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W. W. Norton & Company Frankenstein A1061507423
This Norton Critical Edition includes: The 1818 first edition text of the novel, introduced and annotated by J. Paul Hunter. Three maps and eight illustrations. A wealth of source and contextual materials, thematically arranged to promote classroom discussion. Topics include "Sources, Influences, Analogues", "Circumstances, Composition, Revision" and "Reception, Impact, Adaptation". Eleven critical essays on Frankenstein's major themes, six of them new to the Third Edition. A chronology and a selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
A singular voice of reason in an era defined by bitter politics and economic uncertainty, Joseph E. Stiglitz has time and again diagnosed Americas greatest economic challenges, from the Great Recession and its feeble recovery to the yawning gap between the rich and the poor. The Great Divide gathers his most provocative reflections on the subject of inequality, probing for answers to the greatest threat to American prosperity and explaining its role in the countrys on-going malaise. As Stiglitz ably argues, a healthy economy and a fairer democracy are within our grasp, if we can put aside misguided interests and abandon failed policies. Opening with the essay that gave the Occupy Movement its slogan, We are the 99%, later essays in The Great Divide reveal equality of opportunity as a national myth and explain reforms that would spur higher growth and greater equality.
Before the First World War, enthusiasm for a borderless world reached its height. International travel, migration, trade and progressive projects on matters ranging from women's rights to world peace reached a crescendo. Yet in the same breath, an undercurrent of reaction was growing, one that would surge ahead with the outbreak of war and its aftermath. In Against the World, a sweeping and ambitious work of history, acclaimed scholar Tara Zahra examines how nationalism, rather than internationalism, came to ensnare world politics in the early twentieth century. The air went out of the globalist balloon with the First World War as quotas were put on immigration and tariffs on trade, not only in the United States but across Europe, where war and disease led to mass societal upheaval. The "Spanish flu" heightened anxieties about porous national boundaries. The global impact of the 1929 economic crash and the Great Depression amplified a quest for food security in Europe and economic autonomy worldwide. Demands for relief from the instability and inequality linked to globalisation forged democracies and dictatorships alike, from Gandhi's India to America's New Deal and Hitler's Third Reich. Immigration restrictions, racially constituted notions of citizenship, anti-Semitism and violent outbursts of hatred of the "other" became the norm-coming to genocidal fruition in the Second World War.Millions across the political spectrum sought refuge from the imagined and real threats of the global economy in ways strikingly reminiscent of our contemporary political moment: new movements emerged focused on homegrown and local foods, domestically produced Hardbacking and other goods, and back-to-the-land communities. Rich with astonishing detail gleaned from Zahra's unparalleled archival research in five languages, Against the World is a poignant and thorough exhumation of the popular sources of resistance to globalisation. With anti-globalism a major tenet of today's extremist agendas, Zahra's arrestingly clearsighted and wide-angled account is essential reading to grapple with our divided present.
A world without prisons? Ridiculous. Schools that foster the genius of every child? Impossible. Work that doesn't strangle the life out of people? Naive. A society where everyone has food, shelter, love? In your dreams. Exactly. Ruha Benjamin, Princeton University professor, insists that imagination isn't a luxury. It is a vital resource and powerful tool for collective liberation. Imagination is her proclamation that we have the power to use our imaginations to challenge systems of oppression and to create a world in which everyone can thrive. But obstacles abound. We have inherited destructive ideas that trap us inside a dominant imagination. Consider how racism, sexism and classism make hierarchies, exploitation and violence seem natural and inevitable-but all emerged from the human imagination. The most effective way to disrupt these deadly systems is to do so collectively. Benjamin highlights the educators, artists, activists and many others who are refuting powerful narratives that justify the status quo, crafting new stories that reflect our interconnection, offering creative approaches to seemingly intractable problems. Imagination offers visionary examples and tactics to push beyond the constraints of what we think, and are told, is possible. This book is for anyone who is ready to take to heart Toni Morrison's instruction: "Dream a little before you think."
Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath's poetry to Francis Bacon's paintings, from the Saw franchise to Yoko Ono's performance art, Nelson's nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.
A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter's love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt's debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics. Belcourt pirouettes through the short story form in his signature staccato voice, imagining a range of characters from all walks of native life. He is an expert in celebrating the ways Indigenous peoples make total conquest impossible.
Today, public conversations are increasingly driven by numbers. Although charts, infographics, and diagrams can make us wiser, they can also deceive-intentionally or unintentionally. To be informed citizens, we must all be able to decode and use the visual information that politicians, journalists and even our employers present to us each day. How Charts Lie examines contemporary examples ranging from election result infographics to global GDP maps and box office record charts, demystifying an essential new literacy for our data-driven world. . With a new afterword on the reporting of the Covid-19 statistics.
This epic work-named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon, the San Francisco Chronicle, and a notable book by the New York Times-tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family's dispersal after Jefferson's death in 1826.