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Are you looking for an engaging, decision-focussed approach to financial reporting that encourages students to develop their interpretative skills? Building on the success of the first edition, this textbook takes a 'how, why, what' approach to financial accounting, interwoven in each chapter. From chapter one, students understand how financial information is prepared and presented, why it is prepared and presented in this way, and what the resulting financial information means for users. Designed for students taking a step beyond their introductory financial accounting training, the textbook equips them with all the key tools they will require when they enter professional practice. Reflective of the latest International Financial Reporting Standards (IFRS) and International Accounting Standards (IAS), this textbook delivers concise, clear explanations of all the key issues in accounting standards that students need to know. Content maps to professional accounting body syllabi, making this the perfect choice for accounting courses which offer exemptions. Chapters are rich with 3 types of examples to enhance understanding: - Illustrative examples of real-world situations; - Worked examples demonstrating the calculation of figures required for financial statements; - Extracts from company annual reports demonstrate how the theory relates to financial reporting in practice. More engaging, more balanced, and more applied than other offerings, this is exactly the textbook your financial reporting students need! Extensive online resources accompany the textbook and include: For students: · Solutions to all the end-of-chapter questions in the book including walkthroughs of solutions to key questions; · Additional graded questions including professional body questions; · Additional interpretative case studies based on real-life companies; · A guided tour through a company report · Specific study skills tips for accounting students For lecturers: · Customisable PowerPoint slides · Solutions to all the additional online questions · Outline solutions to the interpretative case studies · Group discussion questions

'It was at the time when I was wandering around hungry in Kristiania, that strange city no one leaves before it has set its mark on them...' Hunger is the first-person story of a young man desperately trying to establish himself in the city as a writer, living in shabby lodgings where he can seldom afford to pay the rent, eating almost nothing, and engaging spasmodically and manically with landladies, eccentric elderly men, policemen, shopkeepers, pawnbrokers, and others on the way. He wanders around the streets, sits on benches trying to write, spends a night locked in a pitch-dark police cell, thinks, slides into remarkably inventive reveries, speculates on his mental health, his ethical comportment, his relation to the divinity, the topics he might write about. The traces of a consistent narrative logic are uncertain and blurred; the voice of the narrator keeps shifting between pragmatic appraisal of his situation, wild fantasies, manic outbursts, anger, and despair. This is a story that lies on the threshold of modernism, anticipating many of the dislocations that narrative will be subject to in the decades to come. This new translation seeks to restore the startling freshness and epidermal unease of Hamsun's breakthrough story of 1890. It remains faithful to the style and voice of the text, the shifts of tense, the indirect free style, and the constant changes of register as the inner monologue moves between poetic sensitivity, wild fantasies, manic outbursts, and hyperbolic emotion. Tore Rem's introduction provides an updated and fresh account of the genesis of Hunger, its book history and its reception. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

【🎯 6-Tier & 180 Holes – Serve More in Less Space】 This bamboo skewer holder features 6 tiers and 180 holes, allowing you to display up to 180 appetizers without overcrowding. From shrimp and meatballs to fruit and cheese, each skewer stands upright for a clean, buffet‑ready look. Perfect for parties, catering, and family gatherings. 【❤️ 100 Heart‑Shaped Skewers – Make Every Bite Special】 Unlike basic round skewers, the included 100 heart‑shaped skewers add a romantic, festive touch to your food display. Ideal for weddings, bridal showers, or Valentine’s day brunch – guests will notice the difference. Just slide them into the bamboo food display stand and watch the compliments roll in. 【🌿 Natural Bamboo – Sturdy, Safe & Sustainable】 Crafted from high‑quality bamboo, this skewer holder is naturally durable, knot‑free, and gentle on your table. No cheap plastic warping or metal rusting. The smooth surface resists stains and odors, making it a reusable, eco‑friendly choice for daily use or large events. 【🧼 Quick to Load, Easy to Clean】 The stepped hole design lets you insert skewers instantly – no jamming or tilting. After the party, simply wipe the food display stand with a damp cloth or mild soap. All 180 holes are easy to rinse, and the bamboo material dries quickly without cracking. 【🥂 From Party Platter to Home Organizer – One Stand, Many Uses】 Beyond appetizers, use this 6‑tier bamboo skewer holder in your kitchen for spice packets, on your desk for pens, or in a craft room for small tools. It’s a versatile skewer board stand that earns its place long after the last appetizer is gone.

