT 'Helen Czerski weaves together physics and biology, history and science, in a beautifully poetic way.' Professor Alice Roberts 'In Helen Czerski's hands, the mechanical becomes magical. An instant classic .' Tristan Gooley , author of How to Read Water 'Blue Machine is quite simply one of the best books I have ever read.' Dr George McGavin , zoologist, entomologist and broadcaster 'A fascinating dive into the essential engine that drives our world. Czerski brings the oceans alive with compelling stories that masterfully navigate this most complex system.' Gaia Vince, science journalist, broadcaster and author of Nomad Century All of the Earth's ocean, from the equator to the poles, is a single engine powered by sunlight - a blue machine. Earth is home to a huge story that is rarely told - that of our ocean. Not the fish or the dolphins, but the massive ocean engine itself: what it does, why it works, and the many ways it has influenced animals, weather and human history & culture. In a book that will recalibrate our view of this defining feature of our planet, physicist Helen Czerski dives deep to illuminate the murky depths of the ocean engine, examining the messengers, passengers and voyagers that live in it, travel over it, and survive because of it. From the ancient Polynesians who navigated the Pacific by reading the waves to permanent residents of the deep such as the Greenland shark that can live for hundreds of years, she explains the vast currents, invisible ocean walls and underwater waterfalls that all have their place in the ocean's complex, interlinked system. Timely, elegant and passionately argued, Blue Machine presents a fresh perspective on what it means to be a citizen of an ocean planet. The understanding it offers is crucial to our future. Drawing on years of experience at the forefront of marine science, Helen Czerski captures the magnitude and subtlety of Earth's defining feature, showing us the thrilling extent to which we are at the mercy of this great engine.

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION • A NEW YORK TIMES BEST BOOK OF THE YEAR "A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire." —Giles Harvey, The New York Times Magazine From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel;” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative work of contemporary literary fiction and a plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist;” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression;” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, this brilliant social satire reveals the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself. "Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." — Carmen Maria Machado, author of Her Body and Other Parties “One of the foremost fiction writers exploring the subject of his own generation.” —Jia Tolentino, The New Yorker

Stephen E. Ambrose's classic New York Times bestseller and inspiration for the acclaimed HBO series about Easy Company, the ordinary men who became the World War II's most extraordinary soldiers at the frontlines of the war's most critical moments. Featuring a foreword from Tom Hanks. They came together, citizen soldiers, in the summer of 1942, drawn to Airborne by the $50 monthly bonus and a desire to be better than the other guy. And at its peak—in Holland and the Ardennes—Easy Company was as good a rifle company as any in the world. From the rigorous training in Georgia in 1942 to the disbanding in 1945, Stephen E. Ambrose tells the story of this remarkable company. In combat, the reward for a job well done is the next tough assignment, and as they advanced through Europe, the men of Easy kept getting the tough assignments. They parachuted into France early D-Day morning and knocked out a battery of four 105 mm cannon looking down Utah Beach; they parachuted into Holland during the Arnhem campaign; they were the Battered Bastards of the Bastion of Bastogne, brought in to hold the line, although surrounded, in the Battle of the Bulge; and then they spearheaded the counteroffensive. Finally, they captured Hitler's Bavarian outpost, his Eagle's Nest at Berchtesgaden. They were rough-and-ready guys, battered by the Depression, mistrustful and suspicious. They drank too much French wine, looted too many German cameras and watches, and fought too often with other GIs. But in training and combat they learned selflessness and found the closest brotherhood they ever knew. They discovered that in war, men who loved life would give their lives for them. This is the story of the men who fought, of the martinet they hated who trained them well, and of the captain they loved who led them. E Company was a company of men who went hungry, froze, and died for each other, a company that took 150 percent casualties, a company where the Purple Heart was not a medal—it was a badge of office.

