From the mastermind behind The Dangerous Damsels series, India Holton delivers another fantastical and whimsical story that's perfect to read with a cup of tea . . . Rival ornithologists hunt through Europe for dangerous magical birds in this historical fantasy romance. If Indiana Jones featured manners, tea, and helicopter parasols – this would be it! ---- Two rival ornithologists. Seeking one dangerous, beautiful bird. Is the hunt of their lives also how they find the love of their lives? Professor Beth Pickering is on the verge of finally capturing the rare Deathwhistler bird when Professor Devon Lockley swoops in, stealing both her bird and her imagination. For his part, Devon has never been more smitten than when he first set eyes on Beth. When a competition to become Birder of the Year by capturing an endangered caladrius bird is announced, Beth and Devon are forced to team up to have any chance of winning. They're hunting the rarest of species. But will these rivals discover something even more endangered – true love . . . Tropes: 1. Enemies-to-lovers 2. One bed / one horse 3. Badass feminist 4. Who hurt you? ---- Readers are loving The Ornithologist's Field Guide to Love ‘India's latest novel is nothing short of a fun, wild, and swoon-worthy ride’ ***** Reader Review ‘Everything about this was absurd in the best way and I loved it so much’ ***** Reader Review ‘I've never before so strongly felt the author's glee emanating from every page-- rife with devious smiles and cackling laughter’ ***** Reader Review ‘Truly a love letter to Romance reader’ ***** Reader Review ‘This was everything I was hoping it would be! It was charming, whimsical, enchanting, funny, & swoon worthy’ ***** Reader Review

'Truly delicious... everything I want a book to be' DAISY BUCHANAN 'Wickedly delectable' NEW YORK TIMES 'Hugely fun' i PAPER 'Salacious and addictive, every page left me giggling with glee' ANNIE LORD 'Juicy, salacious and a whole lot of fun' GLAMOUR THE NEW YORK TIMES BESTSELLER FROM THE AUTHOR OF CRAZY RICH ASIANS Eden Tong is used to feeling out of place. Growing up next door to Greshamsbury Manor, she spent her days in the shadow of the chilly matriarch Arabella and her children: free-spirited Augie , golden child Bea , and Rufus , Eden's childhood best friend. When she receives an invite to a luxurious wedding in Hawaii, she finds herself thrown back into the family's orbit: and face-to-face with Rufus. The future Earl is gorgeous, artistic, and - unbeknownst to Eden - desperately in love with her. But his mother has other plans. Arabella knows the terrible truth - the Greshamsbury family is drowning in debt. Rufus needs to find a match with serious money to keep them afloat. Arabella is prepared to destroy anyone who gets in her way. Including Eden . . . Lies and Wedding transports its reader from the white-sand beaches of Hawaii to the colourful medinas of Marrakech, via the glitzy bachelor pads of Beverly Hills and opulent English countryside manors. This is a hilarious, juicy, and page-turning story about love and money - and the lies we tell to keep them. *** PRAISE FOR KEVIN KWAN 'Your perfect summer read' DAILY MAIL 'Delightful' INDEPENDENT 'Laugh-out-loud funny' SUNDAY MIRROR 'Pure entertainment' NYLON 'Hilarious' COSMOPOLITAN

“Mind-expanding . . . The Score is so exuberant and readable that the depth and seriousness of its insights almost sneak up on you.” —Jennifer Szalai, The New York Times “Brilliant and wildly original . . . The Score is socially attentive, historically literate and imbued with sensual glee.” —Becca Rothfeld, The Washington Post “I give this excellent book five stars.” —Stuart Jeffries, Financial Times A philosophy of games to help us win back control over what we value The philosopher C. Thi Nguyen—one of the leading experts on the philosophy of games and the philosophy of data—takes us deep into the heart of games, and into the depths of bureaucracy, to see how scoring systems shape our desires. Games are the most important art form of our era. They embody the spirit of free play. They show us the subtle beauty of action everywhere in life in video games, sports, and boardgames—but also cooking, gardening, fly-fishing, and running. They remind us that it isn’t always about outcomes, but about how glorious it feels to be doing the thing. And the scoring systems help get us there, by giving us new goals to try on. Scoring systems are also at the center of our corporations and bureaucracies—in the form of metrics and rankings. They tell us exactly how to measure our success. They encourage us to outsource our values to an external authority. And they push on us to value simple, countable things. Metrics don’t capture what really matters, they only capture what’s easy to measure. The price of that clarity is our independence. The Score asks us is this the game you really want to be playing?