This steamy friends-to-lovers gay romance explores what happens when a kindergarten teacher falls for a student's single father—while overcoming trauma and dealing with anxiety—perfect for fans of Casey McQuiston and Anita Kelly. Those who can, teach. Marvin Block is one of the best kindergarten teachers out there. And despite his anxiety, Marvin’s life is sweet. He knows what he wants. And what he wants is the Teacher of the Year Award. Not just for himself – his school needs him to win.​ Returning from break, the New Year finds Marvin all set to welcome a new pupil to his class. But when Illona walks in with her cute-as-hell single dad beside her, Marvin’s focus starts to slide. Sure, his students always come first, but he deserves to have a life outside the classroom, too, right?​ As their friendship starts to deepen, Marvin realizes Olan has the potential to teach him things about love he never thought possible. But with the Teacher of the Year award and his school’s future on the line, now’s not the time for anything complicated.​ Education has always been Marvin’s world. And he needs to keep a cool head if he wants to win the award and save his school. But will it be worth it if he loses Olan in the process?​ With Olan’s past and Marvin’s present colliding, their experiment in love hangs in the balance. Marvin knows what he wants out of life. But now he’s forced to consider what he wants out of love. Will Marvin chalk the relationship up to experience? Or can they revise their story into a textbook romance? Now with bonuses including a new epilogue and artwork of the characters.

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Bloomsbury presents Gratitude by Delphine de Vigan, read by Oseloka Obi, Gabrielle Glaister and Aysha Kala. 'Extraordinary … The beating heart of this novel is the exquisite empathy it demonstrates … There is a gentle magnificence at work in its pages' Irish Times 'Tender, poignant and heartfelt ... A generous novel that celebrates communication, connection and courage' Daily Mail Marie owes Michka more than she can say – but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she'll be safe. But Michka doesn't feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she's carried since she was a little girl. And she is losing her words – grasping more desperately day by day for what once came easily to her. Jérôme is a speech therapist, dispatched to help the home's ageing population snatch and hold tight onto the speech still afforded to them. But Michka is no ordinary client. Michka has been carrying an old debt she does not know how to repay – and as her words slide out of her grasp, time is running out. Delicately wrought and darkly gripping, Gratitude is about love, loss and redemption; about what we owe one another, and the redemptive power of showing thanks.

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Classic from the year 2009 in the subject Romance Languages - French Literature, , language: English, abstract: Chapter 1 "Tschah!" exclaimed old Roland suddenly, after he had remained motionless for a quarter of an hour, his eyes fixed on the water, while now and again he very slightly lifted his line sunk in the sea. Mme. Roland, dozing in the stern by the side of Mme. Rosémilly, who had been invited to join the fishing-party, woke up, and turning her head to look at her husband, said: "Well, well! Gerome." And the old fellow replied in a fury: "They do not bite at all. I have taken nothing since noon. Only men should ever go fishing. Women always delay the start till it is too late." His two sons, Pierre and Jean, who each held a line twisted round his forefinger, one to port and one to starboard, both began to laugh, and Jean remarked: "You are not very polite to our guest, father." M. Roland was abashed, and apologized. "I beg your pardon, Mme. Rosémilly, but that is just like me. I invite ladies because I like to be with them, and then, as soon as I feel the water beneath me, I think of nothing but the fish." Mme. Roland was now quite awake, and gazing with a softened look at the wide horizon of cliff and sea. "You have had good sport, all the same," she murmured. But her husband shook his head in denial, though at the same time he glanced complacently at the basket where the fish caught by the three men were still breathing spasmodically, with a low rustle of clammy scales and struggling fins, and dull, ineffectual efforts, gasping in the fatal air. Old Roland took the basket between his knees and tilted it up, making the silver heap of creatures slide to the edge that he might see those lying at the bottom, and their death-throes became more convulsive, while the strong smell of their bodies, a wholesome reek of brine, came up from the full depths of the creel. The old fisherman sniffed it eagerly, as we smell at roses, and exclaimed: "Cristi! But they are fresh enough!" and he went on: "How many did you pull out, doctor?" His eldest son, Pierre, a man of thirty, with black whiskers trimmed square like a lawyer's, his mustache and beard shaved away, replied: "Oh, not many; three or four." The father turned to the younger. "And you, Jean?" said he. [...]

