THE INTERNATIONAL BESTSELLER 'Lucid, earnest and disarming.' New York Times 'A perfect jewel of a novel.' LENA DUNHAM 'The sensuality is extraordinarily powerful.' Chicago Tribune Kitchen comprises Banana Yoshimoto's two classic tales about mothers, trans identity, bereavement, kitchens, love and tragedy. First published in 1987, it won two of Japan's most prestigious literary prizes, remained at the top of the bestseller lists for over a year and has gone on to be a much-loved international bestseller.

#20 in the New York Times '100 Best Books of the 21st Century' Adapted into the Oscar-nominated major motion picture, American Fiction. By the twice Booker Prize-shortlisted author of The Trees and James. 'Truly brilliant.' Los Angeles Review of Books 'A classic.' The Times 'A remarkable novel.' Wall Street Journal 'Sublime . . . brilliant, uproarious . . . A wise novel about how we live.' Brandon Taylor With your book sales at an all-time low, your family falling apart, and your agent telling you you're not black enough, what's an author to do? Thelonius 'Monk' Ellison has the answer. Or does he . . . ? Winner of the Hurston/Wright Legacy Award for Fiction 'One of the most original and forceful novels to have emerged from America in years.' TLS 'A furious whirl of a book. It made me howl with laughter . . . and rage, and sorrow, and affinity.' Lisa McInerney 'Seminal doesn't even come close. This novel is Everett at his finest, full of trademark protest, humanity and incisive humour, all wrapped up in one hell of a story.' Courttia Newland 'Hilarious. . . Everett is a first-rate word wrangler.' Nicholas Lezard, Guardian

**SOON TO BE A MAJOR HBO SHOW STARRING NICOLE KIDMAN AND MAYA ERSKINE** THE INTERNATIONAL BESTSELLER A RICHARD AND JUDY PICK WINNER OF THE DEBUT NOVEL OF THE YEAR AT THE BRITISH BOOK AWARDS A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY 'Creepy, shocking, compulsive' The Times, BOOKS OF THE YEAR 'Unnerving, addictive.' Grazia 'The smartest thriller you'll read this year.' Independent The baby is dead. It took only a few seconds. When Myriam, a brilliant lawyer, decides to return to work, she and her husband look for a nanny for their two young children. They never dreamed they would find Louise: a quiet, polite and devoted woman who sings to their children, cleans the family's chic Paris apartment, stays late without complaint and hosts enviable birthday parties. But as the couple and their nanny become more and more dependent on each other, jealousy, resentment and suspicions increase, until Myriam and Paul's idyllic domesticity is shattered . . . What readers are saying: ***** 'Haunting. . . I will be pressing it into the hands of anyone who passes me.' ***** 'Shocking, daring, and utterly compelling.' ***** 'It had me hooked right from the start.' **PRE-ORDER WATCH US DANCE - THE SEDUCTIVE, VIBRANT NEW NOVEL FROM THE INTERNATIONAL BESTSELLING AUTHOR**

From the bestselling author of Grief is the Thing with Feathers and Lanny, Shy is a novel about guilt, rage, imagination and boyhood. It is about being lost in the dark, and realising you are not alone. 'Max Porter is one of my favourite writers in the world.' George Saunders 'Beautiful and haunting.' Kevin Barry 'The strangest, most beguiling and affecting of all his books.' Ian Rankin 'A miracle of language.' Irish Times This is the story of a few strange hours in the life of a troubled teenage boy. You mustn't do that to yourself Shy. You mustn't hurt yourself like that. He is wandering into the night listening to the voices in his head: his teachers, his parents, the people he has hurt and the people who are trying to love him. Got your special meds, nutcase? He is escaping Last Chance, a home for 'very disturbed young men', and walking into the haunted space between his night terrors, his past and the heavy question of his future. 'An act of humanity and grace, heightened by its distinctive form and artistry.' Telegraph

LONGLISTED FOR THE JHALAK PRIZE 'Wonderful writing.' SARAH HALL 'Dazzlingly good.' DANIELLE McLAUGHLIN 'Precise, surreal and emotionally devastating' LUCY CALDWELL 'How do you know this is all real and happening? How can you be sure you haven't already died in the earthquake and are just living in the afterlife?' In her highly anticipated English-language debut, Yan Ge explores isolation in nine iridescent, witty and wondrous tales. Both contemporary and ancient, real and surreal, the stories in Elsewhere range from China to Dublin to London and Stockholm. From a group of writers lounging on the edge of a disaster zone to a mandarin ostracised from his old court trying to avoid assassination, and from a woman who inexplicably loses her voice to a couple who meet all too fleetingly at a cinema in Dublin, these are strange and beguiling stories of dispossession, longing and the diasporic experience. 'Glorious' MIA GALLAGHER 'Gripping, stunning, worldly and otherworldly.' MADELEINE THIEN 'Equal parts shimmering wit and startling emotional depth.' JEREMY TIAN 'One of the most surprising writers I've read in recent years. . . fantastic.' MATT BELL