“Mind-expanding . . . The Score is so exuberant and readable that the depth and seriousness of its insights almost sneak up on you.” —Jennifer Szalai, The New York Times “Brilliant and wildly original . . . The Score is socially attentive, historically literate and imbued with sensual glee.” —Becca Rothfeld, The Washington Post “I give this excellent book five stars.” —Stuart Jeffries, Financial Times A philosophy of games to help us win back control over what we value The philosopher C. Thi Nguyen—one of the leading experts on the philosophy of games and the philosophy of data—takes us deep into the heart of games, and into the depths of bureaucracy, to see how scoring systems shape our desires. Games are the most important art form of our era. They embody the spirit of free play. They show us the subtle beauty of action everywhere in life in video games, sports, and boardgames—but also cooking, gardening, fly-fishing, and running. They remind us that it isn’t always about outcomes, but about how glorious it feels to be doing the thing. And the scoring systems help get us there, by giving us new goals to try on. Scoring systems are also at the center of our corporations and bureaucracies—in the form of metrics and rankings. They tell us exactly how to measure our success. They encourage us to outsource our values to an external authority. And they push on us to value simple, countable things. Metrics don’t capture what really matters; they only capture what’s easy to measure. The price of that clarity is our independence. The Score asks us is this the game you really want to be playing?

In A Table for Fortune , National Book Award-winner William T. Vollmann depicts from the balcony-level of history the last half-century of American politics, war, and life. At once a family drama, bildungsroman, and national epic, this 3,000+ page, four-part novel may be our most ambitious writer's most ambitious work. Parts 1 and 2 gather from the half-forgotten annals of the near-past –– Stasi documents, Iraqi newspaper articles, presidential radio addresses –– to form a vivid and mesmeric epic centered on Elliott Stevens, or DAVE, a CIA analyst whose glee at winning the Cold War is matched only by the dread that culminates in the nightmares of September eleventh and the resulting War on Terror. The hero of Parts 3 and 4 is Matthew Stevens, Elliott's son, whose efforts to divine the fate of his life and escape his parents result in homelessness, addiction, and perhaps even happiness. Spanning from 1968 to 2019, these volumes comb together –– with Vollmann's trademark generous wit and Olympian prose –– a staggeringly well-researched, definitive history of American post-war foreign policy with a deft, moving chronicle of a family's descent into resentment and gloom. Not since War and Peace have the internal lives of characters and the history of a nation been forged together in so forceful a study of causes, fate, and nationhood. Elliott and Matthew Stevens are “passengers within a divine bullet;” which, like Gogol's troika before it, overtakes all flying to its nation's end. This boxed set, with all four volumes in hardcover, allows the book to be read as intended: as one towering novel, the magnum opus of one of the giants of literature.

This is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King. 'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered and the bloody glee of lives lost is chillingly captured in these tales of wasted potential and casual cruelty by a master of the short story. Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48. 'An amazing writer ... if you haven't read any of her short stories ... you have missed out on something marvellous' Neil Gaiman 'Her stories are stunning, timeless - as relevant and terrifying now as when they were first published ... 'The Lottery' is so much an icon in the history of the American short story that one could argue it has moved from the canon of American twentieth-century fiction directly into the American psyche, our collective unconscious' A. M. Homes

