Adobe Creative Cloud Alle Apps - kaufen bei Lizenzpate Wenn Sie auf der Suche nach der ultimativen Kreativlösung sind, dann ist die Adobe Creative Cloud Alle Apps - Pro Edition genau das Richtige für Sie. Hier bei Lizenzpate können Sie die Adobe Creative Cloud kaufen und Zugang zu einer umfassenden Suite von branchenführenden Tools und Diensten erhalten. Ob Sie ein erfahrener Profi oder ein kreativer Enthusiast sind, Adobe bietet Ihnen alles, was Sie benötigen, um Ihre kreativen Visionen zu verwirklichen. Was ist Adobe Creative Cloud Alle Apps - Pro Edition? Die Adobe Creative Cloud Alle Apps - Pro Edition ist eine Sammlung aller kreativen Desktop- und Mobilanwendungen von Adobe. Diese umfassende Suite enthält bekannte Programme wie Photoshop, Illustrator, Premiere Pro und After Effects, sowie viele weitere spezialisierte Tools für Fotografie, Design, Video und Webentwicklung. Mit dieser Edition haben Sie Zugriff auf über 20 Adobe-Apps und zahlreiche exklusive Funktionen, die Ihre Kreativität auf das nächste Level heben. Warum Adobe Creative Cloud kaufen? Beim Kauf der Adobe Creative Cloud erhalten Sie nicht nur leistungsstarke Software, sondern auch eine Vielzahl von Vorteilen: Regelmäßige Updates: Sie erhalten stets die neuesten Versionen und Funktionen der Adobe-Software. Cloud-Speicher: 100 GB Cloud-Speicher zur Sicherung Ihrer Projekte und Zusammenarbeit in Echtzeit. Bibliotheken: Greifen Sie auf eine umfangreiche Sammlung von Vorlagen, Schriftarten und Design-Assets zu. Integration: Nahtlose Integration zwischen den verschiedenen Adobe-Apps und anderen Drittanbieter-Tools. Support und Schulungen: Erhalten Sie Zugang zu Tutorials, Schulungen und einem erstklassigen Kundensupport. Photoshop Photoshop ist das weltweit führende Programm für Bildbearbeitung und Grafikdesign. Mit Photoshop können Sie Ihre Fotos optimieren, kreative Kompositionen erstellen und visuell beeindruckende Grafiken designen. Die Funktionen umfassen Ebenenbearbeitung, Retusche-Werkzeuge, Filter und Effekte, die sowohl für Anfänger als auch für Profis geeignet sind. Illustrator Illustrator ist das führende Programm für die Erstellung von Vektorgrafiken und Illustrationen. Ob Logos, Icons, Zeichnungen oder komplexe Illustrationen – Illustrator bietet Ihnen die Werkzeuge, um präzise und skalierbare Grafiken zu erstellen. Mit Funktionen wie dem Zeichenstift-Werkzeug, der Form-Erstellung und umfangreichen Farboptionen können Sie Ihre kreativen Ideen verwirklichen. Premiere Pro Premiere Pro ist das bevorzugte Werkzeug für professionelle Videobearbeitung und -produktion. Es bietet leistungsstarke Funktionen für die Bearbeitung von Filmmaterial, das Hinzufügen von Effekten und Übergängen sowie die Feinabstimmung von Audio. Premiere Pro unterstützt eine Vielzahl von Dateiformaten und bietet eine nahtlose Integration mit anderen Adobe-Tools wie After Effects und Audition. After Effects After Effects ist der Standard für visuelle Effekte und Motion Graphics. Mit diesem Programm können Sie beeindruckende Animationen, Effekte und Grafiken erstellen, die Ihre Videoprojekte auf ein neues Level heben. After Effects bietet Funktionen wie Keying, Tracking, 3D-Animation und zahlreiche Plugins, um Ihre kreativen Visionen umzusetzen. InDesign InDesign ist das ultimative Layout- und Desktop-Publishing-Programm. Es wird von Designern weltweit verwendet, um Print- und Digitalmedien wie Magazine, Broschüren, E-Books und Poster zu erstellen. InDesign bietet präzise Steuerungsfunktionen für Typografie, Layouts und interaktive Dokumente, die professionelle Ergebnisse garantieren. Adobe XD Adobe XD ist das Tool für UI/UX-Design und Prototyping. Mit XD können Sie benutzerfreundliche und ansprechende Benutzeroberflächen für Websites, Apps und andere digitale Produkte gestalten. Es bietet Funktionen wie Zeichenflächen, Wiederholungsraster, Prototyping-Tools und Echtzeit-Kollaboration, die den Designprozess effizient und intuitiv machen. Lightroom Lightroom ist die bevorzugte Wahl für

