The bestselling author of The Willpower Instinct introduces a surprising science-based book that doesn't tell us why we should exercise but instead shows us how to fall in love with movement. Exercise is health-enhancing and life-extending, yet many of us feel it's a chore. But, as Kelly McGonigal reveals, it doesn't have to be. Movement can and should be a source of joy. Through her trademark blend of science and storytelling, McGonigal draws on insights from neuroscience, psychology, anthropology, and evolutionary biology, as well as memoirs, ethnographies, and philosophers. She shows how movement is intertwined with some of the most basic human joys, including self-expression, social connection, and mastery--and why it is a powerful antidote to the modern epidemics of depression, anxiety, and loneliness. McGonigal tells the stories of people who have found fulfillment and belonging through running, walking, dancing, swimming, weightlifting, and more, with examples that span the globe, from Tanzania, where one of the last hunter-gatherer tribes on the planet live, to a dance class at Juilliard for people with Parkinson's disease, to the streets of London, where volunteers combine fitness and community service, to races in the remote wilderness, where athletes push the limits of what a human can endure. Along the way, McGonigal paints a portrait of human nature that highlights our capacity for hope, cooperation, and self-transcendence. The result is a revolutionary narrative that goes beyond familiar arguments in favor of exercise, to illustrate why movement is integral to both our happiness and our humanity. Readers will learn what they can do in their own lives and communities to harness the power of movement to create happiness, meaning, and connection.

'Oh why, supreme Father, are you deserting me in my ultimate peril? Where now is your care for your son?' Marco Girolamo Vida's Christias, or The Epic of Christ, is one of the supreme achievements of sixteenth-century literature. It offers a vivid, energetic retelling of the life of Christ, steeped in the classical tradition of epic poetry as represented chiefly by Virgil's Aeneid. The familiar Bible stories are recast in the heroic idiom of Latin epic, representing Christ's mission on earth as a quest for the redemption of humanity. Vida deploys the full resources of classical rhetoric to lend power and pathos to Christian theology, while subtle and intricate allusions to classical texts and other earlier literature deepen the implications of his narrative and the characterisation of major figures from the biblical tradition. The result is a rich, imaginative amalgam of classical, Christian, and early modern elements which was to inspire later authors such as John Milton and Torquato Tasso, and would be imitated and translated in numerous European languages over the following centuries. This new translation by L. B. T. Houghton captures the drama, majesty, and humanity of Vida's epic and identifies the poet's most important literary models, setting this hugely influential work within its historical, intellectual, and artistic contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Before best-selling author Helen Macdonald told the story of the goshawk in H Is for Hawk, she told the story of the falcon, in a cultural history of the masterful creature that can "cut the sky in two" with the "perfectly aerodynamic profile of a raindrop," as she so incisively puts it. In talon-sharp prose she explores the spell the falcon has had over her and, by extension, all of us, whether we've seen them "through binoculars, framed on gallery walls, versified by poets, flown as hunting birds, through Manhattan windows, sewn on flags, stamped on badges, or winnowing through the clouds over abandoned arctic radar stations." Macdonald dives through centuries and careens around the globe to tell the story of the falcon as it has flown in the wild skies of the natural world and those of our imagination. Mixing history, myth, and legend, she explores the long history of the sport of falconry in many human cultures--from Japan to Abu Dhabi to Oxford; she analyzes the falcon's talismanic power as a symbol in art, politics, and business; and she addresses the ways we have both endangered and protected it. Along the way we discover how falcons were mobilized in secret military projects; their links with espionage, the Third Reich, the Holy Roman Empire, and space programs; and how they have figured in countless stories of heroism and, of course, the erotic. Best of all, Macdonald has given us something fresh: a new introduction that draws on all her experience to even further invigorate her cherished subject. The result is a deeply informed book written with the same astonishing lyrical grace that has captivated readers and had everyone talking about this writer-cum-falconer.