A BLISTERINGLY FUNNY POLITICAL CRITIQUE WRAPPED UP IN A MURDER MYSTERY, FROM ONE OF BRITAIN'S MOST BELOVED NOVELISTS - AVAILABLE FOR PRE-ORDER NOW Post-university life doesn’t suit Phyl. Time passes slowly living back home with her parents, working a zero-hour contract serving Japanese food to holidaymakers at Heathrow’s Terminal 5. As for her budding plans of becoming a writer, those are going nowhere. That is, until family friend Chris comes to stay. He’s been on the path to uncover a sinister think-tank, founded at Cambridge University in the 1980s, that’s been scheming to push the British government in a more extreme direction. One that’s finally poised to put their plans into action. But speaking truth to power can be dangerous - and power will stop at nothing to stay on top. As Britain finds itself under the leadership of a new Prime Minister whose tenure will only last for seven weeks, Chris pursues his story to a conference being held deep in the Cotswolds, where events take a sinister turn and a murder enquiry is soon in progress. But will the solution to the mystery lie in contemporary politics, or in a literary enigma that is almost forty years old? Darting between decades and genres, THE PROOF OF MY INNOCENCE is a wickedly funny and razor-sharp new novel from one of Britain’s most beloved novelists, showing how the key to understanding the present can often be found in the murkiest corners of the past. 'Probably the best English novelist of his generation' Nick Hornby 'Coe shows an understanding of this country that goes beyond what most cabinet ministers can muster . . . he is a master of satire but pokes fun subtly, without ever being cruel, biting or blatant . . . his light, funny writing makes you feel better' Evening Standard ‘British novelists love to diagnose the state of the nation. Few do it better than Jonathan Coe, who writes with warmth and subversive glee about social change and the comforting mundanities it imperils’ Spectator

Troubleshooters! Do you like weird, risky experiments? (Yes!) Do you like testing devices that could leave behind a smoking crater if you use it wrong? (Uh, yes?) Do you like taking the blame for design mistakes, production errors, structural damage and enough deaths that genocide-ish is now a term? (Can I say anything other than yes? Ah, that laser pistol answered my question. Very yes!) Project Infiinite Hole brings the wonder, broken laws of physics and lapse safety standards of Research & Design back to Paranoia! Instead of simply sending Troubleshooters to their much-deserved deaths, you can also send experimental devices with them that help their much-deserved deaths happen more often! Inside, you will find: The Happy Testing Catalogue: New Paranoia GMs will see 40 new experimental devices such as Fluffy Safety Armour and the Jaws of Death. Experienced Paranoia GMs will see many splendid ways to make players weep. With joy? Sure, why not. The GM R&D Service Book: Several fine articles explaining how to use R&D in your missions that definitely are not filler so we could charge more for this sourcebox. Need an NPC? Here they are! Need a Research & Design room? We got those! Need a way to help Troubleshooters survive? Sorry, fresh out. The R&D Mission Book: But what about those lazy GMs who want the work done for them? If they can put the imitation cheese-powdered snacks down long enough, they will find two full missions that start the Project Infinite Hole campaign! Oh, and there’s a black hole destroying all you know and love (In the missions, not this sourcebox. Apparently, governments frown on selling singularities in cardboard boxes.) The R&D Deck: You want cards? Tough, here are 120 of ‘em, ready to be handed out to players who think they’re all clever. Watch their faces go from devilish glee to abject fright as they realise how the device can backfire. Literally.

“Russell is one of the most original American authors working today. She's also one of the best. Orange World is a thing of beauty, a stunning collection from one of the most brilliant literary minds of her generation.” — Michael Schaub, NPR “[A] masterpiece. . . . Incandescent. . . . [A] superb collection.” —The Wall Street Journal “ Orange World makes me want to shout with joy. Russell’s ease with her material, her sheer glee on the page, shines through in each piece. . . . Delicious.” —Bethanne Patrick, The Washington Post “Russell’s language rockets off the page. . . . One of our most entrancing storytellers.” —Vogue “A rare combination of literary brilliance and unbridled entertainment.” —Mark Haddon “Is there a colorist in American fiction with the same vivid talents as Karen Russell? . . . Her descriptions are 21st century Dickensian genius.” — The Boston Globe “Russell creates fully realized worlds. Her writing is particular and alive. Her imagination spills over the sink and hits the backsplash.” —The New York Times “Russell’s particular gift lies in taking themes that are close to universal and presenting them in stories whose strangeness comes to seem entirely natural, even necessary.” — The New York Times Book Review “Marvelous. . . . Startlingly inventive stories which confirm Russell’s status as master of the slipstream.” — San Francisco Chronicle “Astonishing. . . . Russell seems the most natural storyteller alive, so completely does she give herself to premises that might undo a lesser writer.” — New York Review of Books “A stunning collection. . . . It'll get under your skin in the best possible way.” —Good Housekeeping “[A] brilliantly inventive . . . wonderful new collection of short stories. . . . Russell grounds each story in human experience, both poignant and hilarious in turn. . . . Underlying all of this is the exquisite beauty of Russell’s sentences, which will repeatedly surprise readers with their imagery and masterful language.” —BookPage (starred review) “Eight crisp stories that will leave longtime fans hungry for more. . . . A momentous feat of storytelling in an already illustrious career.” —Kirkus Reviews (starred review) “Virtuoso Russell, gifted with acute insights, compassion, and a daring, free-diving imagination, explores the bewitching and bewildering dynamic between ‘the voracious appetite of nature and its yawning indifference’ and humankind’s relentless profligacy and obliviousness.” —Booklist (starred review) “Orange World is [Russell’s] best collection yet. Her imagination’s baroque syntax has been planed down to the absolute essentials, allowing the power of her vision to speak for itself. . . . This is prophetic work written with clarifying fury.” —Lit Hub

