Set in a world where hope is scarce and despair reigns supreme, Metro 2034 is the sequel to the highly acclaimed and cult hit Metro 2033, the inspiration behind the Metro 2033, Metro: Last Light, Metro: Exodus and the highly-anticipated Metro 2039 video games STAYING ALIVE OR STAYING HUMAN? The year is 2034. After a devastating war much of the world lies in ruins. Moscow is a ghost town. A few survivors retreated into the depths of the underground network to build a new civilization. At the Sevastopol station, cut off from the Metro, a man appears. Colonel Hunter. He fights a lonely war against the dark, journeying deep into the monster haunted depths of the tunnels. At his side is Homer, an old man who knows the legends of the Metro like no other and will write its history. When the two meet the 17-year-old Sasha, Homer believes he has found the perfect pair for his epic poem. But will they live to write the tale? Readers can't get enough of the Metro series . . . 'What can I say - once you pick up this book and start reading, it's just amazingly hard to actually put it down until you finish. And after that, you just want MORE!!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ' This does everything right in its additions to the metro world. A great story with super fleshed out characters , who have all been warped by the new life humanity leads underground' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ ' The author is particularly good at character development and world building . I've read a lot of dystopian novels but nothing like [Metro 2033] and [Metro 2034]' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ 'What a sequel! From page 1 on you get soaked into this dark, creepy and yet beautiful universe ' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Metro 2034 is an amazing book, it shows tremendous amount of thought. The post-apocalyptic/sci-fi feel of the book makes it very exciting ' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

Dieses Buch (der dritte und sogleich letzte Band unserer U.S.-Reihe) erzählt die Geschichte vom städtischen Schienennahverkehr im Mittleren Westen und Süden der U.S.A., von der weltbekannten Hochbahn in Chicago und den klassischen Straßenbahnen in New Orleans über die zahlreichen neuen Light-Rail- und Streetcar-Systeme in der ganzen Region bis hin zu den modernen Metros in Atlanta oder Miami. Illustriert mit zahlreichen Farbfotos und detaillierten Netzplänen. Mit dabei sind Minneapolis/St. Paul, Chicago, Detroit, Cleveland, Cincinnati, Morgantown, St. Louis, Kansas City, Oklahoma City, Little Rock, Memphis, Atlanta, Charlotte, Norfolk, Dallas, Houston, New Orleans, Jacksonville, Miami und als Zugabe San Juan (Puerto Rico). This book (the third and last volume of our U.S. series) tells the story of all urban rail systems in the Midwest and South of the United States, from the famous elevated system in Chicago and the classic streetcars in New Orleans to the numerous modern light rail and new streetcar systems in the entire region, to the modern metro systems in Atlanta and Miami. The book is illustrated with many color photos and detailed network maps. The following cities are covered in this volume: Minneapolis/St. Paul, Chicago, Detroit, Cleveland, Cincinnati, Morgantown, St. Louis, Kansas City, Oklahoma City, Little Rock, Memphis, Atlanta, Charlotte, Norfolk, Dallas, Houston, New Orleans, Jacksonville, Miami, plus San Juan (Puerto Rico).

Dieses Buch (der dritte und sogleich letzte Band unserer U.S.-Reihe) erzählt die Geschichte vom städtischen Schienennahverkehr im Mittleren Westen und Süden der U.S.A., von der weltbekannten Hochbahn in Chicago und den klassischen Straßenbahnen in New Orleans über die zahlreichen neuen Light-Rail- und Streetcar-Systeme in der ganzen Region bis hin zu den modernen Metros in Atlanta oder Miami. Illustriert mit zahlreichen Farbfotos und detaillierten Netzplänen. Mit dabei sind Minneapolis/St. Paul, Chicago, Detroit, Cleveland, Cincinnati, Morgantown, St. Louis, Kansas City, Oklahoma City, Little Rock, Memphis, Atlanta, Charlotte, Norfolk, Dallas, Houston, New Orleans, Jacksonville, Miami und als Zugabe San Juan (Puerto Rico). This book (the third and last volume of our U.S. series) tells the story of all urban rail systems in the Midwest and South of the United States, from the famous elevated system in Chicago and the classic streetcars in New Orleans to the numerous modern light rail and new streetcar systems in the entire region, to the modern metro systems in Atlanta and Miami. The book is illustrated with many color photos and detailed network maps. The following cities are covered in this volume: Minneapolis/St. Paul, Chicago, Detroit, Cleveland, Cincinnati, Morgantown, St. Louis, Kansas City, Oklahoma City, Little Rock, Memphis, Atlanta, Charlotte, Norfolk, Dallas, Houston, New Orleans, Jacksonville, Miami, plus San Juan (Puerto Rico).

