Research Paper (undergraduate) from the year 2010 in the subject Business economics - General, grade: 1,3, University of Applied Sciences Northwestern Switzerland, language: English, abstract: The Efficient market hypothesis can be considered as part of rational economics but it does not specify at all how individuals should or will act. Therefore it might be a useful model of the functioning of the market as a whole but it does not explain the behaviors of investors as well as managers and other participants. While the Efficient market hypothesis deals as a basis for understanding the normal working of the markets, from time to time it might happen that the market as a whole or an individual stock may act irrationally. Such behavior is well known and generally occurs when the market price of a share turns away from its intrinsic value. The result is what commonly is called a bubble. This term is often used but the reasons for the occurrence are quite unclear. In fact, at the same time as the market as a whole has become more efficient, instances of irrationality have become more common or at least appear to be. Therefore we try to discuss the question why capital markets, which are considered as efficient and perfect in theory, are volatile and imperfect in reality. The paper responds to this question by discussing mainly the irrational behavior of people by turning into the field of psychology. Furthermore it seeks for approaches of explanation conducted by different investment strategies containing among others an increased use of derivative instruments or single trades based on massive capacity which therefore influence prices. Methodology and Structure of the paper In general the paper can be divided in 3 parts, a theoretical as well as an analytical one and a final point the Conclusion (Part C) which sums up the basic findings of the paper. Whereas Part A can be regarded as delivering the theoretical background, Part B contains the empirical analysis based on several case studies. Chapter 1, 2 and 3 are providing the reader with the needed knowledge of the capital market, volatility and the efficient market hypothesis in order to assure the understanding of the more complex prosecution of the paper After discussing those fundamentals the paper soon takes a view on some instances of irrationality in Part B, but first of all delivers in Chapter 4, 5 and 6 some theories that attempt to explain such irrationalities. Finally the paper is finished by linking those theories with the observed instances of irrationality

Attraktive Hit-Sammlung mit 111 der erfolgreichsten Chartbreaker aus sechs Jahrzehnten - motivierend im Musikunterricht und weit darüber hinaus. Das Repertoire umfasst zeitlose Kultsongs und junge Top-Titel der internationalen und deutschsprachigen Popszene. Auf der Audio-Doppel-CD befinden sich 50 instrumentale Soundtracks in bester Klangqualität - die ideale und immer verfügbare "Begleitband". Inhalt: Kapitel 1: Let Me Entertain You Let Me Entertain You Highway to Hell The Shoop Shoop Song (It's in His Kiss) Happy Together The Loco-Motion Twist and Shout Jailhouse Rock Shake It Off Coco Jamboo Dance with Me Atemlos durch die Nacht Get Lucky Lucky Day Lambada Auf uns Beat It A Song of Joy Thank You for the Music The Show Must Go On Let's Get Loud Kapitel 2: I Am What I Am I Am What I Am Mensch A Mensch möcht I bleib'n This Is the Life (Simply) The Best You Raise Me Up Geboren um zu leben Je veux Wake Me Up Traum Burn It Down Count on Me Cups (When I'm Gone) I Will Survive So soll es bleiben Nothing Else Matters Perfekte Welle Dieser Weg Friends Kapitel 3: Can You Feel the Love Tonight Can You Feel the Love Tonight Hello Mary Lou Ring of Fire Standing Still Verdammt ich lieb' dich I'm Gonna Be (500 Miles) We Weren't Born to Follow Ich lass für dich das Licht an Only You Eternal Flame Macho Macho Sweet Dreams (Are Made of This) Caravan of Love Girl on Fire A Groovy Kind of Love Bubbly Lean on Me Drück die 1 This Love Unfaithful Let Her Go Wonderwall Someone like You All about That Bass Junimond Without You Put a Little Love in Your Heart Fairytale Gone Bad Kapitel 4: Irgendwie irgendwo irgendwann Irgendwie irgendwo irgendwann Ob-La-Di Ob-La-Da Paint It Black Lieder MFG - mit freundlichen Grüßen Skandal im Sperrbezirk New York New York Ich war noch niemals in New York Hotel California San Francisco (Be Sure to Wear Flowers in Your Hair) Behind Blue Eyes (Sittin' On) The Dock of the Bay The Boxer Maschin Ba-Ba-Banküberfall Island in the Sun Irgendwann bleib i dann dort Jetzt ist Sommer Sweet Home Alabama Fragile Only Time '54 '74 '90 2010 Viva la Vida Manhã de Carnaval Summer of '69 Dangerous Dust in the Wind Kapitel 5: Wind of Change Wind of Change Mad World Heast as nit Dear Mr. President Holiday Mama (Ana Ahabak) Nur noch kurz die Welt retten Heal the World The Hanging Tree The Show Lasse redn Paparazzi Bad Moon Rising Himmel auf From a Distance Amoi seg' ma uns wieder The Final Countdown

Research Paper (undergraduate) from the year 2010 in the subject Business economics - General, grade: 1,3, University of Applied Sciences Northwestern Switzerland, language: English, abstract: The Efficient market hypothesis can be considered as part of rational economics but it does not specify at all how individuals should or will act. Therefore it might be a useful model of the functioning of the market as a whole but it does not explain the behaviors of investors as well as managers and other participants. While the Efficient market hypothesis deals as a basis for understanding the normal working of the markets, from time to time it might happen that the market as a whole or an individual stock may act irrationally. Such behavior is well known and generally occurs when the market price of a share turns away from its intrinsic value. The result is what commonly is called a bubble. This term is often used but the reasons for the occurrence are quite unclear. In fact, at the same time as the market as a whole has become more efficient, instances of irrationality have become more common or at least appear to be. Therefore we try to discuss the question why capital markets, which are considered as efficient and perfect in theory, are volatile and imperfect in reality. The paper responds to this question by discussing mainly the irrational behavior of people by turning into the field of psychology. Furthermore it seeks for approaches of explanation conducted by different investment strategies containing among others an increased use of derivative instruments or single trades based on massive capacity which therefore influence prices. Methodology and Structure of the paper In general the paper can be divided in 3 parts, a theoretical as well as an analytical one and a final point the Conclusion (Part C) which sums up the basic findings of the paper. Whereas Part A can be regarded as delivering the theoretical background, Part B contains the empirical analysis based on several case studies. Chapter 1, 2 and 3 are providing the reader with the needed knowledge of the capital market, volatility and the efficient market hypothesis in order to assure the understanding of the more complex prosecution of the paper After discussing those fundamentals the paper soon takes a view on some instances of irrationality in Part B, but first of all delivers in Chapter 4, 5 and 6 some theories that attempt to explain such irrationalities. Finally the paper is finished by linking those theories with the observed instances of irrationality

