A groundbreaking exploration of why we want what we want, and a toolkit for freeing ourselves from chasing unfulfilling desires. Gravity affects every aspect of our physical being, but there's a psychological force just as powerful - yet almost nobody has heard of it. It's responsible for binging groups of people together and pulling them apart, making certain goals attractive to some and not to others, and fueling cycles of anxiety and guilt. According to French polymath René Girard, humans don't desire anything independently. Human desire is mimetic -- we imitate what other people want. This affects the way we choose partners, friends, careers, clothes and vacation destinations. Mimetic desire is responsible for the formation of our very identities. It explains the enduring relevancy of Shakespeare's plays, why Peter Thiel decided to become the first investor in Facebook, and why our world is growing more divided as it becomes more connected. Drawing on his experience as an entrepreneur, teacher and student of classical philosophy and theology, Burgis shares tactics that help turn blind wanting into intentional wanting -- not by trying to rid ourselves of desire, but by desiring differently. It's possible to be more in control of the things we want, to achieve more independence from trends and bubbles, and to find more meaning in our work and lives. The future will be shaped by our desire. Wanting tells us how to desire a better one.

A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the Covid-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste. Paul Muldoon is a poet who continues not only to capture, but to hold, compellingly, our attention.

WINNER OF THE PULITZER PRIZE FOR FICTION TWICE WINNER OF THE WOMEN'S PRIZE FOR FICTION THE MULTI-MILLION COPY BESTSELLING AUTHOR 'Magnificent.' The Times, 'Books of the Year' 'Gripping.' Grazia 'Peerless.' Daily Mail 'Wise.' Sunday Times Meet Willa Knox, a woman who stands braced against a world which seems to hold little mercy for her and her family - or their old, crumbling house, falling down around them. Willa's two grown-up children, a new-born grandchild, and her ailing father-in-law have all moved in at a time when life seems at its most precarious. But when Willa discovers that a pioneering female scientist lived on the same street in the 1800s, could this historical connection be enough to save their home from ruin? And can Willa, despite the odds, keep her family together?

From the author of the Booker-shortlisted Small Things Like These, a heartbreaking, haunting story of childhood, loss and love by one of Ireland's most acclaimed writers. AN IRISH TIMES TOP 100 BEST IRISH BOOKS OF THE 21ST CENTURY WINNER OF THE DAVY BYRNES IRISH WRITING AWARD 'A real jewel.' Irish Independent 'A small miracle.' Sunday Times 'A thing of finely honed beauty.' Guardian 'As good as Chekhov.' David Mitchell It is a hot summer in rural Ireland. A girl is sent to live with foster parents on a farm, not knowing when she will return home. In the strangers' house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. But in a house where there are meant to be no secrets, she discovers how fragile her idyll is. -------- Readers love Foster: ¿¿¿¿¿ 'To say this story is exceptional doesn't adequately describe it. If there were 10 stars to award this would deserve every one. Claire Keegan has a wonderful talent at storytelling.' ¿¿¿¿¿ 'Foster is beautifully and confidently written, the prose is evocative, poignant and moving, with wonderfully atmospheric imagery ... Claire Keegan is an incredible storyteller.' ¿¿¿¿¿ 'I've read books four times the length that didn't have near as much depth. There are so many layers to the writing and this is close to perfection.' ¿¿¿¿¿ 'This is another literary diamond packed full of emotional charge, depth, poignancy and wonder. This novella is a thing of pure beauty and I urge you to read it!' ¿¿¿¿¿ 'I rarely cry when reading a book but I wept ... Read it everyone. It will stay with you forever.'