2035 Több mint húsz évvel az utolsó háború után a világ romokban hever. Moszkvában a túlélok a metróban, a föld legnagyobb atombombabiztos óvóhelyén húzzák meg magukat. Artyom, aki korábban megmentette a Metró lakóit a "feketéktol", tudja, hogy nem hostettet követett el, hanem óriási hibát. Mert azok a lények nem szörnyetegek voltak, hanem egy új értelmes faj képviseloi... Az öreg Homérosszal együtt, aki meg akarja írni "hostettének" történetét, Artyom elindul arra az állomásra, ahol valaki állítólag kapcsolatba lépett más túlélokkel. S amit talál, immár a felszínen, az minden képzeletét felülmúlja... Glukhovsky története, amely az atomháború utáni világot írja le, valójában nagyon is a mi mostani világunkról szól: hidegháborúról, menekültválságról, új diktatúrákról. Dmitry Glukhovsky 1979-ben született; az orosz populáris irodalom legnagyobb sztárja. A Metró 2033 és folytatása a világ számos országában bestseller lett. A Metró 2035, a trilógia záró darabja részben a már korábban elkészült, Metro Last Light címu számítógépes játék ötleteibol született meg.

_________________________ Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz's brilliant new murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne. _________________________ 'You shouldn't be here. It's too late...' These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine - a 1982 Chateau Lafite worth £3,000, to be precise. Odd, considering he didn't drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man's many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who's really getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realises that these secrets must be exposed - even at the risk of death... _____________________________ "Anthony Horowitz gets away with murder in all sorts of ways and emerges triumphant" - THE TIMES, Books of the Year "This is crime fiction as dazzling entertainment, sustained by writing as skilfully light-footed as Fred Astaire" - SUNDAY TIMES CRIME CLUB (STAR PICK) "A crime story that keeps you up into the small hours... a page-turning mystery" - METRO "Sheer genius ... The narrative is hilarious and full of Holmesian clues and deliberate errors which will leave the eagle-eyed reader feeling just a bit smug. A joy from start to finish" - INDEPENDENT "One of the most creative writers in the country today" - JEREMY VINE "Huge fun... It's hard to know why anyone who loves a good mystery wouldn't thoroughly enjoy the ride" - IRISH INDEPENDENT "A new Anthony Horowitz novel is always something to look forward to. Anyone who likes a good Midsomer-style murder mystery will love The Sentence is Death" - CULTUREFLY

IT WAS THE DREAM JOB. IT WOULD BECOME HER WORST NIGHTMARE. `So clever and original . . . from the first gripping page to the last shocking twist¿ ERIN KELLY, author of He Said/She Said 'Ruth Ware just gets better and better. The Turn of the Key is her most compelling and addictive to date; I read this in a two sitting frenzy, barely able to turn the pages fast enough' Lisa Jewell, author of The People Upstairs When Rowan stumbles across the advert, it seems like too good an opportunity to miss: a live-in nanny position, with a very generous salary. And when she arrives at Heatherbrae House, she is smitten by the luxurious `smart¿ home fitted out with all modern conveniences by a picture-perfect family. What she doesn¿t know is that she¿s stepping into a nightmare ¿ one that will end with a child dead and her in cell awaiting trial for murder. She knows she¿s made mistakes. But she¿s not guilty ¿ at least not of murder. Which means someone else is¿ 'Will hold you captive until the brilliant ending' SHARI LAPENA, author of Someone We Know Full of chilling menace and sinister secrets, The Turn of the Key is a gripping modern-day haunted house novel that will keep you reading through the night. Everyone loves Ruth Ware¿s binge-worthy psychological thrillers: `The queen of creepy crime¿ Metro `Eerie and tense, this left me so spooked that I slept with the light on!¿ Prima `Powerfully atmospheric, unguessably twisty¿I devoured it¿ Louise Candlish, bestselling author of Our House `Dark and dramatic...part murder mystery, part family drama, altogether riveting¿ A.J. Finn, author of The Woman in the Window 'Creepy, engrossing, and oh-so-hard to put down' JP Delaney, author of The Girl Before `One of the best thriller writers around¿ Independent `Agatha Christie meets The Girl on the Train¿ The Sun `Dark, unsettling, brilliant¿ HEAT `Deliciously dark and spooky¿ Sunday Mirror