How can we fix what we can't see? The norms crushing innovation—and our joy—are finally made visible. All 24 of them. In Our Best Work, Nilofer Merchant names the 24 invisible norms—born of hierarchy, control, and a worn-out model of capitalism—that limit us all. Along the way, she dismantles some of management’s most beloved ideas: Servant Leadership Personal Branding Speaking Up Performance Reviews Move Fast and Break Things These aren’t just ideas that fall short—they are daily routines that trap us in the past. Merchant exposes how and why they fail us. But it’s not enough to know the problem, we must also know how to move forward. She lights the path to the future by providing the 24 leading indicators that bring out the best of us and the best of us. Each chapter closes with a concrete practice, so teams can turn insight into action. Ranked among the world’s most influential management thinkers by Thinkers50, Merchant brings an unmatched range of experience: from her start as an administrative assistant to shaping strategy at Apple and early-stage startups to serving on corporate boards. She has experienced the realities of power from every seat at the table, across industries, and around the globe. Her ideas have already reshaped companies—and their futures. With this incisive take, Merchant offers a clear and collective path to do our best work, including: Unlocking the essential source of innovation: new and novel ideas Replacing competition with trust Creating the solutions of tomorrow, not just today’s profits If you’ve tired of self-help fixes or the latest fads, Our Best Work offers another way: by changing the rules of work itself.

Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact. Edgecomb has sent seventy-eight inmates to their date with "old sparky", but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours. Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months. And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe). With illustrations and a new frontispiece for this edition by Mark Geyer.

With the immediacy of today s NASDAQ close and the timeless power of a Greek tragedy, The Quants is at once a masterpiece of explanatory journalism, a gripping tale of ambition and hubris, and an ominous warning about Wall Street s future. In March of 2006, four of the world s richest men sipped champagne in an opulent New York hotel. They were preparing to compete in a poker tournament with million-dollar stakes, but those numbers meant nothing to them. They were accustomed to risking billions. On that night, these four men and their cohorts were the new kings of Wall Street. Muller, Griffin, Asness, and Weinstein were among the best and brightest of a new breed, the quants. Over the prior twenty years, this species of math whiz--technocrats who make billions not with gut calls or fundamental analysis but with formulas and high-speed computers--had usurped the testosterone-fueled, kill-or-be-killed risk-takers who d long been the alpha males the world s largest casino. The quants helped create a digitized money-trading machine that could shift billions around the globe with the click of a mouse. Few realized, though, that in creating this unprecedented machine, men like Muller, Griffin, Asness and Weinstein had sowed the seeds for history s greatest financial disaster. Drawing on unprecedented access to these four number-crunching titans, The Quants tells the inside story of what they thought and felt in the days and weeks when they helplessly watched much of their net worth vaporize--and wondered just how their mind-bending formulas and genius-level IQ s had led them so wrong, so fast.

THE SUNDAY TIMES BESTSELLER THE TIMES SCIENCE BOOK OF THE YEAR **Shortlisted for the Financial Times Business Book of the Year Award** Picked as a Book of the Year by FINANCIAL TIMES, ECONOMIST and NEW STATESMAN A BBC RADIO 4 Book of the Week 'A compelling narrative of the human story' TIM MARSHALL, author of Prisoners of Geography 'Lively, rich and exciting... full of surprises' PETER FRANKOPAN, author of The Silk Roads _____________ Sand, salt, iron, copper, oil and lithium. They built our world, and they will transform our future. These are the six most crucial substances in human history. They took us from the Dark Ages to the present day. They power our computers and phones, build our homes and offices, and create life-saving medicines. But most of us take them completely for granted. In Material World, Ed Conway travels the globe - from the sweltering depths of the deepest mine in Europe, to spotless silicon chip factories in Taiwan, to the eerie green pools where lithium originates - to uncover a secret world we rarely see. Revealing the true marvel of these substances, he follows the mind-boggling journeys, miraculous processes and little-known companies that turn the raw materials we all need into products of astonishing complexity. As we wrestle with climate change, energy crises and the threat of new global conflict, Conway shows why these substances matter more than ever before, and how the hidden battle to control them will shape our geopolitical future. This is the story of civilisation - our ambitions and glory, innovations and appetites - from a new perspective: literally from the ground up.

`Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of `Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb. The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

From the author of the #1 New York Times bestseller Inside of a Dog and The Year of the Puppy , this “elegant and entertaining” (The Boston Globe) explanation of how humans perceive their environments “does more than open our eyes...opens our hearts and minds, too, gently awakening us to a world—in fact, many worlds—we’ve been missing” (USA TODAY). Alexandra Horowitz shows us how to see the spectacle of the ordinary—to practice, as Sir Arthur Conan Doyle put it, “the observation of trifles.” Structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, On Looking features experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a geologist, a physician, and a sound designer. Horowitz also walks with a child and a dog to see the world as they perceive it. What they see, how they see it, and why most of us do not see the same things reveal the startling power of human attention and the cognitive aspects of what it means to be an expert observer. Page by page, Horowitz shows how much more there is to see—if only we would really look. Trained as a cognitive scientist, she discovers a feast of fascinating detail, all explained with her generous humor and self-deprecating tone. So turn off the phone and other electronic devices and be in the real world—where strangers communicate by geometry as they walk toward one another, where sounds reveal shadows, where posture can display humility, and the underside of a leaf unveils a Lilliputian universe—where; indeed, there are worlds within worlds within worlds.

'Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Familes,and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.' (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world 'into two different Parties, Pamelists and Antipamelists', even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant's long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse. Based on the original text of 1740, from which Richardson later retreated in a series of defensive revisions, this edition makes available the version of Pamela that aroused such widespread controversy on its first appearance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and reporting from the center of Israel’s war with Hezbollah. Soon she was soon on assignment all over the globe. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward covered Bashar al-Assad’s reign of terror without fear and with courage and compassion. In 2018, Ward rose to new heights at CNN and became a mother. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world.

Before best-selling author Helen Macdonald told the story of the goshawk in H Is for Hawk, she told the story of the falcon, in a cultural history of the masterful creature that can "cut the sky in two" with the "perfectly aerodynamic profile of a raindrop," as she so incisively puts it. In talon-sharp prose she explores the spell the falcon has had over her and, by extension, all of us, whether we've seen them "through binoculars, framed on gallery walls, versified by poets, flown as hunting birds, through Manhattan windows, sewn on flags, stamped on badges, or winnowing through the clouds over abandoned arctic radar stations." Macdonald dives through centuries and careens around the globe to tell the story of the falcon as it has flown in the wild skies of the natural world and those of our imagination. Mixing history, myth, and legend, she explores the long history of the sport of falconry in many human cultures--from Japan to Abu Dhabi to Oxford; she analyzes the falcon's talismanic power as a symbol in art, politics, and business; and she addresses the ways we have both endangered and protected it. Along the way we discover how falcons were mobilized in secret military projects; their links with espionage, the Third Reich, the Holy Roman Empire, and space programs; and how they have figured in countless stories of heroism and, of course, the erotic. Best of all, Macdonald has given us something fresh: a new introduction that draws on all her experience to even further invigorate her cherished subject. The result is a deeply informed book written with the same astonishing lyrical grace that has captivated readers and had everyone talking about this writer-cum-falconer.

“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and reporting from the center of Israel’s war with Hezbollah. Soon she was soon on assignment all over the globe. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward covered Bashar al-Assad’s reign of terror without fear and with courage and compassion. In 2018, Ward rose to new heights at CNN and became a mother. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world.

Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact. Edgecomb has sent seventy-eight inmates to their date with "old sparky", but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours. Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months. And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe). With illustrations and a new frontispiece for this edition by Mark Geyer.

`Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of `Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb. The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

From the author of the #1 New York Times bestseller Inside of a Dog and The Year of the Puppy , this “elegant and entertaining” (The Boston Globe) explanation of how humans perceive their environments “does more than open our eyes...opens our hearts and minds, too, gently awakening us to a world—in fact, many worlds—we’ve been missing” (USA TODAY). Alexandra Horowitz shows us how to see the spectacle of the ordinary—to practice, as Sir Arthur Conan Doyle put it, “the observation of trifles.” Structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, On Looking features experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a geologist, a physician, and a sound designer. Horowitz also walks with a child and a dog to see the world as they perceive it. What they see, how they see it, and why most of us do not see the same things reveal the startling power of human attention and the cognitive aspects of what it means to be an expert observer. Page by page, Horowitz shows how much more there is to see—if only we would really look. Trained as a cognitive scientist, she discovers a feast of fascinating detail, all explained with her generous humor and self-deprecating tone. So turn off the phone and other electronic devices and be in the real world—where strangers communicate by geometry as they walk toward one another, where sounds reveal shadows, where posture can display humility, and the underside of a leaf unveils a Lilliputian universe—where; indeed, there are worlds within worlds within worlds.