WINNER OF THE MAN BOOKER PRIZE 2018 'Milkman is extraordinary. I've been reading passages aloud for the pleasure of hearing it. It's frightening, hilarious, wily and joyous all at the same time.' - Lisa McInerney, author of The Glorious Heresies In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

Adèle appears to have the perfect life. A respected journalist, she lives in a flawless Parisian apartment with her surgeon husband and their young son. But beneath the veneer of 'having it all', she is bored - and consumed by an insatiable need for sex, whatever the cost. Struggling to contain the twin forces of compulsion and desire, she begins to orchestrate her life around her one night stands and extramarital affairs, arriving late to work and lying to her husband about where she's been, until she becomes ensnared in a trap of her own making. An erotic and daring story - with electrically clear writing - Adèle will captivate readers with its exploration of addiction, sexuality, and one woman's quest to feel alive.

'Exhilarating, devastating, comforting, essential.' CLAIRE KILROY 'These are stories which sing off the page.' JAN CARSON 'Powerful, compelling and richly crafted.' MARY COSTELLO 'Profoundly intimate.' TAHMIMA ANAM The highly-anticipated new collection from the BBC National Short Story Award-winning author of Multitudes, Intimacies and Openings 'There must be moments when we let go - let go of all that we do, all that we are.' A young Belfast theatre troupe brings its experimental production of Hamlet to New York. On a night-flight, travelling with a violin older than the United States, a professional musician slips through time. A man who loses all he thought he had, and finds himself haunted by all he never will, comes to a painful new understanding of what it might mean to love. Transporting and profound, these are stories of love, grief, longing, of new beginnings, and the ways we find shelter in each other. 'One of our best short story writers.' THE TIMES '[Caldwell] holds the reader right up against the tender humanity of her characters.' EIMEAR McBRIDE 'A next-level author of short stories.' THE HERALD

Introducing the EXPLOSIVE first book in the Torch Trilogy - the hottest release of the decade! 'Urgent. Ambitious. Mesmerising.' THE TIMES 'Feels like the start of something big.'SFX 'One of the most gripping reads of 2024.'SUNDAY TIMES IRELAND 'One of the best YA dystopias in years.' BOOKSELLER 'One of the most compulsive reads of the year.'IRISH EXAMINER *WINNER OF THE YA BOOK PRIZE 2025* *LONGLISTED BRANFORD BOASE AWARD 2025* *NOMINATED CARNEGIE MEDAL 2025* They are hunting those who shine . . . Don't be deceived by Northaven's prettiness, by its white-wash houses and sea views. Many of its townsfolk are ruthless hunters. They revile those who have developed songlight, the ability to connect telepathically with others. Friends, neighbours, family will turn on each other in an instant . . . Lark has lived in grave danger ever since her own songlight emerged. Then she encounters a young woman in peril, from a city far away. An extraordinary bond is forged. But when power is everything, how will they survive? An epic new trilogy from an award-winning, internationally acclaimed screenwriter, Songlight promises to set the world alight! Readers are already hooked: 'This book was amazing, I couldn't put it down.' 'The Power meets The Handmaid's Tale . . . truly a joy to read.' 'I was personally held hostage by this book until the final pages, and in a good way.' Read the sequel, TORCHFIRE, now!

There are situations in which we fail for a moment to recognize the person we are with, in which the identity of the other is erased while we simultaneously doubt our own. This also happens with couples - indeed, above all with couples, because lovers fear more than anything else "losing sight" of the loved one. With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation - and the vague sense of panic it inspires - the very fabric of this novel. Here brevity goes hand in hand with intensity, and a moment of bewilderment marks the start of a labyrinthine journey during which the reader repeatedly crosses the border between the real and the unreal, between what occurs in the world outside and what the mind creates in its solitude. Of all contemporary writers, only Kundera can transform such a hidden and disconcerting perception into the material for a novel, one of his finest, most painful, and most enlightening - which, surprisingly, turns out to be a love story.