IT WAS THE DREAM JOB. IT WOULD BECOME HER WORST NIGHTMARE. `So clever and original . . . from the first gripping page to the last shocking twist¿ ERIN KELLY, author of He Said/She Said 'Ruth Ware just gets better and better. The Turn of the Key is her most compelling and addictive to date; I read this in a two sitting frenzy, barely able to turn the pages fast enough' Lisa Jewell, author of The People Upstairs When Rowan stumbles across the advert, it seems like too good an opportunity to miss: a live-in nanny position, with a very generous salary. And when she arrives at Heatherbrae House, she is smitten by the luxurious `smart¿ home fitted out with all modern conveniences by a picture-perfect family. What she doesn¿t know is that she¿s stepping into a nightmare ¿ one that will end with a child dead and her in cell awaiting trial for murder. She knows she¿s made mistakes. But she¿s not guilty ¿ at least not of murder. Which means someone else is¿ 'Will hold you captive until the brilliant ending' SHARI LAPENA, author of Someone We Know Full of chilling menace and sinister secrets, The Turn of the Key is a gripping modern-day haunted house novel that will keep you reading through the night. Everyone loves Ruth Ware¿s binge-worthy psychological thrillers: `The queen of creepy crime¿ Metro `Eerie and tense, this left me so spooked that I slept with the light on!¿ Prima `Powerfully atmospheric, unguessably twisty¿I devoured it¿ Louise Candlish, bestselling author of Our House `Dark and dramatic...part murder mystery, part family drama, altogether riveting¿ A.J. Finn, author of The Woman in the Window 'Creepy, engrossing, and oh-so-hard to put down' JP Delaney, author of The Girl Before `One of the best thriller writers around¿ Independent `Agatha Christie meets The Girl on the Train¿ The Sun `Dark, unsettling, brilliant¿ HEAT `Deliciously dark and spooky¿ Sunday Mirror

_________________________ Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz's brilliant new murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne. _________________________ 'You shouldn't be here. It's too late...' These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine - a 1982 Chateau Lafite worth £3,000, to be precise. Odd, considering he didn't drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man's many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who's really getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realises that these secrets must be exposed - even at the risk of death... _____________________________ "Anthony Horowitz gets away with murder in all sorts of ways and emerges triumphant" - THE TIMES, Books of the Year "This is crime fiction as dazzling entertainment, sustained by writing as skilfully light-footed as Fred Astaire" - SUNDAY TIMES CRIME CLUB (STAR PICK) "A crime story that keeps you up into the small hours... a page-turning mystery" - METRO "Sheer genius ... The narrative is hilarious and full of Holmesian clues and deliberate errors which will leave the eagle-eyed reader feeling just a bit smug. A joy from start to finish" - INDEPENDENT "One of the most creative writers in the country today" - JEREMY VINE "Huge fun... It's hard to know why anyone who loves a good mystery wouldn't thoroughly enjoy the ride" - IRISH INDEPENDENT "A new Anthony Horowitz novel is always something to look forward to. Anyone who likes a good Midsomer-style murder mystery will love The Sentence is Death" - CULTUREFLY

The hunt for a serial killer takes criminal profiler Emily Roys and true-crime writer Alexis Castells from London to Sweden, and back into the past, to Buchenwald Concentration Camp, in the first instalment an addictive, award-winning new series from the Queen of French Noir ***Winner of Balai de la Découverte and Nouvelle Plume d’Argent Awards*** ***International Number One Bestseller*** ‘Dark; oppressive and bloody, but it’s also thought-provoking, compelling and very moving’ Metro ‘Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling’ Peter James ‘A bold and intelligent read’ Laura Wilson, Guardian ___________________ Evil remembers… Falkenberg, Sweden. The mutilated body of talented young jewellery designer, Linnea Blix, is found in a snow-swept marina. Hampstead Heath, London. The body of a young boy is discovered with similar wounds to Linnea's. Buchenwald Concentration Camp, 1944. In the midst of the hell of the Holocaust, Erich Hebner will do anything to see himself as a human again. Are the two murders the work of a serial killer, and how are they connected to shocking events at Buchenwald? Emily Roy, a profiler on loan to Scotland Yard from the Canadian Royal Mounted Police, joins up with Linnea's friend, French true-crime writer Alexis Castells, to investigate the puzzling case. They travel between Sweden and London, and then deep into the past, as a startling and terrifying connection comes to light. ___________________ ‘A terrific, original duo’ The Times ‘Multi-layered; superbly plotted, brimming with mystery, tension and bone-chilling violence, and with two very different – but equally fascinating – lead female characters, Block 46 is not for the squeamish or faint-hearted … this is a book that has the power to shock and the artistry to impress long after the last page has turned’ Lancashire Post ‘Utterly compelling’ Woman’s Own ‘A bold and audacious debut from a very talented writer. Heralds the beginning of a thrilling new series’ R J Ellory ‘Viscerally brutal yet delicately beautiful, like blood spatter on fresh snow. An unbelievable debut’ Matt Wesolowski ‘A truly unique and chilling blend of Nordic Noir’s dark atmosphere … gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed’ Crime by the Book ‘A real page-turner, I loved it’ Martina Cole ’A great serial-killer thriller with a nice twist … first rate’ James Oswald ‘Cleverly plotted, simply excellent’ Ragnar Jónasson ‘A must-read’ Daily Express ‘There’s a touch of Hannibal Lector in this one, and the final plot twists are harsh and sudden. You’ll want to double check the door locks and keep a few extra lights on, as you read … the suspense is brutal’ Kingdom Books