Die Produktion und Verarbeitung erfolgt ausschließlich in Deutschland unter fairen Arbeitsbedingungen. Der Druck unserer hochauflösenden Bilder erfolgt mit umweltfreundlicher, brillanter und UV-beständiger Pigmenttinte. Dadurch erreichen wir eine besonders realistische und scharfe Darstellung. Der Echtholzrahmen mit einer Stärke von 18 mm wird in Handarbeit gefertigt. Zur Befestigung des Bildes einfach die beiliegenden Zackenaufhänger auf der Rückseite der Leinwand an den Markierungen anbringen und sie daran aufhängen. Die Leinwand wird in Luftpolsterfolie eingeschlagen und in einem stabilen Karton sicher und schnell mit Sendungsverfolgung verschickt. Weitere Bilder in allen Stilrichtungen unterschiedlichster Künstler können Sie in unserem Amazon Shop "Unified Distribution" finden.

Utterly British Maps: Britain’s quirks and preoccupations mapped in a hilarious and fascinating little book (National Trust)

Little BRITAIN/リトル・ブリテン セカンド・シリーズ Vol.2 [DVD]

The Butterfly Spotter’s Guide: A beautiful little beginner’s guide to Britain’s butterflies – how many can you spot? (National Trust)

Bayern 3 - Ulli Wengers One Hit Wonder, Vol. 7: Tainted Love, Ti Sento, You Get What You Give, Little Britain, Sweet Soul Music

Bewertung: Freigegeben ab 16 Jahren

Humour is a complex concept which tends to build on the ambiguity of language. When converting a humoristic program into a different language, the translator thus faces many challenges. One of these is the translation of cultural aspects of the TL (target language). Since every culture contains its unique form of humour, understanding the humour within a culture and all its cultural elements is essential to producing an adequate translation. The study at hand focuses on the translation of the British comedy-sketch show Little Britain analyzing how it has been converted from its SL (source language), which is English, to its TL, which in this study will be Spanish. It proved to be highly constructive for the purposes of this research as the humour is often very culture-specific and thus difficult to translate. For the benefit of the reader, the first part of this dissertation is going to discuss various theories of humour. Moreover, it will discuss how humour is created in the comedy sketch show Little Britain. As subtitles will be used for the analysis of the case study, limitations and constraints will be discussed as the translator cannot merely focus on the linguistic features and possible problems like she/he would do in any other form of translation. Using Attardo’s theory (1994), the study aims to explore aspects that create difficulties during the translation process, always in relation to humour that is seen in a comedy sketch show. It explores the translation of humour, examining potential problems that translators need to overcome and expands on this by investigating the difficulties that arise when translating culture-specific issues. In addition, as this is an audiovisual translation, potential problems that become relevant in the case study are highlighted. The study highlights the difficulties a translator faces within the process and, where relevant, possible alternative strategies that the translator could have applied in the translation process.

Hier sind sie, die total durchgedrehten Außenseiter aus "Little Britain USA, und sie werden allesamt von den Serienschöpfern höchstpersönlich dargestellt: den Comedians Matt Lucas und David Walliams! Diese neuerliche britische Invasion bietet Begegnungen mit all den von Fans abgöttisch verehrten Typen: der Blödsinn schwafelnde Ganove Vicky Pollard, "Fat Fighter" Marjorie Dawes, der verliebte Premierminister Sebastian Love, die sehr weibliche Femme fatale Bubbles Devere, und natürlich Aufschneider Andy und sein flachschirmiger Hausmeister Lou. Sie treffen auf jede Menge neuer, völlig ausgeflippter Amerikaner wie die Fitness-Center-Kumpel Mark und Tom, die vulgär schnatternde Ellie Grace, Bing Gordyn, den achten Mann auf dem Mond, und vieles mehr! Begleiten Sie diese verrückte Truppe auf einem echt abgefahrenen Trip durch die USA mit vielen Gaststars wie Sting, Harry Lennix, Paul Rudd, Rosie O'Donnell und Vivica A. Fox. Denn diese sensationelle Sketch-Comedy-Serie hat inzwischen die ganze Welt erobert!

Hier sind sie, die total durchgedrehten Außenseiter aus "Little Britain USA, und sie werden allesamt von den Serienschöpfern höchstpersönlich dargestellt: den Comedians Matt Lucas und David Walliams! Diese neuerliche britische Invasion bietet Begegnungen mit all den von Fans abgöttisch verehrten Typen: der Blödsinn schwafelnde Ganove Vicky Pollard, "Fat Fighter" Marjorie Dawes, der verliebte Premierminister Sebastian Love, die sehr weibliche Femme fatale Bubbles Devere, und natürlich Aufschneider Andy und sein flachschirmiger Hausmeister Lou. Sie treffen auf jede Menge neuer, völlig ausgeflippter Amerikaner wie die Fitness-Center-Kumpel Mark und Tom, die vulgär schnatternde Ellie Grace, Bing Gordyn, den achten Mann auf dem Mond, und vieles mehr! Begleiten Sie diese verrückte Truppe auf einem echt abgefahrenen Trip durch die USA mit vielen Gaststars wie Sting, Harry Lennix, Paul Rudd, Rosie O'Donnell und Vivica A. Fox. Denn diese sensationelle Sketch-Comedy-Serie hat inzwischen die ganze Welt erobert!