Shuklaji Street, in Old Bombay. In Rashid's opium room a young woman holds a long-stemmed pipe over a flame as men sprawl and mutter in the gloom. In Shuklaji Street they say you introduce only your worst enemy to opium. But then whispers build of a new terror, something that shifts the tenuous balance of survival for the city's nameless, invisible poor. A rich, hallucinatory dream of a novel, Narcopolis captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets and gangsters, it is a lyrical and unforgettable journey into a sprawling underworld. The reader is Robertson Dean.

The city never sleeps. Silence would weaken it. When all else fails it talks to itself seamless thrum of machinery dark undertone. It is 00:00 and the full of the night yet to come. A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. This fragmentary vigil anchors a series of narrative sections in which a dramatic voice - which might well be an interior monologue - gives, first, an account of the man, then addresses him directly. We learn of a conflicted childhood, of love lost to circumstance, of the press of death on the protagonist's waking thoughts. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives. In this powerful sequence, David Harsent's breathtaking formal skills are always in evidence. Intense, lyrical and passionate, Loss makes for enthralling reading. 'A master of the human drama.' John Burnside

A THE TIMES BOOK OF THE YEAR Bringing valuable lessons from the cutting edge of communication science, Conflicted does for our verbal communication what Thinking Fast and Slow did for our inner decision-making. 'One of my favourite writers . . . Beautifully argued, desperately needed.' MALCOLM GLADWELL 'Invaluable. The world will be a better place if everyone reads this book, and because it's so entertaining they probably will.' PHILPPA PERRY 'Essential.' THE TIMES 'Fascinating.' FINANCIAL TIMES What is the secret of happy relationships? How do companies build collaborative cultures? What lies behind some of the greatest scientific and creative breakthroughs? The surprising answer is: conflict. Insight and empathy spring from the clash of different perspectives. In a world where it's easier than ever for people to share their opinions, we should be reaping the benefits of diverse views. Instead, we too often find ourselves mired in hostility or - worse - avoiding disagreement altogether. Ian Leslie argues that this is because most of us never learn how to air our differences in a way that leads to progress. Conflicted draws essential lessons on how to disagree well from world-class experts: interrogators, hostage negotiators, divorce mediators, diplomats and addiction counsellors. It tells inspiring stories of productive disagreements, from the invention of the aeroplane to the success of The Rolling Stones, and combines them with fascinating insights from the science of human communication. Whether it's at work, at home, or in public, confronting our differences is the only way to make the most of them. Conflicted is about how to do that successfully. 'A cool bath of sanity in a world of frenzied hot takes.' HELEN LEWIS 'Perspective-shifting in important ways.' OLIVER BURKEMAN

An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian). 'Dark and brilliant.' SARAH MOSS 'A masterpience.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Hall has set a bar . . . Finely wrought, intellecutally brave and emotionally honest.' THE SCOTSMAN In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world. 'Sarah Hall makes language shimmer and burn . . . One of the finest writers at work today.' DAMON GALGUT 'Wonderful . . . The writing goes down smoking hot onto the page.' ANDREW MILLER 'I can think of no other British writer whose talent so consistently thrills, surprises and staggers . . . With Burntcoat she has solidified her status as the literary shining light we lesser souls aspire to.' BENJAMIN MYERS

A spell-binding fantasy novel set in the Blitz, from the author of Golden Hill. 'What a joy! A novel with endless ingenuity and enormous heart.' Kaliane Bradley 'Everything that great literature should be.' Sarah Perry 'His Dark Materials meets the Blitz.' Observer 'An all-encompassing masterpiece.' London Standard 'My god can he write.' Richard Osman 'Ripples with literary magic.' The Times It's the summer of 1939. London is on the brink of catastrophic war. Iris Hawkins, an ambitious young woman in the stuffy world of City finance, has a chance encounter with Geoff, a technical whizz at the BBC's nascent television unit. What was supposed to be one night of abandon draws her instead into an adventure of otherworldly pursuit - into a reality where time bends, spirits can be summoned, and history hangs by a thread. Soon there are Nazi planes overhead. But Iris has more to contend with than the terrors of the Blitz. Over the rooftops of burning London, in the twisted passages between past and present, a fascist fanatic is travelling with a gun in her hand. And only Iris can stop her from altering the course of history forever. Nonesuch was a Sunday Times bestseller w/e 28/2/2026.

