'My daddy always told me, if it looks too good to be true - then it probably is.' Bart, Teddy and Cole have been best friends since childhood. Having founded their own construction company, True Triangle, they yearn to build a legacy, something to leave behind to their families. So when Gretchen Connors, a mysterious millionaire lawyer from California, approaches them with a stunning, almost formidable project, the three friends convince themselves it's the job which will cement their future. But what is Gretchen hiding from them, and what could be her real motive in wanting this house built to such a tight, demanding schedule? As the lines between ambition and greed prove to be finer and more slippery than the three friends ever imagined, how far will they be willing to push themselves to chase their dream?

Author of the Booker-longlisted novel Second Place 'A landmark in twenty-first-century English literature.' Andrew Anthony, Observer 'Kudos is one of the most astoundingly original and necessary books I've ever read. It made me laugh, think and cry . . . I envy anyone who hasn't read it yet.' Julie Myerson, Guardian A woman on a plane listens to the stranger in the seat next to hers telling her the story of his life: his work, his marriage, and the harrowing night he has just spent burying the family dog. That woman is Faye, who is on her way to Europe to promote the book she has just published. Once she reaches her destination, the conversations she has with the people she meets - about art, about family, about politics, about love, about sorrow and joy, about justice and injustice - include the most far-reaching questions human beings ask. These conversations, the last of them on the phone with her son, rise dramatically and majestically to a beautiful conclusion. Following the novels Outline and Transit, Kudos completes Rachel Cusk's trilogy with overwhelming power.

ONE OF STYLIST'S BEST NEW BOOKS FOR 2020 'This is an unforgettable book.' Roxane Gay Meditations on the terror of love; tips for getting your disgusting meat carcass ready for some new, hot sex; a frank self-evaluation upon the occasion of one's 30th birthday; and, finally, the answer to the question on everyone's minds: Would dying alone really be so terrible? Blogger and comedian Samantha Irby covers it all with wit and honesty - and serves it with a side of Instagram frittata.

'In Quiet, Victoria Adukwei Bulley advances a poetics of balance. The poems collected in these pages mix a technically assured, sonically resonant, surface with a profoundly evocative, scrupulously integrated core. This book is a seismic event; its vibrations will be felt for a long time to come.' Kayo Chingonyi Victoria Adukwei Bulley's debut collection, Quiet, circles around ideas of black interiority, intimacy and selfhood, playing at the the tensions between the impulse to guard one's 'inner life' and the knowledge that, as Audre Lorde writes, 'your silence will not protect you'. The poems teem with grace and dignity, are artful in their shapes, sharp in their intelligence, and possessing of a good ear, finely attuned to the sonics that fascinate and motivate the writing 'at the lower end of sound'.

In 2007, Aurora Venturini stunned Argentine readers when her darkly funny and formally daring novel, Cousins, won a newspaper's award for a first novel. She had already written more than thirty books, but it was only at the age of eighty-five that she was widely recognised as a radical voice in Spanish-language literature. Widely regarded as Venturini's masterpiece, Cousins is the story of four women from an impoverished, dysfunctional family in La Plata, Argentina, who are forced to suffer a series of ordeals including disfigurement, illegal abortions, miscarriages, sexual abuse and murder, narrated by a daughter whose success as a painter offers her a chance to achieve economic independence and help her family as best she can. Neighborhood mythologies, family, female sexuality, vengeance, and social mobility through art are explored and scrutinized in the unmistakable voice of an unforgettable protagonist, Yuna, who stares wildly at the world in which she is compelled to live; a voice unique in its candidness, sharp edge and utterly breathtaking power. Cousins is the jewel in Venturini's oeuvre - mischievous and stylish, vital and mysterious . . . and completely original.

Hollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century. What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it - from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes. As such, the authenticity of the text is irrefutable. The material in the book - gathered over the decades by the American Film Institute - has never been published before, has never been heard before. It is comprehensive - a monument that will never age nor be surpassed.