Das Besondere an diesem Wein Die Vorzeichen für den 2016er Château Pontet-Canet waren zunächst nicht die besten: Die erste Hälfte des Jahres war im Bordelais komplett verregnet. In den ersten Monaten fiel der gesamte durchschnittliche Niederschlag von sonst 12 Monaten. Bevor sich die damit verbundenen Befürchtungen großer Mehltaubefälle bewahrheiteten, setzte allerdings eine für die Region ungewöhnliche Trockenperiode ein, die bis zum 23. September andauerte. Diese Trockenheit schadete den Reben aber nicht, da die Wasserreservoirs bestens gefüllt waren. Geerntet wurde schließlich unter idealen Bedingungen und auf Château Pontet-Canet war man sowohl mit der Traubenqualität als auch den Ernteerträgen zufrieden. Die Assemblage des 2016er Grand Vin aus dem Hause Château Pontet-Canet besteht aus 65 % Cabernet Sauvignon, 30 % Merlot, 3 % Cabernet Franc und 2 % Petit Verdot. Es wurde eine Handlese in mehreren Durchgängen durchgeführt. Nach der vollständigen Entrappung der Trauben schloss sich im Weinkeller eine vierwöchige Maischegärung in Zementtanks an. Durch den Einsatz von natürlichen Hefen vergären die Rotweine von Pontet-Canet besonders langsam, sodass sich die Frucht und die Tannine optimal entwickeln können. Die Hälfte der Produktion wurde anschließend für 18 Monate in neuen französischen Eichenholzfässern ausgebaut, die andere Hälfte in zweitbefüllten Fässern und Beton-Amphoren, bevor der Claret zur finalen Reifung in Flaschen abgefüllt wurde. Pauillac am linken Ufer der Gironde, zwischen Saint-Julien im Süden und Saint-Estèphe im Norden, gilt als das Epizentrum des Weinanbaus in der Region Médoc. Die Appellation verfügt über außergewöhnlich vorteilhafte klimatische und geologische Voraussetzungen. Insgesamt stehen hier 1200 Hektar unter Reben, wobei Cabernet Sauvignon die vorherrschende Sorte ist. Einige der weltweit besten Rotweine entstammen der Region. Gleich 18 der 61 Châteaux, die 1855 bei der Bordeaux-Klassifizierung in die Riege der Grand-Cru-Classé aufgenommen wurden, sind hier zu finden. Die Geschichte des Château Pontet-Canet beginnt mit den ersten Weinparzellen, die der Notar Jacques de Ségur im Jahre 1670 anlegen ließ. Aber erst mit der Übernahme des Châteaus durch die Familie Tesseron im Jahr 1975 begann der Aufstieg zu einem qualitätsorientierten Weingut, moderner Prägung. Das Château bewirtschaftet 120 Hektar Land, davon 81 Hektar mit Weinreben. Angebaut werden Cabernet Sauvignon, Merlot, Cabernet Franc und Petit Verdot, wobei das Durchschnittsalter der Reben bei 35 Jahren und die Pflanzdichte bei 9.000 Stöcken je Hektar liegt. Im Jahr 2010 wurde das Château als erstes der großen Bordeaux Weingüter biozertifiziert. Wie der Wein schmeckt: charakterstark & kräftig Der 2016er Château Pontet-Canet besitzt eine sehr intensive Farbe: Dichtes, dunkles Purpur mit lila Rand. In der Nase ein opulenter Duft von Pflaumen, schwarzen Kirschen, Gewürzkuchen und Crème de Cassis, mit Anklängen von kandierten Veilchen, Schokoladenminze und Fleisch. Dazu etwas Holzrauch, Lakritze und Vanille. Sehr dicht, tief und würzig. Der Gaumen ist vollmundig, fruchtig und voller reichhaltiger Gewürzschichten. Dazu abgeschliffene Tannine, eine harmonische Frische und ein Abgang von unglaublicher Länge und Tiefe, der intensiv-mineralisch nachhallt. Was Kritiker zu dem Wein sagen 98+ Punkte von Robert Parker „Der 2016er Pontet-Canet ist von tiefem Granat-Lila und besticht mit einer hedonistischen Nase von Schwarzwälder Kirschtorte, Crème de Cassis und Blaubeerkuchen sowie Anklängen von kandierten Veilchen, Hoisin, Schokoladenminze, Wurstwaren und Waldboden sowie einem Hauch von Sternanis. Am Gaumen ist er vollmundig, reichhaltig, vielschichtig und kraftvoll fruchtig. Gebaut wie ein Backsteinhaus, mit sehr festen, superreifen, körnigen Tanninen und einer harmonischen Frische, die mit unglaublicher Länge und Tiefe endet. Der Wein ist noch sehr primär und doch schon so vielschichtig, dass es mich nicht überraschen würde, wenn er in ein paar Jahr

THE CLEAR QURAN® Series is one of the most eloquent attempts to masterfully and accurately capture the elegance and vigor of the Quran in modern English. Its clarity for an average reader is evident in the choice of easy-to-understand words and phrases that reflect the original text's beauty, flow, and power. Along with just enough footnotes to clarify complex and contextual meanings and brief Surah (chapter) introductions, this copy groups verses and titles them based on the theme of those verses (hence the word Thematic in the title), to provide internal coherence to readers - Muslims and non-Muslims alike. Thanks to the dedicated team of scholars, editors, and proofreaders led by Dr. Mustafa Khattab, we believe THE CLEAR QURAN® Series is the finest translation of the Final Revelation in the English language available today. Key Features of The Clear Quran® Series:Modern English: The translation is presented in contemporary English, ensuring accessibility for a broad audience. Thematic Arrangement: Unlike traditional translations that follow the Quran's chronological order, The Clear Quran® Series is organized thematically, allowing readers to explore specific topics easily. Extensive Footnotes: Detailed footnotes provide context, explanations, and historical background, enriching the reader's understanding. Arabic Text: Many editions include the original Arabic text alongside the English translation, enabling readers to compare and contrast effectively. Author: Dr. Mustafa Khattab is a distinguished authority in Quranic interpretation and is celebrated for his significant contributions to Islamic scholarship. He holds a Ph.D., M.A., and B.A. in Islamic Studies in English with honors from Al-Azhar University's Faculty of Languages & Translation. Dr. Khattab has lectured at Clemson University (OLLI Program, 2009-2010) and has served as a Lecturer at Al-Azhar University for over a decade, beginning in 2003. His roles as Muslim Chaplain at Brock University (2014-2016) and the University of Toronto in Mississauga (2019-2021) further underscore his commitment to community engagement. A member of the Canadian Council of Imams and a Fulbright Interfaith Scholar, Dr. Khattab has been an Imam in the U.S.A. and Canada since 2007. Having memorized the entire Quran in Arabic at a young age, Dr. Khattab was also part of the pioneering team that translated the Ramadan night prayers (Tarawih) live from the Sacred Mosque in Makkah and the Prophet's Mosque in Madinah from 2002 to 2005. His unwavering dedication to promoting a deeper understanding of Islamic teachings continues to make a lasting impact on diverse audiences worldwide.