**Includes a bonus Q&A with Claudia Hammond** 'Signals is a special book, a witty, utterly fascinating guide to who you are and how you work . . . It's compassionate, humane and grounded in the author's deep clinical experience. A true gift.' Chris van Tulleken, author of Ultra-Processed People Dr Saira Hameed is one of the UK's leading endocrinologists. In Signals, she invites us into her clinic to see the profound impact of misfiring hormones and shows us how fixing the problem recalibrates a life. We sit beside Dr Hameed as she hears stories from spirit-sapping exhaustion to agonising infertility, absent libido to frenzied disorientation. We see an emaciated girl who is close to death and another battling obesity. We meet a young boy who can't stay awake and a teenage girl a whose racing heart will not be able to keep going much longer. Hormones animate every aspect and every moment of our lives. This is a vital book for anyone who wants to understand their health and their happiness. 'A fascinating insight into the real-world mystery-solving of the doctor's clinic, and discoveries past and present.' Mishal Husain

**NOW A MAJOR FILM - ALL OF US STRANGERS - STARRING PAUL MESCAL, CLAIRE FOY, ANDREW SCOTT AND JAMIE BELL** 'Deeply satisfying. . . a wonderful study of grief and isolation.' Daily Mail 'A sharp, chilling contemporary ghost story.' The Scotsman 'Powerful.' Guardian 'Sexy, insightful and frequently funny.' Irish Examiner Middle-aged, jaded and divorced, TV scriptwriter Harada returns one night to the dilapidated downtown district of Tokyo where he grew up. There, at the theatre, he meets a likable man who looks exactly like his long-dead father. And so begins Harada's ordeal, as he's thrust into a reality where his parents appear to be alive at the exact age they had been when they had died so many years before.

From the author of the Booker-shortlisted Small Things Like These, a heartbreaking, haunting story of childhood, loss and love by one of Ireland's most acclaimed writers. AN IRISH TIMES TOP 100 BEST IRISH BOOKS OF THE 21ST CENTURY WINNER OF THE DAVY BYRNES IRISH WRITING AWARD 'A real jewel.' Irish Independent 'A small miracle.' Sunday Times 'A thing of finely honed beauty.' Guardian 'As good as Chekhov.' David Mitchell It is a hot summer in rural Ireland. A girl is sent to live with foster parents on a farm, not knowing when she will return home. In the strangers' house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. But in a house where there are meant to be no secrets, she discovers how fragile her idyll is. -------- Readers love Foster: 'To say this story is exceptional doesn't adequately describe it. If there were 10 stars to award this would deserve every one. Claire Keegan has a wonderful talent at storytelling.' 'Foster is beautifully and confidently written, the prose is evocative, poignant and moving, with wonderfully atmospheric imagery ... Claire Keegan is an incredible storyteller.' 'I've read books four times the length that didn't have near as much depth. There are so many layers to the writing and this is close to perfection.' 'This is another literary diamond packed full of emotional charge, depth, poignancy and wonder. This novella is a thing of pure beauty and I urge you to read it!' 'I rarely cry when reading a book but I wept ... Read it everyone. It will stay with you forever.'

Bran's Southern California upbringing is anything but traditional. After her mother abandons her and joins a Buddhist colony, Bran is raised by her 'common-law stepfather' on Bourdon Farms - a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school and imagining what life could be if she had been born to a different family. Then she meets Peter-a charming, troubled college student from the East Coast - who launches his teaching career by initiating her into the world of art. The two begin a seemingly doomed long-distance relationship as Bran searches for meaning in her own surroundings. She knows how to survive, but now she must learn how to live. 'Zink is a comic writer par excellence.' New Yorker 'An extraordinary talent.' Daily Telegraph

Lose yourself in the tortured love lives of expats in 1920s Paris in this iconic cult classic. 'Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass ... From now on, a part of you is pearl-lined.' Jeanette Winterson 'Like a dark lesbian genius rolling in a giant heap of damp, dead leaves. What a great, shaking, grieving party this book is - the best.' Eileen Myles 'I read with the aching intensity of a person possessed ... T he story of passion and grief, of exile and loneliness, spoke directly to me, a young woman who [never] felt she quite belonged ... A hymn to the dispossessed, the misbegotten and those who love too much. ' Siri Hustvedt Nightwood tells the stories of the love-lives of a group of American expats and Europeans in Paris in the 1920s - an exotic, night-time underworld, eccentric, seedy and beautiful. A modernist masterpiece, and one of the earliest novels to explicitly portray homosexuality, the influence of Djuna Barnes's novel remains exceptional. 'A bold, exceptionally well-written modernist prose poem ... The closest thing to James Joyce.' Andre Aciman 'The great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.' T.S. Eliot 'One of the greatest books of the twentieth century.' William S. Burroughs 'A writer of wild and original gifts . To her name there is always to be attached the splendor of Nightwood , a lasting achievement of her great gifts and eccentricities - her passionate prose and, in this case, a genuineness of human passions.' Elizabeth Hardwick