'A stunning novel.' Graham Norton ** Includes the first chapter of Andrew O'Hagan's Sunday Times bestselling new novel Caledonian Road ** Winner of the Christopher Isherwood Prize Shortlisted for the Portico Prize A Guardian, Spectator, Sunday Times, Financial Times and Evening Standard Book of the Year 'Funny, passionate, heartbreaking.' Tracey Thorn 'Life-enhancing.' Scotsman 'Unforgettable.' Cólm Toibín 'Spectacular.' Books of the Year, Spectator 'An incredible book . . . about men and how important friendship can be to men.' Douglas Stuart 'My god this is gorgeous. Wild, wise, wonderful . . . Absolutely brilliant.' Russell T Davies Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, James and Tully ignite a friendship based on music, films and the rebel spirit. With school over, they rush towards a magical weekend of youthful excess in Manchester played out against the greatest soundtrack ever recorded. And there a vow is made: to go at life differently. Thirty years on, the phone rings. Tully has news.

'Vital, fierce and free.' Financial Times 'Incandescently good.' Sarah Perry 'Pulsing with life and lyricism.' Spectator 'Fiercely exuberant.' Observer 'Delightfully playful.' Andrew Miller 'A truly astonishing thing.' George Monbiot A wondrous, elemental novel from 'a writer of show-stopping genius'. Guardian SHORTLISTED FOR THE GOLDSMITHS PRIZE Helm is a ferocious, mischievous wind - a subject of folklore and wonder - who has blasted the sublime landscape of the Eden Valley since the very dawn of time. This is Helm's life story, formed from the chronicles of those the wind enchanted: the Neolithic tribe who tried to placate it, the Dark Age wizard priest who wanted to banish it, the Victorian steam engineer who attempted to capture it - and the farmer's daughter who fell in love. But now Dr Selima Sutar, surrounded by measuring instruments, alone in her observation hut, fears the end is nigh. Vital and audacious, Helm is the elemental tale of a unique life force - and of a relationship: between nature and people, neither of whom can weather life without the other. 'Sarah Hall's writing has conquered the body and the soul and now it conquers the wind itself.' DAISY JOHNSON 'I can think of no other British writer whose talent so consistently thrills, surprises and staggers.' BENJAMIN MYERS 'I'm awed . I wouldn't think a novel could be at once so taut and so multifarious, expanding one's sense of what fiction can do.' SARAH MOSS 'Helm is as vital, fierce and free as the phenomenon it describes.' FINANCIAL TIMES 'A spectacular epic tapestry. Nobody could tell the story of our inextricable relationship with wild nature as beautifully as Sarah Hall.' LEE SCHOFIELD '[Hall]sweeps from the cinematic to the specific, her prose pulsing with life and lyricism. Helmpushes both the boundaries of the novel and our relationship with nature.' SPECTATOR 'A big, celebratory book, in places delightfully playful, in others as tight and breathless as a thriller.' ANDREW MILLER

And then it started, little by little it started, until they were married five years later and his real life began. 'Exquisite ... A super-abundantly gifted, big-hearted novelist.' Ian McEwan 'A writer whose work shines with intelligence and originality.' Don DeLillo The life of Sy Baumgartner - noted author, and soon-to-be retired philosophy professor - has been defined by his deep, abiding love for his wife. Now Anna is gone, and Baumgartner is trying to live with her absence. But Anna's voice is everywhere still, in every spiral of memory and reminiscence, in each recalled episode of the passionate forty years they shared. Rich with feeling, wit and an eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is a luminous work - a tender final masterpiece from one of the world's greatest writers. 'A master.' The Times What readers are saying: ***** Perfect, subtle, charming, funny and sad. **** Well-written and compelling but also comforting, like catching up with an old friend. **** A, beautifully-written and intelligent piece of understated introspective fiction from Auster.

After the publication of Outline, Transit and Kudos - in which Rachel Cusk redrew the boundaries of fiction - this writer of uncommon brilliance returns with a series of essays that offers new insights on the themes at the heart of her life's work. Encompassing memoir and cultural and literary criticism, with pieces on gender, politics and writers such as D. H. Lawrence, Olivia Manning and Natalia Ginzburg, this collection is essential reading for our age: fearless, unrepentantly erudite, both startling and rewarding to behold. The result is a cumulative sense of how the frank, deeply intelligent sensibility - so evident in her stories and novels - reverberates in the wider context of Cusk's literary process. Coventry grants its readers a rare opportunity to see a mind at work that will influence literature for time to come.