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION A NEW YORK TIMES BEST BOOK OF THE YEAR "A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire." —Giles Harvey, The New York Times Magazine From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel;” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative work of contemporary literary fiction and a plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist;” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression;” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, this brilliant social satire reveals the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself. "Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." — Carmen Maria Machado, author of Her Body and Other Parties “One of the foremost fiction writers exploring the subject of his own generation.” —Jia Tolentino, The New Yorker

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION A NEW YORK TIMES BEST BOOK OF THE YEAR "A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire." —Giles Harvey, The New York Times Magazine From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel;” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist;” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression;” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself. "Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." — Carmen Maria Machado, author of Her Body and Other Parties “One of the foremost fiction writers exploring the subject of his own generation.” —Jia Tolentino, The New Yorker

A paperback edition with the original cover art of the classic fantasy novel by Terry Pratchett, the first book in the City Watch series, part of the Discworld novels. 'This is one of Pratchett's best books . Hilarious and highly recommended' The Times 'Possibly the funniest book ever written' 5-star reader review 'Noble dragons don't have friends. The nearest they can get to the idea is an enemy who is still alive.' The city of Ankh-Morpork is in turmoil, its citizens revolting. Again. A shadowy secret brotherhood has summoned a dragon to spread terror throughout the city, intent on overthrowing the Patrician and ruling in his place. Too bad the dragon has ideas of its own ... It's up to Captain Sam Vimes and the ramshackle Night Watch to stop it. Only problem is, the Watch are more used to dealing with mobs than dragons. And if they can't bring down this fire-breathing tyrant and reinstate their own, slightly less dangerous one, Ankh-Morpork might be lost. For ever... Guards! Guards! is the first book in the City Watch series, but you can read the Discworld novels in any order. Praise for the Discworld series: '[Pratchett's] spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction' Mail on Sunday 'Pratchett is a master storyteller .' Guardian 'One of our greatest fantasists, and beyond a doubt the funniest' George R.R. Martin 'One of those rare writers who appeals to everyone ' Daily Express 'One of the most consistently funny writers around' Ben Aaronovitch ' Masterful and brilliant ' Fantasy & Science Fiction 'Pratchett uses his other world to hold up a distorting mirror to our own... he is a satirist of enormous talent ... incredibly funny ... compulsively readable' The Times 'The best humorous English author since P.G. Wodehouse' The Sunday Telegraph 'Nothing short of magical ' Chicago Tribune 'Consistently funny , consistently clever and consistently surprising in its twists and turns' SFX '[Discworld is] compulsively readable, fantastically inventive , surprisingly serious exploration in story form of just about any aspect of our world... There's never been anything quite like it ' Evening Standard

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION • A NEW YORK TIMES BEST BOOK OF THE YEAR "A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire." —Giles Harvey, The New York Times Magazine From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel;” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist;” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression;” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself. "Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." — Carmen Maria Machado, author of Her Body and Other Parties “One of the foremost fiction writers exploring the subject of his own generation.” —Jia Tolentino, The New Yorker

#1 NEW YORK TIMES BEST SELLER • From the award-winning, best-selling author of the classic A Little Life—a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. A BEST BOOK OF THE YEAR: VOGUE • ESQUIRE • NPR • GOODREADS To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners; lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances. These three sections comprise an ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.

NATIONAL BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION A NEW YORK TIMES BEST BOOK OF THE YEAR "A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire." -Giles Harvey, The New York Times Magazine From the Whiting and O. Henry-winning author of Private Citizens ("the first great millennial novel," New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In "The Feminist," a young man's passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn't getting him laid. A young woman's unrequited crush in "Pics" spirals into borderline obsession and the systematic destruction of her sense of self. And in "Ahegao; or, The Ballad of Sexual Repression," a shy late bloomer's flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other's dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself. "Rejection is unrelentingly brutal and gut-bustingly funny and spares no one-not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." -Carmen Maria Machado, author of Her Body and Other Parties "One of the foremost fiction writers exploring the subject of his own generation." -Jia Tolentino, The New Yorker