The Bee Spotter’s Guide: Discover Britain’s bees with this beautifully illustrated little guide by Dave Goulson, the Sunday Times best-selling author of ‘The Garden Jungle’. (National Trust)

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The sparkling debut children's novel from David Walliams, co-creator and co-star of the multi-award-winning Little Britain. Dennis was different. Why was he different, you ask? Well, a small clue might be in the title of this book...

When Martin Parr's 'The Last Resort' was first published and exhibited in 1986, it divided critics and audiences alike. Some saw it as the finest achievement to date of colour photography in Britain whilst others viewed it as an aberration. In hindsight, there is little doubt that it transformed documentary photography in Britain and placed Parr amongst the world's leading photographers. A highly collectable edition of a book that is now considered a classic.

In Britain since 1789, Martin Pugh offers a stimulating introduction to the fundamental social, political and economic changes that took place in Great Britain from the late eighteenth century to the present day. In his study of this complex and fascinating period, he explores the major factors governing and determining events and asks: How and why did Britain reach her peak as a great industrial power by 1850? What has been the nature and extent of economic decline since the late-Victorian period? How, as violent, revolutionary change swept across Europe, did the aristocratic British political system give way to mass democracy with scarcely a protest? How did Britain manage to acquire a huge empire in the nineteenth century while investing so little in her armed forces? Drawing on the latest historical research, Pugh presents an accessible, concise and yet wide-ranging analysis of the factors that have shaped contemporary Britain. His study culminates in an evaluation of Britain's dilemmas at the end of this century - following the collapse of consensus politics, the rejection of Thatcherism, the emergence of New Labour and the reappraisal of Britain's relationship with Europe.

In Britain since 1789, Martin Pugh offers a stimulating introduction to the fundamental social, political and economic changes that took place in Great Britain from the late eighteenth century to the present day. In his study of this complex and fascinating period, he explores the major factors governing and determining events and asks: How and why did Britain reach her peak as a great industrial power by 1850? What has been the nature and extent of economic decline since the late-Victorian period? How, as violent, revolutionary change swept across Europe, did the aristocratic British political system give way to mass democracy with scarcely a protest? How did Britain manage to acquire a huge empire in the nineteenth century while investing so little in her armed forces? Drawing on the latest historical research, Pugh presents an accessible, concise and yet wide-ranging analysis of the factors that have shaped contemporary Britain. His study culminates in an evaluation of Britain's dilemmas at the end of this century - following the collapse of consensus politics, the rejection of Thatcherism, the emergence of New Labour and the reappraisal of Britain's relationship with Europe.

Embarca en el SS Great Britain, en un viaje que no dejará indiferente a nadie. Mary Shelley meets Titanic en este intenso romance gótico. ****Primera edición con cantos pintados**** Inglaterra, 1845. Sarah huye de una vida aparentemente perfecta. Caleb escapa para salvar su propia vida. Ambos se embarcan en el SS Great Britain con destino a Nueva York deseando cambiar sus destinos. Con lo que no cuentan es que poco a poco, comienza a surgir entre ellos una inmensa atracción, tan indebida como imposible de contener. Sin embargo, el pasado de Caleb, sus temibles secretos, amenazan no solo con arriesgar su viaje sino con quebrar los límites de su realidad y hacer variar para siempre el rumbo de sus destinos. ENGLISH DESCRIPTION Embark on the SS Great Britain on a journey that will leave no one unmoved. Mary Shelley meets Titanic in this intense Gothic romance. ****First edition with sprayed edges**** England, 1845. Sarah flees from an apparently perfect life. Caleb escapes to save his own life. Both board the SS Great Britain bound for New York, hoping to change their destinies. What they don't count on is that little by little, an huge attraction begins to form between them, as inappropriate as it is impossible to contain. However, Caleb's past, his fearsome secrets, threaten not only to jeopardize their journey but also to break the boundaries of their reality and change the course of their destinies forever.

(B)ordering Britain argues that Britain is the spoils of empire, its immigration law is colonial violence and irregular immigration is anti-colonial resistance. In announcing itself as postcolonial through immigration and nationality laws passed in the 60s, 70s and 80s, Britain cut itself off symbolically and physically from its colonies and the Commonwealth, taking with it what it had plundered. This imperial vanishing act cast Britain's colonial history into the shadows. The British Empire, about which Britons know little, can be remembered fondly as a moment of past glory, as a gift once given to the world. Meanwhile immigration laws are justified on the basis that they keep the undeserving hordes out. In fact, immigration laws are acts of colonial seizure and violence. They obstruct the vast majority of racialised people from accessing colonial wealth amassed in the course of colonial conquest. Regardless of what the law, media and political discourse dictate, people with personal, ancestral or geographical links to colonialism, or those existing under the weight of its legacy of race and racism, have every right to come to Britain and take back what is theirs.