A groundbreaking exploration of why we want what we want, and a toolkit for freeing ourselves from chasing unfulfilling desires. Gravity affects every aspect of our physical being, but there's a psychological force just as powerful - yet almost nobody has heard of it. It's responsible for binging groups of people together and pulling them apart, making certain goals attractive to some and not to others, and fueling cycles of anxiety and guilt. According to French polymath René Girard, humans don't desire anything independently. Human desire is mimetic -- we imitate what other people want. This affects the way we choose partners, friends, careers, clothes and vacation destinations. Mimetic desire is responsible for the formation of our very identities. It explains the enduring relevancy of Shakespeare's plays, why Peter Thiel decided to become the first investor in Facebook, and why our world is growing more divided as it becomes more connected. Drawing on his experience as an entrepreneur, teacher and student of classical philosophy and theology, Burgis shares tactics that help turn blind wanting into intentional wanting -- not by trying to rid ourselves of desire, but by desiring differently. It's possible to be more in control of the things we want, to achieve more independence from trends and bubbles, and to find more meaning in our work and lives. The future will be shaped by our desire. Wanting tells us how to desire a better one.

A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the Covid-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste. Paul Muldoon is a poet who continues not only to capture, but to hold, compellingly, our attention.

WINNER OF THE PULITZER PRIZE FOR FICTION TWICE WINNER OF THE WOMEN'S PRIZE FOR FICTION THE MULTI-MILLION COPY BESTSELLING AUTHOR 'Magnificent.' The Times, 'Books of the Year' 'Gripping.' Grazia 'Peerless.' Daily Mail 'Wise.' Sunday Times Meet Willa Knox, a woman who stands braced against a world which seems to hold little mercy for her and her family - or their old, crumbling house, falling down around them. Willa's two grown-up children, a new-born grandchild, and her ailing father-in-law have all moved in at a time when life seems at its most precarious. But when Willa discovers that a pioneering female scientist lived on the same street in the 1800s, could this historical connection be enough to save their home from ruin? And can Willa, despite the odds, keep her family together?

From the author of the Booker-shortlisted Small Things Like These, a heartbreaking, haunting story of childhood, loss and love by one of Ireland's most acclaimed writers. AN IRISH TIMES TOP 100 BEST IRISH BOOKS OF THE 21ST CENTURY WINNER OF THE DAVY BYRNES IRISH WRITING AWARD 'A real jewel.' Irish Independent 'A small miracle.' Sunday Times 'A thing of finely honed beauty.' Guardian 'As good as Chekhov.' David Mitchell It is a hot summer in rural Ireland. A girl is sent to live with foster parents on a farm, not knowing when she will return home. In the strangers' house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. But in a house where there are meant to be no secrets, she discovers how fragile her idyll is. -------- Readers love Foster: ¿¿¿¿¿ 'To say this story is exceptional doesn't adequately describe it. If there were 10 stars to award this would deserve every one. Claire Keegan has a wonderful talent at storytelling.' ¿¿¿¿¿ 'Foster is beautifully and confidently written, the prose is evocative, poignant and moving, with wonderfully atmospheric imagery ... Claire Keegan is an incredible storyteller.' ¿¿¿¿¿ 'I've read books four times the length that didn't have near as much depth. There are so many layers to the writing and this is close to perfection.' ¿¿¿¿¿ 'This is another literary diamond packed full of emotional charge, depth, poignancy and wonder. This novella is a thing of pure beauty and I urge you to read it!' ¿¿¿¿¿ 'I rarely cry when reading a book but I wept ... Read it everyone. It will stay with you forever.'

'A stunning novel.' Graham Norton ** Includes the first chapter of Andrew O'Hagan's Sunday Times bestselling new novel Caledonian Road ** Winner of the Christopher Isherwood Prize Shortlisted for the Portico Prize A Guardian, Spectator, Sunday Times, Financial Times and Evening Standard Book of the Year 'Funny, passionate, heartbreaking.' Tracey Thorn 'Life-enhancing.' Scotsman 'Unforgettable.' Cólm Toibín 'Spectacular.' Books of the Year, Spectator 'An incredible book . . . about men and how important friendship can be to men.' Douglas Stuart 'My god this is gorgeous. Wild, wise, wonderful . . . Absolutely brilliant.' Russell T Davies Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, James and Tully ignite a friendship based on music, films and the rebel spirit. With school over, they rush towards a magical weekend of youthful excess in Manchester played out against the greatest soundtrack ever recorded. And there a vow is made: to go at life differently. Thirty years on, the phone rings. Tully has news.