THE CLEAR QURAN® Series is one of the most eloquent attempts to masterfully and accurately capture the elegance and vigor of the Quran in modern English. Its clarity for an average reader is evident in the choice of easy-to-understand words and phrases that reflect the original text's beauty, flow, and power. Along with just enough footnotes to clarify complex and contextual meanings and brief Surah (chapter) introductions, this copy groups verses and titles them based on the theme of those verses (hence the word Thematic in the title), to provide internal coherence to readers - Muslims and non-Muslims alike. Thanks to the dedicated team of scholars, editors, and proofreaders led by Dr. Mustafa Khattab, we believe THE CLEAR QURAN® Series is the finest translation of the Final Revelation in the English language available today. Key Features of The Clear Quran® Series:Modern English: The translation is presented in contemporary English, ensuring accessibility for a broad audience. Thematic Arrangement: Unlike traditional translations that follow the Quran's chronological order, The Clear Quran® Series is organized thematically, allowing readers to explore specific topics easily. Extensive Footnotes: Detailed footnotes provide context, explanations, and historical background, enriching the reader's understanding. Arabic Text: Many editions include the original Arabic text alongside the English translation, enabling readers to compare and contrast effectively. Author: Dr. Mustafa Khattab is a distinguished authority in Quranic interpretation and is celebrated for his significant contributions to Islamic scholarship. He holds a Ph.D., M.A., and B.A. in Islamic Studies in English with honors from Al-Azhar University's Faculty of Languages & Translation. Dr. Khattab has lectured at Clemson University (OLLI Program, 2009-2010) and has served as a Lecturer at Al-Azhar University for over a decade, beginning in 2003. His roles as Muslim Chaplain at Brock University (2014-2016) and the University of Toronto in Mississauga (2019-2021) further underscore his commitment to community engagement. A member of the Canadian Council of Imams and a Fulbright Interfaith Scholar, Dr. Khattab has been an Imam in the U.S.A. and Canada since 2007. Having memorized the entire Quran in Arabic at a young age, Dr. Khattab was also part of the pioneering team that translated the Ramadan night prayers (Tarawih) live from the Sacred Mosque in Makkah and the Prophet's Mosque in Madinah from 2002 to 2005. His unwavering dedication to promoting a deeper understanding of Islamic teachings continues to make a lasting impact on diverse audiences worldwide.

THE CLEAR QURAN® Series is one of the most eloquent attempts to masterfully and accurately capture the elegance and vigor of the Quran in modern English. Its clarity for an average reader is evident in the choice of easy-to-understand words and phrases that reflect the original text's beauty, flow, and power. Along with just enough footnotes to clarify complex and contextual meanings and brief Surah (chapter) introductions, this copy groups verses and titles them based on the theme of those verses (hence the word Thematic in the title), to provide internal coherence to readers - Muslims and non-Muslims alike. Thanks to the dedicated team of scholars, editors, and proofreaders led by Dr. Mustafa Khattab, we believe THE CLEAR QURAN® Series is the finest translation of the Final Revelation in the English language available today. Key Features of The Clear Quran® Series:Modern English: The translation is presented in contemporary English, ensuring accessibility for a broad audience. Thematic Arrangement: Unlike traditional translations that follow the Quran's chronological order, The Clear Quran® Series is organized thematically, allowing readers to explore specific topics easily. Extensive Footnotes: Detailed footnotes provide context, explanations, and historical background, enriching the reader's understanding. Arabic Text: Many editions include the original Arabic text alongside the English translation, enabling readers to compare and contrast effectively. Author: Dr. Mustafa Khattab is a distinguished authority in Quranic interpretation and is celebrated for his significant contributions to Islamic scholarship. He holds a Ph.D., M.A., and B.A. in Islamic Studies in English with honors from Al-Azhar University's Faculty of Languages & Translation. Dr. Khattab has lectured at Clemson University (OLLI Program, 2009-2010) and has served as a Lecturer at Al-Azhar University for over a decade, beginning in 2003. His roles as Muslim Chaplain at Brock University (2014-2016) and the University of Toronto in Mississauga (2019-2021) further underscore his commitment to community engagement. A member of the Canadian Council of Imams and a Fulbright Interfaith Scholar, Dr. Khattab has been an Imam in the U.S.A. and Canada since 2007. Having memorized the entire Quran in Arabic at a young age, Dr. Khattab was also part of the pioneering team that translated the Ramadan night prayers (Tarawih) live from the Sacred Mosque in Makkah and the Prophet's Mosque in Madinah from 2002 to 2005. His unwavering dedication to promoting a deeper understanding of Islamic teachings continues to make a lasting impact on diverse audiences worldwide.