A timeless romance set in a perfect little town with a big dark secret by #1 New York Times bestselling author TJ Klune, now available in hardcover from Tor Books A bookseller, a waiter, and the best little town there is! On a temperate morning in 1954, Mike wakes up in the idyllic town of Amorea. Amorea is perfect. Mike works his dream job at the local bookstore, where he leads lively discussions of literature with the local women's club. At the diner, the walls are plastered with beaming photos of the residents, and all the staff know his order-especially Sean, the waiter who has a special smile just for Mike and, after years of anticipation, is ready to take the next step in their burgeoning romance. Everything is perfect. But the edges of the town are beginning to fray. Odd things catch Mike's attention, things no one else seems to notice or care about. There are no children or parents in Amorea and no one who's left town for the far mountains has ever come back. There are subjects in the diner photos that only a few people can remember. One night, Mike wakes up to a stormcloud of uncanny starlings blackening the sky. And soon enough, he begins to question whether his name is even Mike. As violent memories of another life interfere with everything good about Amorea and Mike loses hold on his identity, he will do whatever he can to keep Sean from the darkness that is coming. Nothing here is perfect, but there is someone worth saving. Perfect for fans of Severance, The Twilight Zone, and Stephen King, as well as queer romance. Tor Publishing Group books by TJ Klune BOOKS FOR ADULTS The Cerulean Chronicles The House in the Cerulean Sea Somewhere Beyond the Sea The Green Creek Series Wolfsong Ravensong Heartsong Brothersong Standalones The Bones Beneath My Skin Under the Whispering Door In the Lives of Puppets We Burned So Bright The Stars Look Like Home BOOKS FOR YOUNG ADULTS The Extraordinaries Series The Extraordinaries Flash Fire Heat Wave At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The complete PDF package–fast, efficient, and intuitive Ashampoo PDF Pro 5 is the complete solution to manage and edit your PDF documents. The program has everything you need to create, convert, edit, merge and protect your PDFs. Create perfectly sized documents that are readable on any device and use encryption to protect your property when needed. Your PDFs are now as easily editable as Word documents! 64-bit support for maximum performance, even with large documents Flexible view options with tabs, separate windows, or shared workspace Book layout for realistic double-page viewing Page-by-page scrolling for precise navigation Automatic document comparison via drag and drop Auto-applies most recently used font and size Open new files as tabs More power for large documents Faster launch, smoother handling, secure saves With full 64-bit support, Ashampoo PDF Pro 5 can access all available system memory to handle even the largest PDF files with ease. Now, you can work fluidly without delays or stutters, even with complex or data-heavy documents. Whether it’s technical manuals, research papers, or full catalogs–Ashampoo PDF Pro 5 handles them all with impressive speed and stability. Open PDFs your way Edit documents the way you like to work You decide how Ashampoo PDF Pro 5 opens your files. Through the options menu, you can decide if new PDFs should open in tabs, separate windows, or within the same workspace. This ensures everything remains organized and optimized according to your workflow preferences. Whether you favor focused, single-document editing or juggling multiple projects simultaneously, Ashampoo PDF Pro 5 seamlessly adapts to your style. Convenience in every detail Work smarter and save clicks with intelligent features Ashampoo PDF Pro 5 anticipates your needs and delivers noticeable convenience in daily use. When you open a PDF from Windows Explorer, it now appears as a new tab within your existing window. The new Book Layout view displays two pages side by side, just like a real book, and Page-by-Page Scrolling lets you move precisely one page per mouse wheel turn. Drag and drop two PDF files into the program to start an instant document comparison and see differences at a glance. When adding text, Ashampoo PDF Pro 5 remembers your last used font and size, ensuring a consistent look without manual adjustment. Don't copy, convert! Post-edit your documents in MS Word or other formats Ashampoo PDF converts your PDFs into text documents editable with MS Office or Ashampoo Office. HTML, EPUB, JPG or RTF are also supported as output formats. Ashampoo PDF Pro furthermore supports optical character recognition to convert your scans into editable and searchable documents. PDF creation made easy Built-in PDF printer driver for maximum flexibility Ashampoo PDF can create high-quality PDFs from any Windows application. Simply click "Print" and select the included Ashampoo PDF virtual printer. If size matters, Ashampoo PDF can automatically downsample images, e.g. to facilitate online publishing. Create trustworthy PDFs with digital signatures Sign your documents for authenticity and added trust! Digital signatures are the equivalent of an ink signature on a paper document, but much more secure. They signal authenticity and prevent secret tampering. Ashampoo PDF Pro makes signing your documents super easy and helps you build trust with your recipients.Genres: Software

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: - a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date - optimisations of the musical score as a result of continuous usage in musical practice - all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving - fingering suggestions by Conrad Hansen (alternatives in the app) - available in two collected volumes with fingerings, paperbound or clothbound - available without fingerings, paperbound - each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: - a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date - optimisations of the musical score as a result of continuous usage in musical practice - all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving - fingering suggestions by Conrad Hansen (alternatives in the app) - available in two collected volumes with fingerings, paperbound or clothbound - available without fingerings, paperbound - each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

For decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source. The printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen). G. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert; Claudio Arrau, Conrad Hansen and Artur Schnabel. Beethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app). The features of the Beethoven piano sonatas in Henle Urtext editions at a glance: -a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date -optimisations of the musical score as a result of continuous usage in musical practice -all important information about musical passages included in footnotes on the same page -notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving -fingering suggestions by Conrad Hansen (alternatives in the app) -available in two collected volumes with fingerings, paperbound or clothbound -available without fingerings, paperbound -each sonata also available separately (in print and in the app) In order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the Perahia Edition.