'Vital, fierce and free.' Financial Times 'Incandescently good.' Sarah Perry 'Pulsing with life and lyricism.' Spectator 'Fiercely exuberant.' Observer 'Delightfully playful.' Andrew Miller 'A truly astonishing thing.' George Monbiot A wondrous, elemental novel from 'a writer of show-stopping genius'. Guardian SHORTLISTED FOR THE GOLDSMITHS PRIZE Helm is a ferocious, mischievous wind - a subject of folklore and wonder - who has blasted the sublime landscape of the Eden Valley since the very dawn of time. This is Helm's life story, formed from the chronicles of those the wind enchanted: the Neolithic tribe who tried to placate it, the Dark Age wizard priest who wanted to banish it, the Victorian steam engineer who attempted to capture it - and the farmer's daughter who fell in love. But now Dr Selima Sutar, surrounded by measuring instruments, alone in her observation hut, fears the end is nigh. Vital and audacious, Helm is the elemental tale of a unique life force - and of a relationship: between nature and people, neither of whom can weather life without the other. 'Sarah Hall's writing has conquered the body and the soul and now it conquers the wind itself.' DAISY JOHNSON 'I can think of no other British writer whose talent so consistently thrills, surprises and staggers.' BENJAMIN MYERS 'I'm awed . I wouldn't think a novel could be at once so taut and so multifarious, expanding one's sense of what fiction can do.' SARAH MOSS 'Helm is as vital, fierce and free as the phenomenon it describes.' FINANCIAL TIMES 'A spectacular epic tapestry. Nobody could tell the story of our inextricable relationship with wild nature as beautifully as Sarah Hall.' LEE SCHOFIELD '[Hall]sweeps from the cinematic to the specific, her prose pulsing with life and lyricism. Helmpushes both the boundaries of the novel and our relationship with nature.' SPECTATOR 'A big, celebratory book, in places delightfully playful, in others as tight and breathless as a thriller.' ANDREW MILLER

And then it started, little by little it started, until they were married five years later and his real life began. 'Exquisite ... A super-abundantly gifted, big-hearted novelist.' Ian McEwan 'A writer whose work shines with intelligence and originality.' Don DeLillo The life of Sy Baumgartner - noted author, and soon-to-be retired philosophy professor - has been defined by his deep, abiding love for his wife. Now Anna is gone, and Baumgartner is trying to live with her absence. But Anna's voice is everywhere still, in every spiral of memory and reminiscence, in each recalled episode of the passionate forty years they shared. Rich with feeling, wit and an eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is a luminous work - a tender final masterpiece from one of the world's greatest writers. 'A master.' The Times What readers are saying: ***** Perfect, subtle, charming, funny and sad. **** Well-written and compelling but also comforting, like catching up with an old friend. **** A, beautifully-written and intelligent piece of understated introspective fiction from Auster.

After the publication of Outline, Transit and Kudos - in which Rachel Cusk redrew the boundaries of fiction - this writer of uncommon brilliance returns with a series of essays that offers new insights on the themes at the heart of her life's work. Encompassing memoir and cultural and literary criticism, with pieces on gender, politics and writers such as D. H. Lawrence, Olivia Manning and Natalia Ginzburg, this collection is essential reading for our age: fearless, unrepentantly erudite, both startling and rewarding to behold. The result is a cumulative sense of how the frank, deeply intelligent sensibility - so evident in her stories and novels - reverberates in the wider context of Cusk's literary process. Coventry grants its readers a rare opportunity to see a mind at work that will influence literature for time to come.