THE CLEAR QURAN® Series is one of the most eloquent attempts to masterfully and accurately capture the elegance and vigor of the Quran in modern English. Its clarity for an average reader is evident in the choice of easy-to-understand words and phrases that reflect the original text's beauty, flow, and power. Along with just enough footnotes to clarify complex and contextual meanings and brief Surah (chapter) introductions, this copy groups verses and titles them based on the theme of those verses (hence the word Thematic in the title), to provide internal coherence to readers - Muslims and non-Muslims alike. Thanks to the dedicated team of scholars, editors, and proofreaders led by Dr. Mustafa Khattab, we believe THE CLEAR QURAN® Series is the finest translation of the Final Revelation in the English language available today. Key Features of The Clear Quran® Series:Modern English: The translation is presented in contemporary English, ensuring accessibility for a broad audience. Thematic Arrangement: Unlike traditional translations that follow the Quran's chronological order, The Clear Quran® Series is organized thematically, allowing readers to explore specific topics easily. Extensive Footnotes: Detailed footnotes provide context, explanations, and historical background, enriching the reader's understanding. Arabic Text: Many editions include the original Arabic text alongside the English translation, enabling readers to compare and contrast effectively. Author: Dr. Mustafa Khattab is a distinguished authority in Quranic interpretation and is celebrated for his significant contributions to Islamic scholarship. He holds a Ph.D., M.A., and B.A. in Islamic Studies in English with honors from Al-Azhar University's Faculty of Languages & Translation. Dr. Khattab has lectured at Clemson University (OLLI Program, 2009-2010) and has served as a Lecturer at Al-Azhar University for over a decade, beginning in 2003. His roles as Muslim Chaplain at Brock University (2014-2016) and the University of Toronto in Mississauga (2019-2021) further underscore his commitment to community engagement. A member of the Canadian Council of Imams and a Fulbright Interfaith Scholar, Dr. Khattab has been an Imam in the U.S.A. and Canada since 2007. Having memorized the entire Quran in Arabic at a young age, Dr. Khattab was also part of the pioneering team that translated the Ramadan night prayers (Tarawih) live from the Sacred Mosque in Makkah and the Prophet's Mosque in Madinah from 2002 to 2005. His unwavering dedication to promoting a deeper understanding of Islamic teachings continues to make a lasting impact on diverse audiences worldwide.

Irgendwo zwischen Hamburg und Flensburg liegt das kleine Dorf Büttenwarder – eigentlich unscheinbar, wäre da nicht seine verschrobene, liebenswerte Dorfgemeinschaft. Allen voran die bauernschlauen Freunde und Rivalen Kurt Brakelmann (Jan Fedder) und Arthur „Adsche“ Tönnsen (Peter Heinrich Brix). Seit 1997 jagen die beiden, immer notorisch pleite, mit ihren aberwitzigen Einfällen dem großen Geld und dem sagenumwobenen „Nennwert“ hinterher – mal als Visionäre, mal als grandiose Versager, doch immer mit trockenem Humor und norddeutschem Dickschädel. An ihrer Seite: Wirt Shorty, Stallknecht Kuno, Bürgermeister Schönbiehl und später Günther Griem, Dorfpolizist Peter und natürlich Onkel Krischan. Über zwei Jahrzehnte lang wurde in Büttenwarder Fernsehgeschichte geschrieben – 98 Folgen und viele Specials voller Kauzigkeit, Sturheit und Herz, die weit über den Norden hinaus Kult wurden. Diese Box vereint das ganze Dorfleben – ein letzter „Lütt un Lütt“ auf Brakelmann, Adsche und alle in Büttenwarder. Alle 98 Folgen & Specials erstmals komplett in einer Box vereint 29 DVDs im hochwertigen Hardcover-Schuber, mit 20-seitigem Booklet und einer echt vergoldeten Gedenkmünze "Endlich Nennwert" - mhr geht nich! Die norddeutsche Kultserie – 24 Jahre Fernsehgeschichte mit Jan Fedder & Peter Heinrich Brix und allen Folgen in den Original- und Plattdeutschen Sprachfassungen Neues aus Büttenwarder - Endlich Nennwert! (Die komplette Serie) - alle Episoden: Staffel 1: Der Bär steppt Fette Beute Bildungsschock Liebesnacht Ferienfieber Heiratsmarkt Wahlkampf Ufos Staffel 2: Reisefieber Schuld und Sühne Glücksspielhölle Goethejahr Staatsbesuch Geldregen Specials: Büttenwarder privat! Portraits über Fedder und Brix Interview mit Brakelmann und Adsche Staffel 3: Schmerzensgeld Verschollen Karneval Pflegeparadies Weihnachten Silvester Special: Doku: Das ist Büttenwarder – zum 10. Geburtstag der Serie Staffel 4: Chefvisite Vatertag Wunder Schönes Wohnen Dorfschule Endlich Urlaub Special: Doku: Zu Besuch in Büttenwarder – über die Dreharbeiten Staffel 5: Mambo Goldene Erinnerungen Damenbesuch Der Ball rollt Schatzsuche War wohl Mord Specials: Büttenwarder ganz privat Der große Büttenwarder Jahresrückblick 2009 Das ABC von Büttenwarder Die besten Talente für Büttenwarder Wer hat’s gesehen – Büttenwarder Special Staffel 6: Die mit dem Wolf tanzen Guten Appetit Ostern Nackt Vizekönig Erlentrillich Auf großer Fahrt Specials: Dein Talent in Büttenwarder Das war 2010 Staffel 7: Hosenmatz Lütt un Lütt Stadtschinken Scheinheiliger Survival Kömkuchen Schafwölkchen Freiheit Specials: Krisenjahr 2011 Altes aus Büttenwarder Staffel 8: Entführt Rendezvous Fifty Donnerschlach Patchwork Sinn Apparillo Stau Specials: 15 Jahre, 15 Fragen Das ZYX von Büttenwarder Staffel 9: Rififi (1) Rififi (2) Versöhnung Der alte Sack Einladung Knopfhase Specials: Rififi (Doppelfolge) Brakelmanns Freunde Büttenwarder – Deine Fans Staffel 10: Haggnschuss Auf Streife Radio Rosenkrieg Rekord Olympia Specials: Büttenwarder – frisch geföhnt Brixi – mich gibt es nur zweimal Olympische Rekorde (Doppelfolge) Staffel 11: Danke Föhn Topptach Groggy Laborette Oh! Black Bronco Specials: Doku: Der alte Mann und das Dorf 6 Trailer zu den Folgen 3 Kurzfilme: Bauernliebe, Kuno kulinarisch, Der Haarmonie-Song Staffel 12: Im Dutt Nachruhm Jopp Unter Dampf Klassentreffen Sieben nach voll Specials: Doku: 20 Jahre Büttenwarder – Der Traum vom wahren Leben Die NDR-Quizshow – 20 Jahre Büttenwarder Staffel 13: Zwei Steinadler Schnupfi WeWeWe Rote Laterne Schräger Vogel Verdammter Hund Specials: Büttenwarderisch für Anfänger: Männergeräusche Wenn der Milberg auf den Brix trifft Büttenwarder Welt-Wissen 1–3 Büttenwarders sportliche Seite Staffel 14: Memory Gerlinde 777 Der Hamburger Trüffel Endstation Specials: Webclips: Gerlinde ist überall Anica Dobra über ihre Rolle als Gerlinde Staffel 15: Der Tod ist ein sturer Arsch Kunst Die Schwester Nur noch 21 Tage Noch 14 Tage Keine 8 mehr Finale Specials: Doku: Letztes

