VDM The Clash of Monetary Civilizations A1021366490
Communication is an important governance tool for monetary policy makers. While economic agents' short term decisions do tend to be guided by concrete monetary policy measures, the more relevant long term expectations can only be steered indirectly through communication. According to the neoclassical paradigm, effective communication rests on two premises. First, to be credible, central banks have to match deeds to words (symmetry). Second, the direction of communication is marked by strict linearity due to the superior informational endowment of the sender central bank vis-a-vis the receiver public sector. The European Central Banks approach to communication reflects the neoclassical consensus. Designed on the drawing board, the supranational central banks communication strategy is reduced to technocracy. On the national level though, path dependent differences in the approaches to communication continue to exist. By way of empirical example, both the Bundesbank and the Banque de France have adjusted their communication strategies to their countries historic, sociological and institutional particularities. In practice, national central banks remain embedded in national informational networks. Neither symmetry nor linearity are vindicated. The book addresses monetary policy decision makers, politicians in and social scientists alike.
It is a description of the context in which we are writing, and thus also the context that frames this investigation, namely that of postmodernity. Through the thought of postmodernity this chapter will give a characterisation of the world as we see it today and the individuals that inhabit it. It will explain how we as individuals see ourselves and understand the world, and how we make sense of our lives. It is a characterisation that is necessary to make, as the thoughts of postmodernity not only permeate the background for the street art movement but just as much communication theory of today. It is thus both the precondition for our investigation as well as it is the frame in which we have to envision our results. This investigation will ultimately lead to a definition of the street art media and the motives behind it. Moreover, we will look at the city as an active part of the street art expression, explaining its significance to the media.
Random House N.Y. Madness and Civilization A1002500459
Michel Foucault's most admired book is an incisive history of changing attitudes toward mental illness of Western Europe between 1500 and 1800. Madness and Civilization investigates the archeology of madness, tracing shifting perceptions through changes in the culture, laws, politics, philosophy, and medical practices of the West. In the late Middle Ages, insanity was still considered part of everyday life and people who were commonly labeled fools and lunatics walked the streets freely. It was only later on, when such people began to be considered a threat, that asylums were first built and walls were erected between the "insane" and the rest of humanity. For those fascinated by the evolution of mental health and its impact on society both in the past and now, Madness and Civilization is an illuminating and indispensable read.
Rowaah - رُواة Arab civilization in Andalusia A1077695065
A journey traversing the Mediterranean Sea from Alexandria to Spain, describing significant historical and social events through the voice of a fictional Egyptian traveler. The Arab civilization in Andalusia has long been a source of fascination and inspiration for many writers, including Abd al-Rahman al-Barquqi. He was captivated by the renaissance the country witnessed under Abd al-Rahman al-Nasir, the eighth ruler of the Umayyad Caliphate in Andalusia and the first Caliph of Cordoba after the declaration of the Caliphate. Al-Nasir established fleets and merchant ships dedicated to displaying and exchanging goods from the East. Among these ships was one that sailed the Mediterranean, and it was on this vessel that the author found his inspiration. He drew upon his historical knowledge of Andalusia and crafted this book, employing his imagination to describe a Mediterranean voyage aboard this ship. During this time, the traveler meets many historical figures, recounts news, tells stories, and conveys observations in two letters; the first letter "From Alexandria to Almeria," and the second letter "From Almeria to Cordoba."