*How Charts Lie * - Getting Smarter about Visual Information / 16.49€ / Taschenbuch

*Breakneck * - China's Quest to Engineer the Future / 29.99€ / ebook

*The Nvidia Way * - Jensen Huang and the Making of a Tech Giant / 31.49€ / Buch

*No One Knows * - Stories / 13.29€ / Taschenbuch

*A Hacker's Mind * - How the Powerful Bend Society's Rules and How to Bend them Back / 29.99€ / Buch

*137 * - Jung Pauli and the Pursuit of a Scientific Obsession / 18.49€ / ebook

*The Alignment Problem * - Machine Learning and Human Values / 14.49€ / Taschenbuch

Hausschuhe TONI PONS 080-NORTON-FP für Herren. TONI PONS 080-NORTON-FP in MARINO Farbe. Material: TEXTIL. 24991 Toni Pons Norton Fp Blau

First published in 1923, Jean Toomer's Cane is an innovative literary work-part drama, part poetry, part fiction-powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.

"America's funniest science writer" (Washington Post) takes us down the hatch on an unforgettable tour. The alimentary canal is classic Mary Roach terrain: the questions explored in Gulp are as taboo, in their way, as the cadavers in Stiff and every bit as surreal as the universe of zero gravity explored in Packing for Mars. Why is crunchy food so appealing? Why is it so hard to find words for flavors and smells? Why doesn't the stomach digest itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis? In Gulp we meet scientists who tackle the questions no one else thinks of-or has the courage to ask. We go on location to a pet-food taste-test lab, a fecal transplant, and into a live stomach to observe the fate of a meal. With Roach at our side, we travel the world, meeting murderers and mad scientists, Eskimos and exorcists (who have occasionally administered holy water rectally), rabbis and terrorists-who, it turns out, for practical reasons do not conceal bombs in their digestive tracts. Like all of Roach's books, Gulp is as much about human beings as it is about human bodies.

In this magisterial book, historian Sunil Amrith twins the stories of environment and Empire, of genocide and eco-cide, of an extraordinary expansion of human freedom and its planetary costs. Drawing on an extraordinarily rich diversity of primary sources, he reckons with the ruins of Portuguese silver mining in Peru, British gold mining in South Africa, and oil extraction in Central Asia. He explores the railroads and highways that brought humans to new terrains of battle against each other and against stubborn nature. Amrith's account of the ways in which the First and Second World Wars involved the massive mobilization not only of men, but of other natural resources from around the globe, provides an essential new way of understanding war as an irreversible reshaping of the planet. So too does this book reveal the reality of migration as consequence of environmental harm. The imperial, globe-spanning pursuit of profit, joined with new forms of energy and new possibilities of freedom from hunger and discomfort, freedom to move and explore, has brought change to every inch of the Earth. Amrith relates in gorgeous prose, and on the largest canvas, a mind-altering epic-vibrant with stories, characters, and vivid images-in which humanity might find the collective wisdom to save itself.

Today, public conversations are increasingly driven by numbers. Although charts, infographics, and diagrams can make us wiser, they can also deceive-intentionally or unintentionally. To be informed citizens, we must all be able to decode and use the visual information that politicians, journalists and even our employers present to us each day. How Charts Lie examines contemporary examples ranging from election result infographics to global GDP maps and box office record charts, demystifying an essential new literacy for our data-driven world. . With a new afterword on the reporting of the Covid-19 statistics.

This Norton Critical Edition includes: An expanded translation from the Akkadian by Benjamin R. Foster based on new discoveries, adding lines throughout the world's oldest epic masterpiece. Benjamin R. Foster's full introduction and expanded explanatory annotations. Eleven illustrations. Analogues from the Sumerian and Hittite narrative traditions along with "The Gilgamesh Letter," a parody of the epic enjoyed by Mesopotamian schoolchildren during the first millennium BCE. Essays by Thorkild Jacobsen, William L. Moran, Susan Ackerman, and Andrew R. George, and a poem by Hillary Major. A Glossary of Proper Names and a Selected Bibliography.

The real story of the crash began in bizarre feeder markets where the sun doesn't shine and the SEC doesn't dare, or bother, to tread: the bond and real estate derivative markets where geeks invent impenetrable securities to profit from the misery of lower- and middle-class Americans who can't pay their debts. The smart people who understood what was or might be happening were paralyzed by hope and fear; in any case, they weren't talking. Michael Lewis creates a fresh, character-driven narrative brimming with indignation and dark humor, a fitting sequel to his #1 bestseller Liar's Poker. Out of a handful of unlikely-really unlikely-heroes, Lewis fashions a story as compelling and unusual as any of his earlier bestsellers, proving yet again that he is the finest and funniest chronicler of our time.