'It was at the time when I was wandering around hungry in Kristiania, that strange city no one leaves before it has set its mark on them...' Hunger is the first-person story of a young man desperately trying to establish himself in the city as a writer, living in shabby lodgings where he can seldom afford to pay the rent, eating almost nothing, and engaging spasmodically and manically with landladies, eccentric elderly men, policemen, shopkeepers, pawnbrokers, and others on the way. He wanders around the streets, sits on benches trying to write, spends a night locked in a pitch-dark police cell, thinks, slides into remarkably inventive reveries, speculates on his mental health, his ethical comportment, his relation to the divinity, the topics he might write about. The traces of a consistent narrative logic are uncertain and blurred; the voice of the narrator keeps shifting between pragmatic appraisal of his situation, wild fantasies, manic outbursts, anger, and despair. This is a story that lies on the threshold of modernism, anticipating many of the dislocations that narrative will be subject to in the decades to come. This new translation seeks to restore the startling freshness and epidermal unease of Hamsun's breakthrough story of 1890. It remains faithful to the style and voice of the text, the shifts of tense, the indirect free style, and the constant changes of register as the inner monologue moves between poetic sensitivity, wild fantasies, manic outbursts, and hyperbolic emotion. Tore Rem's introduction provides an updated and fresh account of the genesis of Hunger, its book history and its reception. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Years of Lyndon Johnson is the political biography of our time. No president—no era of American politics—has been so intensively and sharply examined at a time when so many prime witnesses to hitherto untold or misinterpreted facets of a life, a career, and a period of history could still be persuaded to speak. The Path to Power, Book One, reveals in extraordinary detail the genesis of the almost superhuman drive, energy, and urge to power that set LBJ apart. Chronicling the startling early emergence of Johnson’s political genius, it follows him from his Texas boyhood through the years of the Depression in the Texas hill Country to the triumph of his congressional debut in New Deal Washington, to his heartbreaking defeat in his first race for the Senate, and his attainment, nonetheless, of the national power for which he hungered. We see in him, from earliest childhood, a fierce, unquenchable necessity to be first, to win, to dominate—coupled with a limitless capacity for hard, unceasing labor in the service of his own ambition. Caro shows us the big, gangling, awkward young Lyndon—raised in one of the country’s most desperately poor and isolated areas, his education mediocre at best, his pride stung by his father’s slide into failure and financial ruin—lunging for success, moving inexorably toward that ultimate “impossible” goal that he sets for himself years before any friend or enemy suspects what it may be. We watch him, while still at college, instinctively (and ruthlessly) creating the beginnings of the political machine that was to serve him for three decades. We see him employing his extraordinary ability to mesmerize and manipulate powerful older men, to mesmerize (and sometimes almost enslave) useful subordinates. We see him carrying out, before his thirtieth year, his first great political inspiration: tapping-and becoming the political conduit for-the money and influence of the new oil men and contractors who were to grow with him to immense power. We follow, close up, the radical fluctuations of his relationships with the formidable “Mr. Sam” Raybum (who loved him like a son and whom he betrayed) and with FDR himself. And we follow the dramas of his emotional life-the intensities and complications of his relationships with his family, his contemporaries, his girls; his wooing and winning of the shy Lady Bird; his secret love affair, over many years, with the mistress of one of his most ardent and generous supporters . . . Johnson driving his people to the point of exhausted tears, equally merciless with himself . . . Johnson bullying, cajoling, lying, yet inspiring an amazing loyalty . . . Johnson maneuvering to dethrone the unassailable old Jack Garner (then Vice President of the United States) as the New Deal’s “connection” in Texas, and seize the power himself . . . Johnson raging . . . Johnson hugging . . . Johnson bringing light and, indeed, life to the worn Hill Country farmers and their old-at-thirty wives via the district’s first electric lines. We see him at once unscrupulous, admirable, treacherous, devoted. And we see the country that bred him: the harshness and “nauseating loneliness” of the rural life; the tragic panorama of the Depression; the sudden glow of hope at the dawn of the Age of Roosevelt. And always, in the foreground, on the move, LBJ. Here is Lyndon Johnson—his Texas, his Washington, his America—in a book that brings us as close as we have ever been to a true perception of political genius and the American political process.