Irgendwo zwischen Hamburg und Flensburg liegt das kleine Dorf Büttenwarder – eigentlich unscheinbar, wäre da nicht seine verschrobene, liebenswerte Dorfgemeinschaft. Allen voran die bauernschlauen Freunde und Rivalen Kurt Brakelmann (Jan Fedder) und Arthur „Adsche“ Tönnsen (Peter Heinrich Brix). Seit 1997 jagen die beiden, immer notorisch pleite, mit ihren aberwitzigen Einfällen dem großen Geld und dem sagenumwobenen „Nennwert“ hinterher – mal als Visionäre, mal als grandiose Versager, doch immer mit trockenem Humor und norddeutschem Dickschädel. An ihrer Seite: Wirt Shorty, Stallknecht Kuno, Bürgermeister Schönbiehl und später Günther Griem, Dorfpolizist Peter und natürlich Onkel Krischan. Über zwei Jahrzehnte lang wurde in Büttenwarder Fernsehgeschichte geschrieben – 98 Folgen und viele Specials voller Kauzigkeit, Sturheit und Herz, die weit über den Norden hinaus Kult wurden. Diese Box vereint das ganze Dorfleben – ein letzter „Lütt un Lütt“ auf Brakelmann, Adsche und alle in Büttenwarder. Alle 98 Folgen & Specials erstmals komplett in einer Box vereint 29 DVDs im hochwertigen Hardcover-Schuber, mit 20-seitigem Booklet und einer echt vergoldeten Gedenkmünze "Endlich Nennwert" - mhr geht nich! Die norddeutsche Kultserie – 24 Jahre Fernsehgeschichte mit Jan Fedder & Peter Heinrich Brix und allen Folgen in den Original- und Plattdeutschen Sprachfassungen Neues aus Büttenwarder - Endlich Nennwert! (Die komplette Serie) - alle Episoden: Staffel 1: Der Bär steppt Fette Beute Bildungsschock Liebesnacht Ferienfieber Heiratsmarkt Wahlkampf Ufos Staffel 2: Reisefieber Schuld und Sühne Glücksspielhölle Goethejahr Staatsbesuch Geldregen Specials: Büttenwarder privat! Portraits über Fedder und Brix Interview mit Brakelmann und Adsche Staffel 3: Schmerzensgeld Verschollen Karneval Pflegeparadies Weihnachten Silvester Special: Doku: Das ist Büttenwarder – zum 10. Geburtstag der Serie Staffel 4: Chefvisite Vatertag Wunder Schönes Wohnen Dorfschule Endlich Urlaub Special: Doku: Zu Besuch in Büttenwarder – über die Dreharbeiten Staffel 5: Mambo Goldene Erinnerungen Damenbesuch Der Ball rollt Schatzsuche War wohl Mord Specials: Büttenwarder ganz privat Der große Büttenwarder Jahresrückblick 2009 Das ABC von Büttenwarder Die besten Talente für Büttenwarder Wer hat’s gesehen – Büttenwarder Special Staffel 6: Die mit dem Wolf tanzen Guten Appetit Ostern Nackt Vizekönig Erlentrillich Auf großer Fahrt Specials: Dein Talent in Büttenwarder Das war 2010 Staffel 7: Hosenmatz Lütt un Lütt Stadtschinken Scheinheiliger Survival Kömkuchen Schafwölkchen Freiheit Specials: Krisenjahr 2011 Altes aus Büttenwarder Staffel 8: Entführt Rendezvous Fifty Donnerschlach Patchwork Sinn Apparillo Stau Specials: 15 Jahre, 15 Fragen Das ZYX von Büttenwarder Staffel 9: Rififi (1) Rififi (2) Versöhnung Der alte Sack Einladung Knopfhase Specials: Rififi (Doppelfolge) Brakelmanns Freunde Büttenwarder – Deine Fans Staffel 10: Haggnschuss Auf Streife Radio Rosenkrieg Rekord Olympia Specials: Büttenwarder – frisch geföhnt Brixi – mich gibt es nur zweimal Olympische Rekorde (Doppelfolge) Staffel 11: Danke Föhn Topptach Groggy Laborette Oh! Black Bronco Specials: Doku: Der alte Mann und das Dorf 6 Trailer zu den Folgen 3 Kurzfilme: Bauernliebe, Kuno kulinarisch, Der Haarmonie-Song Staffel 12: Im Dutt Nachruhm Jopp Unter Dampf Klassentreffen Sieben nach voll Specials: Doku: 20 Jahre Büttenwarder – Der Traum vom wahren Leben Die NDR-Quizshow – 20 Jahre Büttenwarder Staffel 13: Zwei Steinadler Schnupfi WeWeWe Rote Laterne Schräger Vogel Verdammter Hund Specials: Büttenwarderisch für Anfänger: Männergeräusche Wenn der Milberg auf den Brix trifft Büttenwarder Welt-Wissen 1–3 Büttenwarders sportliche Seite Staffel 14: Memory Gerlinde 777 Der Hamburger Trüffel Endstation Specials: Webclips: Gerlinde ist überall Anica Dobra über ihre Rolle als Gerlinde Staffel 15: Der Tod ist ein sturer Arsch Kunst Die Schwester Nur noch 21 Tage Noch 14 Tage Keine 8 mehr Finale Specials: Doku: Letztes

Crisis of Conscience presents the story of a struggle to prevent the erosion of a God-given freedom of conscience and the ensuing dilemma of choosing between loyalty to God and loyalty to one's religion. Former member of the Governing Body of Jehovah's Witnesses, Raymond Franz delivers a rare glimpse into the inner workings of the Watch Tower Society. In response to extraordinary events, Franz tells a unique account of the decision-making sessions of this religion's inner council and the powerful, sometimes dramatic, impact their decisions have on Jehovah's Witnesses. Crisis of Conscience offers a penetrating view of the supreme council of this organization, the Governing Body and their life altering power over human lives. While the events of Raymond Franz's departure from the Governing Body occurred in 1980, the organizational foundation and structure remains the same today, making this account relevant to a whole new generation. Content: Raymond Franz, formerly a Governing Body member of Jehovah's Witnesses, shares an account that reveals