"Compelling."-Literary Review "An irresistibly anxious book."-The Washington Post "A family drama with a shocking twist." -The New York Times "I was riveted until the very last shocking sentence!"-Oprah Winfrey When the Cassidy-Shaws' driverless minivan fatally collides with an oncoming car, seventeen-year-old Charlie is in the driver's seat. His father, Noah, is beside him, and in the back with his younger siblings is his mother, Lorelei-a renowned AI researcher-who is lost in her work. During a weeklong retreat on the Chesapeake Bay, the Cassidy-Shaws wrestle with the moral fallout of the crash as a routine police enquiry starts to unravel. As Lorelei's increasingly odd behaviour stirs her husband's suspicions that there may be a darker truth behind the incident, the arrival of tech billionaire Daniel Monet (who has a mysterious history with Lorelei) cements them. When Charlie falls for Monet's teenage daughter, tensions among the Cassidy-Shaws reach breaking point. A psychosocial thriller and a propulsive family drama, Culpability explores a world newly shaped by non-human forces such as chatbots and autonomous cars, and forces us to examine our own relationship to artificial intelligence, and the nuanced ways in which we are all, in fact, culpable.
Feeling tired and overwhelmed by the rolling news cycle and the pandemic age, Katherine May seeks to unravel the threads of a life wound too tightly. Could there be another way to live - one that feels more meaningful, more grounded? She explores the restorative properties of the natural world and rekindles her sense of wonder.
THE TIMES TOP 10 BESTSELLER SHORTLISTED FOR THE WAINWRIGHT PRIZE Drowned. Buried by sand. Decimated by plague. Plunged off a cliff. This is the forgotten history of Britain''s lost cities, ghost towns and vanished villages: our shadowlands. ''Brilliant.'' TOM HOLLAND ''A beautiful book, truly original . . . It is a marvellous achievement.'' IAN MORTIMER , author of The Time Traveller''s Guide to Medieval England ''Well researched, beautifully written and packed with interesting detail.'' CLAIRE TOMALIN ''An exquisitely written, moving and elegiac exploration.'' SUZANNAH LIPSCOMB ''Consistently interesting . . . Green's passion and historical vision bursts from the page, summoning up the past in surround sound and sensual prose.'' CAL FLYN, THE TIMES , author of Islands of Abandonment Historian Matthew Green travels across Britain to tell the forgotten history of our lost cities, ghost towns and vanished villages. Revealing the extraordinary stories of how these places met their fate - and exploring how they have left their mark on our landscape and our imagination - Shadowlands is a deeply evocative and dazzlingly original account of Britain's past. ''An eloquent tour of lost communities.'' PD SMITH, GUARDIAN ''A haunting, lyrical tour around the lost places of Britain.'' CHARLOTTE HIGGINS , author of Under Another Sky ''A miraculous work of resurrection, stinging in a perpetual present''. IAIN SINCLAIR , author of The Gold Machine ''Beautifully written.'' SUNDAY TIMES ''Startling.'' FINANCIAL TIMES ''Splendid.'' THE HERALD ''Compelling.'' HISTORY TODAY ''Excellent.'' THE SPECTATOR ''Fascinating.'' DAILY MAIL ''Accomplished.'' CAUGHT BY THE RIVER ''Outstanding.'' MIRROR
It's not a negotiation, it's hand to hand combat. 11 December 1997 The Kyoto Conference Centre, 5am The nations of the world are in deadlock. Eleven hours have passed since the UN's landmark climate conference should have ended. Time is running out. And agreement feels a world away. Their prize: the world's first legally binding emissions targets. Their obstacle: American oil lobbyist and master strategist, Don Pearlman. Kyoto is the breathless tale of a moment when, finally, the impossible seemed possible. It opened at the Swan Theatre, Stratford-upon-Avon, in June 2024, in a co-production between Good Chance and the RSC.
How do you save the world from monsters if no one will admit they exist? She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet. There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson all her life. But when she meets Pet, a creature made of horns and colours and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also to uncover the truth. In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices a young person can make when the adults around them are in denial.
Hollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century. What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it - from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes. As such, the authenticity of the text is irrefutable. The material in the book - gathered over the decades by the American Film Institute - has never been published before, has never been heard before. It is comprehensive - a monument that will never age nor be surpassed.
From the critically acclaimed author of Pet and The Death of Vivek Oji, Bitter, a companion novel to Pet, takes a timely and riveting look at the power of youth, protest and art. Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the town of Lucille. Bitter's instinct is to stay safe within the walls of Eucalyptus . . . but her friends aren't willing to settle for a world that the adults say is "just the way things are." Pulled between old friendships, her creative passion, and a new a romance, Bitter isn't sure where she belongs - in the art studio or in the streets. And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost?
WINNER OF THE MAN BOOKER PRIZE 2018 'Milkman is extraordinary. I've been reading passages aloud for the pleasure of hearing it. It's frightening, hilarious, wily and joyous all at the same time.' - Lisa McInerney, author of The Glorious Heresies In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.
WINNER OF THE NOBEL PRIZE IN LITERATURE Istanbul, through the mind of its most celebrated writer. 'A declaration of love.' Sunday Times 'Magnificent, elegiac, impressionistic.' Literary Review 'An irresistibly seductive book.' Jan Morris, Guardian In a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years. What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers. Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving. 'This erudite book manages to be an addictive childhood memoir, a museum-in-prose of a city with West in its head but East in its soul, a study of the alchemy between place and self.' David Mitchell
Introducing the EXPLOSIVE first book in the Torch Trilogy - the hottest release of the decade!'Urgent. The Brethren rule with an iron fist, and those born with Songlight - a forbidden, powerful form of telepathy - are hunted without mercy.
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