Deine Suche ergab leider keine Ergebnisse. Bitte ändere die zuletzt verwendeten Filter und versuche es erneut.
Anzeige
Angebote unserer Partner-Shops
"
Faber
"
Filtern
Sortieren:
Beste Treffer
Beste Treffer
Preis: niedrig bis hoch
Preis: hoch bis niedrig
Ansicht:
Faber & Faber After Fame A1068822741
After Fame is a discursive rendering of the Roman epigrammatist Martial's Book I. Its 118 poems, on themes such as work, friendship and public life, are modelled after the source material through a variety of 'treatments' - most notably machine translation (for which Latin still presents near-insurmountable difficulties), employing the results as scaffolding for poems that quickly improvise their way clear of their originals. As it progresses, the narrative is increasingly interrupted by reflections on authorship, technology, cultural complicity and the privileged, mediating role of the poet: all fixations of Martial's work that still resonate today. Pitched between translation and new writing, After Fame challenges the integrity of both categories, dramatising the obscurity of its source, refraining from easy equivalences, while insisting on its contemporary relevance.
A magisterial and profoundly perceptive survey of Britain's post-war role on the global stage, from Suez to Brexit. 'The fullest long-run political and diplomatic narrative yet of Britain's fateful, tragi-comic road to Brexit.' DAVID KYNASTON 'An instant classic . . . Stephens is a master of historical codebreaking.' PETER HENNESSEY Award-winning Financial Times journalist Philip Stephens paints a fascinating portrait of sixty years - from Suez to Brexit - as Britain struggles to reconcile its waning power with its past glory. Drawing on decades of personal contact and interviews with senior politicians and diplomats in Britain, the United States and across the capitals of Europe, Britain Alone is a magisterial and deeply perceptive history of our nation and how we arrived at the state we are in. 'Commanding . . . Rarely if ever, in the history of the British state since 1707, has one half of Britain's ruling elite committed an act of policy viewed with such absolute contempt by the other half; and rarely has that contempt been expressed with such elegance, such fluency, and such a devastating wealth of supporting detail, as in this mighty survey.' SCOTSMAN 'Profoundly knowledgeable.' CHRIS PATTEN 'Compelling.' LAWRENCE FREEDMAN 'A fascinating history.' IRISH TIMES 'A magnificent, exhilarating book' PROSPECT
Catching a sudden look of defiance from his granddaughter inspires Hugo Williams to take up his pen and write this deeply moving new collection of poetry - the first since I Knew the Bride (2014), shortlisted for the Forward and T. S. Eliot prizes. He navigates assuredly from thoughtful reminiscences of childhood and accounts of the war, through various climes and sensitively drawn relationships, to grim humour in the hospital ward and growing older with its attendant doubts and disappearances. The collection retains the same mischief, frankness and joie-de-vivre that have earned Williams so much praise and readership.
Hunt, trek, and feast among Neanderthals in this stunning vision of prehistory on the cusp of a new age, from the radical Nobel Laureate and author of Lord of the Flies, introduced by Ben Okri. This was a different voice; not the voice of the people. It was the voice of other. When spring comes, the people leave their winter cave, foraging for honey and shoots, bulbs and grubs, the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes, and share pictures in their minds. But strange things are happening - inexplicable scents, sounds, and violence - and, suddenly, unimaginable creatures are half-glimpsed in the forest; an upright new people of bone-faces and deerskins. What the early people don't know is that their season is already over ... 'An earthquake in the petrified forests of the English novel.' Arthur Koestler 'A tour de force ... Genius.' Daily Telegraph 'Alarming, eye-opening, desolating, mind-invading and unique.' New Statesman 'Powerful and provocative ... Each time I revisit The Inheritors I find something new.' Penelope Lively
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. 'Be sure you don't answer the door to anyone you don't know.' A little Patricia Highsmith, a touch of Shirley Jackson: the long-neglected Celia Fremlin wrote short, sharp stories that threw women's lives into shiver-inducing relief. In each of these twinned tales, a mother and daughter meet again, and an ordinary home becomes the setting for a return of the repressed.