"Akari’s obsession is fatalistic and intense, and Usami’s prose (translated by Asa Yoneda) renders it and the hold it has on her tenuous life ably and affectingly. . . . it will especially resonate with readers familiar with real-life superfandoms such as One Direction’s at the height of its fame, down to details such as sought-after exclusive merch and hateful online comments sections. A short, engrossing novel that captures the essence of obsessive fandom.” -- Kirkus (starred review) "What's impressive about this novel is the author's ability to empathize with Akari's all-consuming love for Masaki while showing just how damaging this relationship is to Akari and everyone around her. The book left me heartbroken yet hopeful, and excited for more Usami novels to come." -- NPR.org “Haunting and sincere, Idol, Burning subverts and astonishes. Rin Usami balances humor, obsession, heartbreak, and sacrifice in her debut, crafting a story that's both enveloping and expansive. Usami's writing is thrilling and deft, and her novel illuminates the shadows cloaking our digital lives, leaving us with honesty and grace in equal measures. Idol, Burning is a barnburner and a prayer and a testament to the lengths that we'll go to reach for our dreams.”—Bryan Washington, award-winning author of Memorial and Lot The novel that lit the Japanese publishing world on fire: From a breathtaking up-and-coming writer, a twenty-first century Catcher in the Rye that brilliantly explores toxic fandom, social media, and alienated adolescence. Akari is a high school student obsessed with “oshi” Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki is her savior, her backbone, someone she believes she cannot survive without—even though she’s never actually met him. When rumors surface that her idol assaulted a female fan, social media explodes. Akari immediately begins sifting through everything she can find about the scandal, and shares every detail to her blog—including Masaki’s denials and pleas to his fans—drawing numerous readers eager for her updates. But the organized, knowledgeable persona Akari presents online is totally different from the socially awkward, unfocused teenager she is in real life. As Masaki's situation spirals, his troubles threaten to tear apart her life too. Instead of finding a way to break free to save herself, Akari becomes even more fanatical about Masaki, still believing her idol is the only person who understands her. A blistering novel of fame, disconnection, obsession, and disillusion by a young writer not much older than the novel’s heroine, Idol, Burning shines a white-hot spotlight on fandom and “stan” culture, the money-making schemes of the pop idol industry, the seductive power of social media, and the powerful emotional void that opens when an idol falls from grace, only to become a real—and very flawed—person. Translated from the Japanese by Asa Yoneda.

"Akari’s obsession is fatalistic and intense, and Usami’s prose (translated by Asa Yoneda) renders it and the hold it has on her tenuous life ably and affectingly. . . . it will especially resonate with readers familiar with real-life superfandoms such as One Direction’s at the height of its fame, down to details such as sought-after exclusive merch and hateful online comments sections. A short, engrossing novel that captures the essence of obsessive fandom.” -- Kirkus (starred review) "What's impressive about this novel is the author's ability to empathize with Akari's all-consuming love for Masaki while showing just how damaging this relationship is to Akari and everyone around her. The book left me heartbroken yet hopeful, and excited for more Usami novels to come." -- NPR.org “Haunting and sincere, Idol, Burning subverts and astonishes. Rin Usami balances humor, obsession, heartbreak, and sacrifice in her debut, crafting a story that's both enveloping and expansive. Usami's writing is thrilling and deft, and her novel illuminates the shadows cloaking our digital lives, leaving us with honesty and grace in equal measures. Idol, Burning is a barnburner and a prayer and a testament to the lengths that we'll go to reach for our dreams.”—Bryan Washington, award-winning author of Memorial and Lot The novel that lit the Japanese publishing world on fire: From a breathtaking up-and-coming writer, a twenty-first century Catcher in the Rye that brilliantly explores toxic fandom, social media, and alienated adolescence. Akari is a high school student obsessed with “oshi” Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki is her savior, her backbone, someone she believes she cannot survive without—even though she’s never actually met him. When rumors surface that her idol assaulted a female fan, social media explodes. Akari immediately begins sifting through everything she can find about the scandal, and shares every detail to her blog—including Masaki’s denials and pleas to his fans—drawing numerous readers eager for her updates. But the organized, knowledgeable persona Akari presents online is totally different from the socially awkward, unfocused teenager she is in real life. As Masaki's situation spirals, his troubles threaten to tear apart her life too. Instead of finding a way to break free to save herself, Akari becomes even more fanatical about Masaki, still believing her idol is the only person who understands her. A blistering novel of fame, disconnection, obsession, and disillusion by a young writer not much older than the novel’s heroine, Idol, Burning shines a white-hot spotlight on fandom and “stan” culture, the money-making schemes of the pop idol industry, the seductive power of social media, and the powerful emotional void that opens when an idol falls from grace, only to become a real—and very flawed—person. Translated from the Japanese by Asa Yoneda.