Both a personal and general meditation on identity and belonging, Daniel J. Siegel's book combines personal reflections with scientific discussions of how the mind, brain and our relationships shape who we are. Weaving the internal and external, the subjective and objective, IntraConnected reveals how our culture may give us a message of separation as a solo, isolated self, but a wider perspective unveils that who we are may be something more-broader than the brain, bigger even than the body-and fundamental to social systems and the natural world. Our body-based self-the origin of a Me-is not only connected to others but connected within our relational worlds themselves-a WE-forming the essence of how we belong and our identity. If the pandemic has taught us nothing else, it has taught us that we are all connected. IntraConnected discusses that bond, as well as other realities of our intraconnected lives.

Segmentbreite: 2,2 mm | Außendurchmesser: 125 mm | Bohrungsdurchmesser: 22,23 mm | Segmenthöhe: 10 mm | Merkmale: Diamantscheibe Standard Universal ~ Qualitätswerkzeug für allgemeine Schneidarbeiten ~ Gesintert ~ Schnittig und mit guter Standzeit ~ Weit verzahnt ~ Trocken- oder Nassschnitt ~ Für Beton, bewehrten Beton, Betonrohre, Kalksandstein, Lehmblöcke, Ziegelsteine, Dachziegel

Taken up by reformers in the long battle against the slave trade, reprinted and imitated countless times, Oroonoko remains a popular tale that introduces powerful themes onto the literary stage.

Blending investigative journalism, travelogue, history and memoir, Elaine Sciolino walks her readers through the museum's front gates and immerses them in its irresistible, engrossing world of beauty and culture. Adventures in the Louvre reveals the secrets of this grand monument of Paris and basks in its timeless, seductive power.

We often think of the modern era as the age of American power. In reality, we're living in a long, violent Eurasian century. That giant, resource-rich landmass possesses the bulk of the global population, industrial might and potential military power; it touches all four of the great oceans. Eurasia is a strategic prize without equal-which is why the world has been roiled, reshaped and nearly destroyed by clashes over the supercontinent. Since the early twentieth century, autocratic powers-from Germany under Kaiser Wilhelm II to the Soviet Union-have aspired for dominance by seizing commanding positions in the world's strategic heartland. Offshore sea powers, namely the United Kingdom and America, have sought to make the world safe for democracy by keeping Eurasia in balance. America's rivalries with China, Russia and Iran are the next round in this geopolitical game. If this new authoritarian axis succeeds in enacting a radically revised international order, America and other democracies will be vulnerable and insecure. Hal Brands, a renowned expert on global affairs, argues that a better understanding of Eurasia's strategic geography can illuminate the contours of rivalry and conflict in today's world. The Eurasian Century explains how revolutions in technology and warfare and the rise of toxic ideologies of conquest, made Eurasia the centre of twentieth-century geopolitics-with pressing implications for the struggles that will define the twenty-first.

No one really understands how we suffer. One day, when we're adults, we may come to recall this suffering, this misery, as silly and laughable, but how are we to get through the long, hateful period until then? No one bothers to teach us that. Osamu Dazai was a master raconteur who plumbed-in an addictive, easy style-the absurd complexities of life in a society whose expectations cannot be met without sacrificing one's individual ideals on the altar of conformity. The gravitational pull of his prose is on full display in these stories. In "Lantern," a young woman, in love with a well-born but impoverished student, shoplifts a bathing suit for him-and ends up in the local newspaper indicted as a crazed, degenerate communist. In "Chiyojo," a high-school girl shows early promise as a writer, but as her uncle and mother relentlessly push her to pursue a literary career, she must ask herself: is this what I really want? Or am I supposed to fulfill their own frustrated ambitions? In "Shame," a young reader writes a fan letter to a writer she admires, only to find out, upon visiting him, that he's a bourgeoise sophisticate nothing like the desperate rebels he portrays, and decides (in true Dazai style): "Novelists are human trash. No, they're worse than that; they're demons. . . They write nothing but lies." This collection of 14 tales-a half-dozen of which have never before appeared in English-is based on a Japanese collection of, as Dazai described them, "soliloquies by female narrators." No One Knows includes the quietly brilliant long story "Schoolgirl" and shows the fiction of this 20th-century genius in a fresh light.