The Years of Lyndon Johnson is the political biography of our time. No president-no era of American politics-has been so intensively and sharply examined at a time when so many prime witnesses to hitherto untold or misinterpreted facets of a life, a career, and a period of history could still be persuaded to speak. The Path to Power, Book One, reveals in extraordinary detail the genesis of the almost superhuman drive, energy, and urge to power that set LBJ apart. Chronicling the startling early emergence of Johnson's political genius, it follows him from his Texas boyhood through the years of the Depression in the Texas hill Country to the triumph of his congressional debut in New Deal Washington, to his heartbreaking defeat in his first race for the Senate, and his attainment, nonetheless, of the national power for which he hungered. We see in him, from earliest childhood, a fierce, unquenchable necessity to be first, to win, to dominate-coupled with a limitless capacity for hard, unceasing labor in the service of his own ambition. Caro shows us the big, gangling, awkward young Lyndon-raised in one of the country's most desperately poor and isolated areas, his education mediocre at best, his pride stung by his father's slide into failure and financial ruin-lunging for success, moving inexorably toward that ultimate "impossible" goal that he sets for himself years before any friend or enemy suspects what it may be. We watch him, while still at college, instinctively (and ruthlessly) creating the beginnings of the political machine that was to serve him for three decades. We see him employing his extraordinary ability to mesmerize and manipulate powerful older men, to mesmerize (and sometimes almost enslave) useful subordinates. We see him carrying out, before his thirtieth year, his first great political inspiration: tapping-and becoming the political conduit for-the money and influence of the new oil men and contractors who were to grow with him to immense power. We follow, close up, the radical fluctuations of his relationships with the formidable "Mr. Sam" Raybum (who loved him like a son and whom he betrayed) and with FDR himself. And we follow the dramas of his emotional life-the intensities and complications of his relationships with his family, his contemporaries, his girls; his wooing and winning of the shy Lady Bird; his secret love affair, over many years, with the mistress of one of his most ardent and generous supporters . . . Johnson driving his people to the point of exhausted tears, equally merciless with himself . . . Johnson bullying, cajoling, lying, yet inspiring an amazing loyalty . . . Johnson maneuvering to dethrone the unassailable old Jack Garner (then Vice President of the United States) as the New Deal's "connection" in Texas, and seize the power himself . . . Johnson raging . . . Johnson hugging . . . Johnson bringing light and, indeed, life to the worn Hill Country farmers and their old-at-thirty wives via the district's first electric lines. We see him at once unscrupulous, admirable, treacherous, devoted. And we see the country that bred him: the harshness and "nauseating loneliness" of the rural life; the tragic panorama of the Depression; the sudden glow of hope at the dawn of the Age of Roosevelt. And always, in the foreground, on the move, LBJ. Here is Lyndon Johnson-his Texas, his Washington, his America-in a book that brings us as close as we have ever been to a true perception of political genius and the American political process.

Classic from the year 2009 in the subject Romance Languages - French Literature, , language: English, abstract: Chapter 1 "Tschah!" exclaimed old Roland suddenly, after he had remained motionless for a quarter of an hour, his eyes fixed on the water, while now and again he very slightly lifted his line sunk in the sea. Mme. Roland, dozing in the stern by the side of Mme. Rosémilly, who had been invited to join the fishing-party, woke up, and turning her head to look at her husband, said: "Well, well! Gerome." And the old fellow replied in a fury: "They do not bite at all. I have taken nothing since noon. Only men should ever go fishing. Women always delay the start till it is too late." His two sons, Pierre and Jean, who each held a line twisted round his forefinger, one to port and one to starboard, both began to laugh, and Jean remarked: "You are not very polite to our guest, father." M. Roland was abashed, and apologized. "I beg your pardon, Mme. Rosémilly, but that is just like me. I invite ladies because I like to be with them, and then, as soon as I feel the water beneath me, I think of nothing but the fish." Mme. Roland was now quite awake, and gazing with a softened look at the wide horizon of cliff and sea. "You have had good sport, all the same," she murmured. But her husband shook his head in denial, though at the same time he glanced complacently at the basket where the fish caught by the three men were still breathing spasmodically, with a low rustle of clammy scales and struggling fins, and dull, ineffectual efforts, gasping in the fatal air. Old Roland took the basket between his knees and tilted it up, making the silver heap of creatures slide to the edge that he might see those lying at the bottom, and their death-throes became more convulsive, while the strong smell of their bodies, a wholesome reek of brine, came up from the full depths of the creel. The old fisherman sniffed it eagerly, as we smell at roses, and exclaimed: "Cristi! But they are fresh enough!" and he went on: "How many did you pull out, doctor?" His eldest son, Pierre, a man of thirty, with black whiskers trimmed square like a lawyer's, his mustache and beard shaved away, replied: "Oh, not many; three or four." The father turned to the younger. "And you, Jean?" said he. [...]