A wonderfully original take on a Rock and Roll autobiography' Paul McCartney 'An inimitable Rock 'n' Roll life told as boldly as it was lived' Bruce Springsteen What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. The first true heartbeat of UNREQUITED INFATUATIONS is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison. By the '90s, Van Zandt had lived at least two lives-one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos-as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen). Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Underground Garage), a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. UNREQUITED INFATUATIONS chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

A wonderfully original take on a Rock and Roll autobiography' Paul McCartney 'An inimitable Rock 'n' Roll life told as boldly as it was lived' Bruce Springsteen What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. The first true heartbeat of UNREQUITED INFATUATIONS is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison. By the '90s, Van Zandt had lived at least two lives-one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos-as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen). Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Underground Garage), a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. UNREQUITED INFATUATIONS chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

#1 NEW YORK TIMES BESTSELLER • Brené Brown has taught us what it means to dare greatly, rise strong, and brave the wilderness. Now, based on new research conducted with leaders, change makers, and culture shifters, she’s showing us how to put those ideas into practice so we can step up and lead. Don’t miss the five-part Max docuseries Brené Brown: Atlas of the Heart! ONE OF BLOOMBERG’S BEST BOOKS OF THE YEAR Leadership is not about titles, status, and wielding power. A leader is anyone who takes responsibility for recognizing the potential in people and ideas, and has the courage to develop that potential. When we dare to lead, we don’t pretend to have the right answers; we stay curious and ask the right questions. We don’t see power as finite and hoard it; we know that power becomes infinite when we share it with others. We don’t avoid difficult conversations and situations; we lean into vulnerability when it’s necessary to do good work. But daring leadership in a culture defined by scarcity, fear, and uncertainty requires skill-building around traits that are deeply and uniquely human. The irony is that we’re choosing not to invest in developing the hearts and minds of leaders at the exact same time as we’re scrambling to figure out what we have to offer that machines and AI can’t do better and faster. What can we do better? Empathy, connection, and courage, to start. Four-time #1 New York Times bestselling author Brené Brown has spent the past two decades studying the emotions and experiences that give meaning to our lives, and the past seven years working with transformative leaders and teams spanning the globe. She found that leaders in organizations ranging from small entrepreneurial startups and family-owned businesses to nonprofits, civic organizations, and Fortune 50 companies all ask the same question: How do you cultivate braver, more daring leaders, and how do you embed the value of courage in your culture? In Dare to Lead, Brown uses research, stories, and examples to answer these questions in the no-BS style that millions of readers have come to expect and love. Brown writes, “One of the most important findings of my career is that daring leadership is a collection of four skill sets that are 100 percent teachable, observable, and measurable. It’s learning and unlearning that requires brave work, tough conversations, and showing up with your whole heart. Easy? No. Because choosing courage over comfort is not always our default. Worth it? Always. We want to be brave with our lives and our work. It’s why we’re here.” Whether you’ve read Daring Greatly and Rising Strong or you’re new to Brené Brown’s work, this book is for anyone who wants to step up and into brave leadership.

Legends born in the shadows of ruin. The adventurer’s paradise of Haven flourishes, while a dark power within the adjacent ruins of Parlainth stirs. Parlainth was once Thera’s crown jewel in Barsaive, but the opulent city was brought low during the Scourge. When Namegivers first returned to the world, a group of adepts came together to found a town on the ruin’s borders. From this town, countless young heroes have embarked on quests for fortune and glory. Nearly five years after the end of the Second Theran War, more heroes than ever before flock to the chaotic frontier town. The troll explorer-turned-mayor, Torgak, is getting on in years. The Association of Unaffiliated Explorers agitates for fair and balanced elections to appoint his replacement. The dwarf merchants of Throal and vested Theran interests eye the changing market hungrily. With so many looking to Haven’s political future, it has fallen to private interests, the Adventuring Companies of Haven, to ensure that Barsaive’s next generation of heroes do not fall to ignoble fates. This sourcebook provides a description of Haven’s history and lays out its prominent players as of 1517 TH. It provides additional rules and guidelines for players as well as gamemasters who wish to participate in the Earthdawn community’s Legends of Barsaive adventures that are run at various tables around the globe. This text also provides guidelines for running Legends of Barsaive adventures as a campaign at your home table. In addition to the revised and expanded Haven Guidebook, this book collects the first eight Legends of Barsaive adventures: Toys in the Attic, Lip Service, Separation Anxiety, That Which Was Lost, Games of the Hungry, Glass Houses, Heavy Metal Queen, and Brain Scratch.