Istanbul is a shimmering evocation, by turns intimate and panoramic, of one of the world's great cities, by its foremost writer. Orhan Pamuk, winner of the Nobel Prize in 2006, was born in Istanbul, in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy-or hüzün- that all Istanbullus share: the sadness that comes of living amid the ruins of a lost Ottoman Empire. As he companionably guides us across the Bosphorus, through Istanbul's historical monuments and lost paradises, its dilapidated Ottoman villas, back streets and waterways, he also introduces us to the city's writers, artists and murderers. Like the Dublin of Joyce and Jan Morris' Venice, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

'A wise, deep, nuanced and profoundly moving book' Siri Hustvedt 'Thoughtful, important and a reminder that hope belongs to everyone' Christie Watson 'Extraordinarily powerful . . . it's indelibly stamped on my mind' Rachel Clarke The Sunday Times bestselling authors of The Devil You Know return with a life-affirming book, taking us into the consulting room with Dr Gwen Adshead to witness her work with patients and discover how we heal after trauma. Unspeakable is a testament to human resilience and the power of therapy. The pioneering psychiatrist and psychotherapist Dr Gwen Adshead works with patients struggling in the wake of a range of distressing and painful life events. Drawn from over thirty years of clinical practice, Unspeakable illuminates how language - and silence - can dramatically affect the quality of our recovery after disaster. Whether we're suffering from a sudden bereavement or intergenerational trauma, assault or abuse, sometimes the hardest words to say out loud are the very ones to set us free. With Adshead's assistance and extraordinary insight, these courageous people discover new ways of viewing their experiences and moving forward in their lives. In a world of quick fixes, immediate heated responses and lazily applied labels, Unspeakable urges nuance, expertise and compassion. It charts the transformation of patient identities, hearts and minds through the power of language, and makes a compelling case for hope.

THE SUNDAY TIMES BESTSELLER 'It will do your soul good to read this.' NIGELLA LAWSON A balm for our times from the internationally bestselling author of Wintering. Our sense of enchantment is not only sparked by grand things. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. The magic is of our own conjuring. 'A total joy . . . Thoughtful, patient and beautifully written, like walking with a friend as dusk settles, this is the book your soul needs right now.' CARIAD LLOYD 'Beautifully written.' PHILIPPA PERRY Feeling bone-tired, anxious and overwhelmed by the rolling news cycle and the pandemic age, Katherine May seeks to unravel the threads of a life wound too tightly. Could there be another way to live - one that feels more meaningful, more grounded in the places beneath our feet? One that would allow us to feel more connected, more rested and at ease, even as seismic changes unfold on the planet? Craving a different path, May explores the restorative properties of the natural world and begins to rekindle her sense of wonder. It is a journey that takes her from sacred wells to wild moors, from cradling seas to starfalls. Through deliberate attention and ritual, she finds nourishment and a more hopeful relationship to the world around her. Enchantment is an invitation to each of us to experience life in all its sensual complexity and to find the beauty waiting for us there. Katherine May's book Enchantment was a Sunday Times bestseller w/c 10-03-2023

How do you save the world from monsters if no one will admit they exist? She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet. There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson all her life. But when she meets Pet, a creature made of horns and colours and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also to uncover the truth. In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices a young person can make when the adults around them are in denial.

A classic television series, The Twilight Zone, sets off a genre-bending experiment in science-fiction, autobiography and all the spaces in-between. Don Paterson's new collection starts from the premise that the crisis of mid-life may be a permanent state of mind. Zonal is an experiment in science-fictional and fantastic autobiography, with all of its poems taking their imaginative cue from the first season of The Twilight Zone (1959-1960), playing fast and loose with both their source material and their author's own life. Narrative and dramatic in approach, genre-hopping from horror to Black Mirror-style sci-fi, 'weird tale' to metaphysical fantasy, these poems change voices constantly in an attempt to get at the truth by alternate means. Occupying the shadowlands between confession and invention, Zonal takes us to places and spaces that feel endlessly surprising, uncanny and limitless. 'Dynamic, interrogative and unsettling; crafted yet open-ended; fiercely smart, savage and stirring - from the get-go, Paterson's poetry has been essential reading.' Guardian

Matthew Francis's latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations. There are tributes to the poets Basho, Dafydd ap Gwilym and W. S. Graham, to fireworks, apple varieties, and hot toddies. And, in a moving elegy for a friend killed in a parachute accident, Francis shows us a vertiginous vision of a world where even the dead 'sleep on the wing'.