'An imaginative, well-plotted mystery' Sun Sentinel 'A great read with so much excitement! WOW!' 5* reader review WINNER OF ANTHONY AWARD FOR BEST PAPERBACK ORIGINAL WINNER OF THE AGATHA AWARD NOMINATED FOR MACAVITY AWARD A TESS MONAGHAN MYSTERY In walks Luther Beale, the notorious vigilante who, five years ago, shot a boy for vandalising his car. Just out of prison, he wants to make reparations to the kids who witnessed his crime, and he needs PI Tess Monaghan to find them. But once Tess starts snooping, the witnesses start dying. Is the 'Butcher of Butchers Hill' at it again? 'One of the finest writers in America.' MARK BILLINGHAM 'One of my favourite Tess books so far. . . it's beautiful' 5* reader review 'This one brought tears to my eyes and touched me like no other book of its kind!' 5* reader review PRAISE FOR THE TESS MONAGHAN SERIES 'Tess is a heroine with a nose for what she is not being told, and she is never content with half the story. These Baltimore novels are effective thrillers, because they are stories about wanting to know what happens next.' Times Literary Supplement 'Whip smart female protagonist, gritty Baltimore setting. Loved Tess!' 5* reader review 'Readers won't be able to resist Tess, who, like one of Baltimore's famous crabs, sports a tough shell that hides a sweet centre.' BOOKLIST 'Digestible, fun, tense' NPR 'In this series, Lippman has developed sturdy tales, wry humour, and snappy dialogue wrapped around an insider's view of Baltimore.' SUN-SENTINEL 'Tess, is a ballsy, free-spirited woman who thinks on her feet and has a commanding physical presence. . . Highly recommend' 5* reader review 'What fun! I discovered a new (to me) mystery series. Tess Monaghan is a terrific main character.' 5* reader review 'I really have fallen in love with Tess Monaghan. These mystery novels well deserve the awards Lippman has won.' 5* reader review
The Ottoman Empire was a hub of flourishing intellectual fervor, geopolitical power, and enlightened pluralistic rule. At the helm of its ascent was the omnipotent Sultan Selim I (1470-1520), who, with the aid of his extraordinarily gifted mother, Gülbahar, hugely expanded the empire, propelling it onto the world stage. Aware of centuries of European suppression of Islamic history, Alan Mikhail centers Selim's Ottoman Empire and Islam as the very pivots of global history, redefining such world-changing events as Christopher Columbus's voyages - which originated, in fact, as a Catholic jihad that would come to view Native Americans as somehow "Moorish" - the Protestant Reformation, the transatlantic slave trade, and the dramatic Ottoman seizure of the Middle East and North Africa. Drawing on previously unexamined sources and written in gripping detail, Mikhail's groundbreaking account vividly recaptures Selim's life and world. An historical masterwork, God's Shadow radically reshapes our understanding of a world we thought we knew. A leading historian of his generation, Alan Mikhail, Professor of History and Chair of the Department of History at Yale University, has reforged our understandings of the past through his previous three prize-winning books on the history of Middle East.
Chronic overachiever Prudence Barnett is always quick to cast judgment on the lazy, rude, and arrogant residents of her coastal town. Her dreams of karmic justice are fulfilled when, after a night out with her friends, she wakes up with the sudden ability to cast instant karma on those around her. Pru giddily makes use of the power, punishing everyone from public vandals to mean gossips, but there is one person on whom her powers consistently backfire: Quint Erickson, her slacker of a lab partner. Quint is annoyingly cute and impressively noble, especially when it comes to his work with the rescue center for local sea animals. When Pru resigns herself to working at the rescue centre for extra credit, she begins to uncover truths about baby otters, environmental upheaval, and romantic crossed signals - not necessarily in that order. Her newfound karmic insights reveal how thin the line is between virtue and vanity, generosity and greed . . . love and hate . . . and fate.
A lamppost. Night. Two friends are passing time. Stuck. Waiting for change. Inspired by Waiting for Godot and the Exodus, Antoinette Nwandu fuses poetry, humour and humanity in a rare and politically charged new play which exposes the experiences of young men in a world that refuses to see them. Pass Over by Antoinette Nwandu received its UK premiere at the Kiln Theatre, London, in February 2020.
* A Financial Times and Evening Standard Book of the Year * * LONGLISTED FOR THE BOOKER PRIZE 2019 * * SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2020 * 'Masterly . . . A signal achievement . . . Remarkable.' Guardian 'A 1984 for our times.' Daily Express Kavanagh begins his time patrolling the Wall. If he's lucky, if nothing goes wrong, he only has to do two years of this. 729 more nights. The best thing that can happen is that he survives and gets off the Wall and will never have to spend another day of his life anywhere near it. But what if something did happen - if the Others came, if he had to fight for his life? Thrilling and heartbreaking, The Wall is about a troubled world you will recognise as your own - and about what might be found when all is lost.
A SUNDAY TIMES AND TLS BOOK OF THE YEAR, SHORTLISTED FOR THE AN POST IRISH BOOK AWARDS 2025 FROM THE BESTSELLING AUTHOR OF SNOW AND THE SEA Everything was a puzzle, everything a trap set to mystify and hinder me. . . Winter 1899, and strange things are afoot. As the new century approaches, English hack writer Evelyn Dolman marries Laura Rensselaer, the daughter of a wealthy American plutocrat. But in the midst of a rift between Laura and her father, Evelyn's plans for a substantial inheritance look to be dashed. Arriving in Venice for their belated honeymoon at Palazzo Dioscuri - the ancestral home of the charming but treacherous Count Barbarigo - the couple are met by a series of seemingly otherworldly occurrences, which exacerbate Evelyn's already frayed nerves. Is it just the sea mist blanketing the floating city, or is he really losing his mind? 'A marvellous and rewarding novelist . . . He is a magician, really.' THE SCOTSMAN 'Banville has a grim gift of seeing people's souls.' DON DeLILLO 'The most eminent innovator in Irish fiction of the last 50 years.' IRISH TIMES 'One of my favourite writers alive.' REBECCA F. KUANG 'Banville writes prose of such luscious elegance.' NEW YORK TIMES