the inner workings and the decision-making processes of that Body, offering a penetrating view of the life altering power they have over human lives. The final nine of his sixty years as one of Jehovah's Witnesses were spent on this central executive council. Those years led to his crisis of conscience, which is the theme of this book. Based on the entire manuscript of Franz's 2008 printing of Crisis of Conscience, this fifth edition 2018, also includes: Foreword by David Henke, author of Spiritual Abuse Recovery Workbook, and founder of Watchmen Fellowship, Inc. - David Henke is a Christian apologist that specializes in the field of Jehovah's Witnesses, issues of mind control, spiritual abuse, and legalism. In addition to the above workbook, Henke has authored evangelistic and educational tracts, and articles. Excerpts from Franz's In Search of Christian Freedom - Crisis of Conscience references 30 pages from In Search of Christian Freedom in the footnotes; for the convenience of the reader, these pages have been added to Appendix B. Where is the "Great Crowd" Serving God? by Jon A. Mitchell, a former secretary to the Governing Body - As a secretary to the Governing Body, and member of the Service Department, Mitchell observed events during and immediately after Raymond Franz' resignation from the Governing Body and numerous people were moved, demoted or disfellowshipped. As a result Jon Mitchell authored a booklet called Where is The "Great Crowd" Serving God? This is an account of Jon's observations and his personal research from 1980 to 1981 while serving at Brooklyn Bethel. This booklet has been included in its entirety in Appendix C. Epilogue, The Copyright Owner's Story by Deborah Dykstra - Former regular pioneer and temporary special pioneer, Deborah Dykstra tells her journey of discovering that Jehovah's Witnesses were not the sound foundation that she thought they were, realizing instead that it is Jesus Christ himself that is the real "truth" and foundation to life as a Christian. Thereafter, she shares how she embarked on a 25 year friendship with Raymond and Cynthia Franz along with anecdotal stories about the Franz' lives. Raymond Franz died in 2010, however in this re-publishing of Crisis of Conscience based on it's very last printing in 2008, the authors story, heart and expressions of his love for God and his fellow man remain with us.

Produktionsjahre 2010-2020 DVD 1 Sarah Vaughan and Trio, Recording from 1974, Marni Hall, Brussels, directed by Lucien Bastin Sarah Vaughan Carl Schroeder piano · John Gianelli bass · Jimmy Cobb drums Foggy Day in London Town (1:39) The Summer Knows (5:40) On a Clear Day (1:45) Round Midnight (6:25) I'll Remember April (4:38) Over the Rainbow (7:10) I Cried for You (2:51) Rainy Days and Mondays (6:38) Sassy's Blues (7:53) Tonight (1:46) I Remember You (7:40) I'm Just Gigolo (3:28) Interlude (4:37) Summertime (4:39) There Will Never Be Another You (2:59) Misty (3:52) Tonight (3:14) Tenderly (2:55) DVD 2 Count Basie, Recording from 1961, Palais des Beaux-Arts, Charleroi, directed by Serge Leroy Count Basie piano Snooky Young trumpet Frank Wess flute Joe Williams voice Joe Newman trumpet Eddie Jones bass Freddie Green guitar Sonny Payne drums Who, me? (3:53) The midgets (9:08) Gee Baby Ain't I Good To You (2:26) Hallelujah I Love Her So (2:23) Lil' Darlin' (3:45) How high the moon (3:47) H.R.H. (2:47) A pack of bones (2:30) Blues in Frankie's flat (5:14) Whirly Bird (3:59) Midnight sun never sets (3:23) Old man river (6:50) DVD 3 Thelonious Monk Quartet, Recording from 1963, Palais des Beaux-Arts, Brussels, directed by Serge Leroy Thelonious Monk piano · Charlie Rousesax sax-tenor John Ore double bass · Frankie Dunlop drums Monk's Dream (7:25) Drums Solo (4:22) Criss Cross (5:34) Rhythm-a-Ning (6:04) Epistrophy (1:23) Evidence" (6:54) Ruby, My Dear (8:13) Bright Mississippi (9:45) DVD 4 & 5 Modern Jazz Quartet, Recordings from 1961 Palais des Beaux-Arts, Brussels, from 1987 Music Festival Freiburg and 1992 Jazz Gipfel Stuttgart John Lewis piano · Milt Jackson vibraphone Percy Heath bass · Conny Kay drums 35th Anniversary Concert from Music Festival Freiburg, 1987, directed by Hans-Klaus Petsch Rockin' in Rythm (6:54) Echoes (7:36) The Kansas City Bricks (5:59) Django (7:17) Summertime (3:54) Bags groove (6:12) A Day in Dubrovnik (16:28) Modern Jazz Quartet live from 1961, Palais des Beaux-Arts Part, Brussels, directed by Serge Leroy Ralph's New blues (6:24) Fugato from original sin (3:33) How high the moon (6:32) Pierrot (4:15) Django Part II (6:13) Lonely woman (7:00) Animal dance final (5:22) Columbine (5:19) Concorde (4:20) Bags groove (5:16) DVD 6 & 7 Spirits of Music, 2002, live from Leipzig Market Square, directed by Henning Kasten Bobby McFerrin vocals Nigel Kennedy violin Gewandhausorchester Leipzig The Kroke-Kennedy-Quartet Charpentier: Te Deum: Prelude (1:42) Mendelssohn: A Midsummer Night's Dream, Op. 61: Scherzo (5:11) Ride On (4:57) Hold On (6:04) MOZART: Exsultate, jubilate, K. 165 Tapan Bie (4:21) Bach: St. Matthew Passion, BWV 244: "Erbarme dich" (6:50) In the Gardens of Eden (8:09) The Kroke-Kennedy-Quartet Monti: Csárdás (9:54) Ravel: Pavane pour une infante defúnte (6:56) Kalimankou Denkou (9 04) Vivaldi: Concerto for 2 Cellos and Orchestra in G minor, RV 531 Ensemble AI-Kindî & The Whirling Dervishes of Damascus (8:01) Un son pa' cantar (4:35) I Come From the other Side (7:02) Bonus: Spirits of Music (2 DVD): 150 musicians from Cuba, Norway, Poland, Britain, Syria, Germany, Bulgaria and the USA contributed their "spirits of music" to an unusual concert event uniting classical and world music. Bobby McFerrin stands like no other for the reconciliation of two musical worlds that are not so different from one another as they might seem. Nigel Kennedy plays many parts, excelling in all of them.