Istanbul is a shimmering evocation, by turns intimate and panoramic, of one of the world's great cities, by its foremost writer. Orhan Pamuk, winner of the Nobel Prize in 2006, was born in Istanbul, in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy-or hüzün- that all Istanbullus share: the sadness that comes of living amid the ruins of a lost Ottoman Empire. As he companionably guides us across the Bosphorus, through Istanbul's historical monuments and lost paradises, its dilapidated Ottoman villas, back streets and waterways, he also introduces us to the city's writers, artists and murderers. Like the Dublin of Joyce and Jan Morris' Venice, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

'A wise, deep, nuanced and profoundly moving book' Siri Hustvedt 'Thoughtful, important and a reminder that hope belongs to everyone' Christie Watson 'Extraordinarily powerful . . . it's indelibly stamped on my mind' Rachel Clarke The Sunday Times bestselling authors of The Devil You Know return with a life-affirming book, taking us into the consulting room with Dr Gwen Adshead to witness her work with patients and discover how we heal after trauma. Unspeakable is a testament to human resilience and the power of therapy. The pioneering psychiatrist and psychotherapist Dr Gwen Adshead works with patients struggling in the wake of a range of distressing and painful life events. Drawn from over thirty years of clinical practice, Unspeakable illuminates how language - and silence - can dramatically affect the quality of our recovery after disaster. Whether we're suffering from a sudden bereavement or intergenerational trauma, assault or abuse, sometimes the hardest words to say out loud are the very ones to set us free. With Adshead's assistance and extraordinary insight, these courageous people discover new ways of viewing their experiences and moving forward in their lives. In a world of quick fixes, immediate heated responses and lazily applied labels, Unspeakable urges nuance, expertise and compassion. It charts the transformation of patient identities, hearts and minds through the power of language, and makes a compelling case for hope.

THE SUNDAY TIMES BESTSELLER 'It will do your soul good to read this.' NIGELLA LAWSON A balm for our times from the internationally bestselling author of Wintering. Our sense of enchantment is not only sparked by grand things. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. The magic is of our own conjuring. 'A total joy . . . Thoughtful, patient and beautifully written, like walking with a friend as dusk settles, this is the book your soul needs right now.' CARIAD LLOYD 'Beautifully written.' PHILIPPA PERRY Feeling bone-tired, anxious and overwhelmed by the rolling news cycle and the pandemic age, Katherine May seeks to unravel the threads of a life wound too tightly. Could there be another way to live - one that feels more meaningful, more grounded in the places beneath our feet? One that would allow us to feel more connected, more rested and at ease, even as seismic changes unfold on the planet? Craving a different path, May explores the restorative properties of the natural world and begins to rekindle her sense of wonder. It is a journey that takes her from sacred wells to wild moors, from cradling seas to starfalls. Through deliberate attention and ritual, she finds nourishment and a more hopeful relationship to the world around her. Enchantment is an invitation to each of us to experience life in all its sensual complexity and to find the beauty waiting for us there. Katherine May's book Enchantment was a Sunday Times bestseller w/c 10-03-2023

How do you save the world from monsters if no one will admit they exist? She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet. There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson all her life. But when she meets Pet, a creature made of horns and colours and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also to uncover the truth. In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices a young person can make when the adults around them are in denial.