A TALE FOR ANYONE WHO'S EVER FALLEN FOR THE VILLAIN... When her whole life collapsed, Rae still had books. Dying, she seizes a second chance at living: a magical bargain that lets her enter the world of her favourite fantasy series. She wakes in a castle on the edge of a hellish chasm, in a kingdom on the brink of war. Home to dangerous monsters, scheming courtiers and her favourite fictional character: the Once and Forever Emperor. He's impossibly alluring, as only fiction can be. And in this fantasy world, she discovers she's not the heroine, but the villainess in the Emperor's tale. So be it. The wicked are better dressed, with better one-liners, even if they're doomed to bad ends. She assembles the wildly disparate villains of the story under her evil leadership, plotting to change their fate. But as the body count rises and the Emperor's fury increases, it seems Rae and her allies may not survive to see the final page. This adult epic fantasy debut from Sarah Rees Brennan puts the reader in the villain's shoes, for an adventure that is both 'brilliant' (Holly Black) and 'supremely satisfying' (Leigh Bardugo). Expect a rogue's gallery of villains including an axe wielding maid, a shining knight with dark moods, a charmingly homicidal bodyguard, and a playboy spymaster with a golden heart and a filthy reputation. ***** ' Audacious, and supremely satisfying , Long Live Evil is the chosen one we've been waiting for . It succeeds as both a brilliant meditation on the pleasures and perils of fiction, and a sweeping, romantic adventure in its own right. Get ready to laugh out loud, cry in public, and cheer on the villains as Brennan smashes through tropes with witty, wild glee in this delicious, subversive treat of a book' Leigh Bardugo ' The fantasy novel that every fantasy reader has been waiting for' Jay Kristoff 'Long Live Evil is a glorious, swoon-worthy villain romance . What a delicious read' Tasha Suri 'The compulsion Brennan casts over her readers is unholy. Not only could I not put Long Live Evil down, I barely remembered to blink. It was so immersive that when I finished I put my face in my pillow and screamed in actual devastation at being kicked out of the story. Utterly magical' Shelley Parker-Chan 'Sarah Rees Brennan's charms are unmatched. Her books makes you feel as if you're in on the joke and always invited on the most fantastic and romantic adventure ' Rainbow Rowell 'Long Live Evil is the huge-hearted and whip-smart epic fantasy of my dreams. I went in laughing and came out crying, and so will you. I'm obsessed' Alix E. Harrow 'Brennan's brilliant Long Live Evil harnesses clever banter, delightful turns of phrase, and epic worldbuilding in the service of exploring the nature of stories and the freedom that comes with embracing being named a villain - and maybe actually becoming one. Most of all, it introduces us to Rae, who uses her quick-thinking, loyalty, and ferocity to sidestep (and do the occasional musical number around) doom' Holly Black 'Utterly brilliant. I can't stop thinking about Long Live Evil , which has rocketed to the top of my list of all time favourite fantasy novels. Pick this up immediately, Brennan will take everything you think you know about fantasy and turn it on it