An Unexpected Discovery of Clues The book about the fate of the Guggenheim family of Konstanz, launched in the spring of 2010 with the title “In Argentinien gerettet – in Auschwitz ermordet” (“Saved in Argentina – Murdered in Auschwitz”); seemed to have been completed. All the documents, which had been found during a two-year intensive search of various archives and memorial sites, had been checked and the results shared in interviews with the descendendants in Argentina. Admittedly, there were scant document to be had, since the letters between the interned Guggenheim family members and their relatives – now safe in Argentina – were no longer available; they had simply been lost. The lack of any correspondence from Camp Gurs, Camp Les Milles and Marseille to Buenos Aires is particularly unfortunate. Of course, the letters going the other way disappeared with the murder of Salomon, Toni and Dagobert Guggenheim in Auschwitz. The life of the three Guggenheims and the way to their destruction could be considered fully researched, given the lack of further evidence at the time. So it was a big surprise when, in June 2017, more than seven years after the publication of the book, a Jewish woman with German ancestors contacted the author from abroad; she expressed a keen interest in the documentation of the fate of the Guggenheim families of Konstanz and Donaueschingen. This contact was doubly surprising: for one thing, this person – Joan Rosenwald-Fradkin – got in touch not from Argentina, but from the USA, and her ancestors came not from Konstanz or Donaueschingen, but from Cologne. The other astonishing fact was that Joan’s father and aunt, the siblings Fritz and Lisel Rosenwald, had a close relationship with both Guggenheim families. Fritz Rosenwald had become friends with Isi Guggenheim during his three-year position with a Konstanz company, while his sister Lisel had a romantic relationship with Dagobert Guggenheim. These connections were neither documented in the available papers, nor did the descendants in Buenos Aires know about them. It turned out to be a special stroke of luck that the abundance of letters – a total of over 300 – written by Lisel and her parents in Cologne to their brother and son Fritz, who emigrated to New York City in 1938, had been preserved. It is especially the letters of Lisel, written to her brother every week from 1938 until her deportation at the end of 1941, that provide previously unknown details. Key among them are the emigration efforts of the Guggenheims waiting in Konstanz and Lisel’s relationship with Dagobert. The letters give an in-depth look into the emotional life of the Guggenheim and Rosenwald family members, as they desperately struggled to reach “safe harbors” abroad. Their hopes, their fears, their disappointments – all come to the fore in these letters. The reports also make clear the amount of time and the financial expenses Fritz Rosenwald devoted to overcoming the obstacles that kept getting in his sister’s way on the American side of the Atlantic. All this, while he was just getting settled in the USA. Right at the end, just before their deportation to Riga, Fritz receives the heartfelt gratitude of his family. It is especially touching that the siblings never reproach each other during all the dashed hopes, but instead, continue to give each other encouragement. Remarkable, too, is how the parents and sister, though being subjected to discrimination and harassment in Cologne, are concerned about Fritz establishing himself professionally in his new residence – New York City – and wanting him to have leisure time to enjoy his freedom. In short: the letters are an expression of a loving connection between the Rosenwald parents and children, especially between brother and sister. The insights from the letters into the relationships between the Guggenheim and Rosenwald families, their shared struggles and defeats in trying to escape the Nazi’s “Final Solution”; as well as Lisel R

An Unexpected Discovery of Clues The book about the fate of the Guggenheim family of Konstanz, launched in the spring of 2010 with the title “In Argentinien gerettet – in Auschwitz ermordet” (“Saved in Argentina – Murdered in Auschwitz”); seemed to have been completed. All the documents, which had been found during a two-year intensive search of various archives and memorial sites, had been checked and the results shared in interviews with the descendendants in Argentina. Admittedly, there were scant document to be had, since the letters between the interned Guggenheim family members and their relatives – now safe in Argentina – were no longer available; they had simply been lost. The lack of any correspondence from Camp Gurs, Camp Les Milles and Marseille to Buenos Aires is particularly unfortunate. Of course, the letters going the other way disappeared with the murder of Salomon, Toni and Dagobert Guggenheim in Auschwitz. The life of the three Guggenheims and the way to their destruction could be considered fully researched, given the lack of further evidence at the time. So it was a big surprise when, in June 2017, more than seven years after the publication of the book, a Jewish woman with German ancestors contacted the author from abroad; she expressed a keen interest in the documentation of the fate of the Guggenheim families of Konstanz and Donaueschingen. This contact was doubly surprising: for one thing, this person – Joan Rosenwald-Fradkin – got in touch not from Argentina, but from the USA, and her ancestors came not from Konstanz or Donaueschingen, but from Cologne. The other astonishing fact was that Joan’s father and aunt, the siblings Fritz and Lisel Rosenwald, had a close relationship with