A classic television series, The Twilight Zone, sets off a genre-bending experiment in science-fiction, autobiography and all the spaces in-between. Don Paterson's new collection starts from the premise that the crisis of mid-life may be a permanent state of mind. Zonal is an experiment in science-fictional and fantastic autobiography, with all of its poems taking their imaginative cue from the first season of The Twilight Zone (1959-1960), playing fast and loose with both their source material and their author's own life. Narrative and dramatic in approach, genre-hopping from horror to Black Mirror-style sci-fi, 'weird tale' to metaphysical fantasy, these poems change voices constantly in an attempt to get at the truth by alternate means. Occupying the shadowlands between confession and invention, Zonal takes us to places and spaces that feel endlessly surprising, uncanny and limitless. 'Dynamic, interrogative and unsettling; crafted yet open-ended; fiercely smart, savage and stirring - from the get-go, Paterson's poetry has been essential reading.' Guardian

Matthew Francis's latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations. There are tributes to the poets Basho, Dafydd ap Gwilym and W. S. Graham, to fireworks, apple varieties, and hot toddies. And, in a moving elegy for a friend killed in a parachute accident, Francis shows us a vertiginous vision of a world where even the dead 'sleep on the wing'.

Schumann: The Faces and the Masks is a groundbreaking account of a major composer whose life and works have been the subject of intense controversy ever since his attempted suicide and early death in an insane asylum. Schumann was a key figure in the Romanticism which swept Europe and America in the 19th century, inspiring writers, musicians and painters, delighting their enthralled audiences, and reaching to the furthest corners of the world. All the contradictions of his age enter Schumann's works, from the fantastic disguises of his carnival masquerades and his passionate love songs to his great 'Spring' and 'Rhenish' Symphonies. He was intensely original and imaginative, but he also worshipped the past-especially Shakespeare and Byron, Raphael and Michelangelo, Beethoven and Bach. He believed in political, personal and artistic freedom but struggled with the constraints of artistic form. He turned his tumultuous life into music that speaks directly to the heart, losing none of its power with the passage of time. Drawing on hitherto unpublished archive material, Chernaik sheds new light on Schumann's life and music, his sexual escapades, his fathering of an illegitimate child, the true facts behind his courtship of his wife Clara and the opposition of her monstrous father, and the ways in which the crises of his life, his dreams and fantasies, entered his music. Schumann's troubled relations with his fellow-Romantic composers Mendelssohn and Chopin are freshly explored, and the full medical diary kept at Endenich Asylum, long withheld, enables Chernaik to look again at the mystery of Schumann's final illness. Using her wide experience as a scholar of Romanticism and a novelist, Chernaik vividly brings Schumann's world and his extraordinary artistic achievement to life in all its rich complexity.

*Kazuo Ishiguro's new novel Klara and the Sun is now available* In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning. Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede. 'Each of these stories is heartbreaking in its own way, but some have moments of great comedy, and they all require a level of attention that, typically, Ishiguro's writing rewards.' Observer '[They] come up on you quietly, but then haunt you for days . These little pieces could only be the work of a great composer.' Evening Standard 'A fine and moving collection of stories, displaying his unique combination of the sad, the stoic and the consoling. It's about failure, but it dignifies failure, and with it, the human condition.' Margaret Drabble, Guardian

The rich and wondrous new novel from 'a writer of show-stopping genius' (Guardian) - about nature, people, mythical forces, and the slither of time we have left.

This is the story of a few hours in the life of a troubled teenage boy. He is wandering into the night listening to the voices in his head - escaping a home for 'very disturbed young men’ and walking into the haunted space between his past and the heavy question of his future. A novel about being lost in the dark and realising you are not alone.

A powerful new collection from the acclaimed, prize-winning author of Multitudes and Intimacies - a striking exploration of motherhood and marriage.

**Winner of seven Academy Awards, including Best Picture** The complete screenplay of Christopher Nolan's Oppenheimer. Oppenheimer centers on the life of the "father of the atomic bomb." Based on the Pulitzer Prize-winning book American Prometheus by Kai Bird and Martin J. Sherwin, the film stars Cillian Murphy as the man who led the effort, in the midst of a world war, to unleash the power of the atom. Christopher Nolan has fashioned a story of discovery bathed in the light of a thousand suns - but one that is darkened by government surveillance and the travesty of a trial to which Oppenheimer was subjected. In his introduction to the screenplay, Kai Bird, co-author of American Prometheus, praises Nolan's skill in taking an extremely complex life story and miraculously turning it into "visual art that is faithful both to the history and the man."