both Guggenheim families. Fritz Rosenwald had become friends with Isi Guggenheim during his three-year position with a Konstanz company, while his sister Lisel had a romantic relationship with Dagobert Guggenheim. These connections were neither documented in the available papers, nor did the descendants in Buenos Aires know about them. It turned out to be a special stroke of luck that the abundance of letters – a total of over 300 – written by Lisel and her parents in Cologne to their brother and son Fritz, who emigrated to New York City in 1938, had been preserved. It is especially the letters of Lisel, written to her brother every week from 1938 until her deportation at the end of 1941, that provide previously unknown details. Key among them are the emigration efforts of the Guggenheims waiting in Konstanz and Lisel’s relationship with Dagobert. The letters give an in-depth look into the emotional life of the Guggenheim and Rosenwald family members, as they desperately struggled to reach “safe harbors” abroad. Their hopes, their fears, their disappointments – all come to the fore in these letters. The reports also make clear the amount of time and the financial expenses Fritz Rosenwald devoted to overcoming the obstacles that kept getting in his sister’s way on the American side of the Atlantic. All this, while he was just getting settled in the USA. Right at the end, just before their deportation to Riga, Fritz receives the heartfelt gratitude of his family. It is especially touching that the siblings never reproach each other during all the dashed hopes, but instead, continue to give each other encouragement. Remarkable, too, is how the parents and sister, though being subjected to discrimination and harassment in Cologne, are concerned about Fritz establishing himself professionally in his new residence – New York City – and wanting him to have leisure time to enjoy his freedom. In short: the letters are an expression of a loving connection between the Rosenwald parents and children, especially between brother and sister. The insights from the letters into the relationships between the Guggenheim and Rosenwald families, their shared struggles and defeats in trying to escape the Nazi’s “Final Solution”; as well as Lisel R

Produktionsjahre 2010-2020 DVD 1 Sarah Vaughan and Trio, Recording from 1974, Marni Hall, Brussels, directed by Lucien Bastin Sarah Vaughan Carl Schroeder piano · John Gianelli bass · Jimmy Cobb drums Foggy Day in London Town (1:39) The Summer Knows (5:40) On a Clear Day (1:45) Round Midnight (6:25) I'll Remember April (4:38) Over the Rainbow (7:10) I Cried for You (2:51) Rainy Days and Mondays (6:38) Sassy's Blues (7:53) Tonight (1:46) I Remember You (7:40) I'm Just Gigolo (3:28) Interlude (4:37) Summertime (4:39) There Will Never Be Another You (2:59) Misty (3:52) Tonight (3:14) Tenderly (2:55) DVD 2 Count Basie, Recording from 1961, Palais des Beaux-Arts, Charleroi, directed by Serge Leroy Count Basie piano Snooky Young trumpet Frank Wess flute Joe Williams voice Joe Newman trumpet Eddie Jones bass Freddie Green guitar Sonny Payne drums Who, me? (3:53) The midgets (9:08) Gee Baby Ain't I Good To You (2:26) Hallelujah I Love Her So (2:23) Lil' Darlin' (3:45) How high the moon (3:47) H.R.H. (2:47) A pack of bones (2:30) Blues in Frankie's flat (5:14) Whirly Bird (3:59) Midnight sun never sets (3:23) Old man river (6:50) DVD 3 Thelonious Monk Quartet, Recording from 1963, Palais des Beaux-Arts, Brussels, directed by Serge Leroy Thelonious Monk piano · Charlie Rousesax sax-tenor John Ore double bass · Frankie Dunlop drums Monk's Dream (7:25) Drums Solo (4:22) Criss Cross (5:34) Rhythm-a-Ning (6:04) Epistrophy (1:23) Evidence" (6:54) Ruby, My Dear (8:13) Bright Mississippi (9:45) DVD 4 & 5 Modern Jazz Quartet, Recordings from 1961 Palais des Beaux-Arts, Brussels, from 1987 Music Festival Freiburg and 1992 Jazz Gipfel Stuttgart John Lewis piano · Milt Jackson vibraphone Percy Heath bass · Conny Kay drums 35th Anniversary Concert from Music Festival Freiburg, 1987, directed by Hans-Klaus Petsch Rockin' in Rythm (6:54) Echoes (7:36) The Kansas City Bricks (5:59) Django (7:17) Summertime (3:54) Bags groove (6:12) A Day in Dubrovnik (16:28) Modern Jazz Quartet live from 1961, Palais des Beaux-Arts Part, Brussels, directed by Serge Leroy Ralph's New blues (6:24) Fugato from original sin (3:33) How high the moon (6:32) Pierrot (4:15) Django Part II (6:13) Lonely woman (7:00) Animal dance final (5:22) Columbine (5:19) Concorde (4:20) Bags groove (5:16) DVD 6 & 7 Spirits of Music, 2002, live from Leipzig Market Square, directed by Henning Kasten Bobby McFerrin vocals Nigel Kennedy violin Gewandhausorchester Leipzig The Kroke-Kennedy-Quartet Charpentier: Te Deum: Prelude (1:42) Mendelssohn: A Midsummer Night's Dream, Op. 61: Scherzo (5:11) Ride On (4:57) Hold On (6:04) MOZART: Exsultate, jubilate, K. 165 Tapan Bie (4:21) Bach: St. Matthew Passion, BWV 244: "Erbarme dich" (6:50) In the Gardens of Eden (8:09) The Kroke-Kennedy-Quartet Monti: Csárdás (9:54) Ravel: Pavane pour une infante defúnte (6:56) Kalimankou Denkou (9 04) Vivaldi: Concerto for 2 Cellos and Orchestra in G minor, RV 531 Ensemble AI-Kindî & The Whirling Dervishes of Damascus (8:01) Un son pa' cantar (4:35) I Come From the other Side (7:02) Bonus: Spirits of Music (2 DVD): 150 musicians from Cuba, Norway, Poland, Britain, Syria, Germany, Bulgaria and the USA contributed their "spirits of music" to an unusual concert event uniting classical and world music. Bobby McFerrin stands like no other for the reconciliation of two musical worlds that are not so different from one another as they might seem. Nigel Kennedy plays many parts, excelling in all of them.