This steamy friends-to-lovers gay romance explores what happens when a kindergarten teacher falls for a student's single father—while overcoming trauma and dealing with anxiety—perfect for fans of Casey McQuiston and Anita Kelly. Those who can, teach. Marvin Block is one of the best kindergarten teachers out there. And despite his anxiety, Marvin’s life is sweet. He knows what he wants. And what he wants is the Teacher of the Year Award. Not just for himself – his school needs him to win.​ Returning from break, the New Year finds Marvin all set to welcome a new pupil to his class. But when Illona walks in with her cute-as-hell single dad beside her, Marvin’s focus starts to slide. Sure, his students always come first, but he deserves to have a life outside the classroom, too, right?​ As their friendship starts to deepen, Marvin realizes Olan has the potential to teach him things about love he never thought possible. But with the Teacher of the Year award and his school’s future on the line, now’s not the time for anything complicated.​ Education has always been Marvin’s world. And he needs to keep a cool head if he wants to win the award and save his school. But will it be worth it if he loses Olan in the process?​ With Olan’s past and Marvin’s present colliding, their experiment in love hangs in the balance. Marvin knows what he wants out of life. But now he’s forced to consider what he wants out of love. Will Marvin chalk the relationship up to experience? Or can they revise their story into a textbook romance? Now with bonuses including a new epilogue and artwork of the characters.

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Elements of Crime Patterns is the first detailed compendium of the specific elements and variables of crime patterns. It articulates tacit and implicit knowledge about what crime patterns consist of and contains a wealth of information illustrating what could be in a crime pattern. It details the offender and victim, location and time, weapons, tools, equipment, travel, communication, and methods used to commit crimes. The behaviors in 27 crime categories are succinctly but specifically examined, from robbery, burglary, and cybercrime to sexual assault, terrorism, and drug trafficking. This book serves as an "anatomy book" of crimes and as a type of diagnostic manual. To diagnose crime patterns more accurately, it is wise to obtain a thorough grasp of their possible parts and what these parts might look like. By recognizing crime patterns sooner, we increase the likelihood of preventing crimes, apprehending criminals, understanding problems, and developing more effective crime reduction tactics and policies. So much basic information in one place allows those who work in policing to formulate better questions when working in traditional ways and when interacting with artificial intelligence systems. Novices to the subject will gain foundational knowledge. Experienced police officers, investigators, and analysts will utilize the book as a comprehensive reference tool. Criminal justice students, teachers, and researchers will learn the ins and outs of crime patterns. Instructor resources can be found at routledge.com/9781041217312, offering a syllabus, instructor guides, exercises, case studies, slide decks, and other resources for teaching and training using this book.

In these oversize board books, every page is bursting with life-and tons to discover! Children as young as age 2 have a blast pointing out recognizable things-a blue tricycle, a hungry dog, a piggyback ride-while older kids can follow the star characters through all kinds of bustling scenes. Wimmelbooks are virtually instruction-free, inviting kids to make their own way through the busy Wimmelworld they encounter-and to craft their own stories. First, they're introduced to a unique cast of characters who are hidden in plain sight on the pages that follow. As children seek them out, each character's storyline unfolds, but it's up to kids to interpret the scenes and create stories they think fit. It's hours upon hours of fun-and an effortless introduction to literacy, to boot. My Big Wimmelbook®-My First 100 Words is filled with colorful scenes and familiar objects-from the playground with its slides and swings to the zoo and all the animals. As your little one follows Mia and Elias throughout their day, they will soon be able to recognize and say lots of new words. About Wimmelbooks Wimmelbooks originated in Germany decades ago and have become a sensation with children (and adults!) worldwide. My Big Wimmelbooks is the first-ever English-language wimmelbook series. Its books have been praised as "lively . . . and abounding with humor and detail" (WSJ) and likely to "make any parent's heart sing" (NYT).

【🎯 6-Tier & 180 Holes – Serve More in Less Space】 This bamboo skewer holder features 6 tiers and 180 holes, allowing you to display up to 180 appetizers without overcrowding. From shrimp and meatballs to fruit and cheese, each skewer stands upright for a clean, buffet‑ready look. Perfect for parties, catering, and family gatherings. 【❤️ 100 Heart‑Shaped Skewers – Make Every Bite Special】 Unlike basic round skewers, the included 100 heart‑shaped skewers add a romantic, festive touch to your food display. Ideal for weddings, bridal showers, or Valentine’s day brunch – guests will notice the difference. Just slide them into the bamboo food display stand and watch the compliments roll in. 【🌿 Natural Bamboo – Sturdy, Safe & Sustainable】 Crafted from high‑quality bamboo, this skewer holder is naturally durable, knot‑free, and gentle on your table. No cheap plastic warping or metal rusting. The smooth surface resists stains and odors, making it a reusable, eco‑friendly choice for daily use or large events. 【🧼 Quick to Load, Easy to Clean】 The stepped hole design lets you insert skewers instantly – no jamming or tilting. After the party, simply wipe the food display stand with a damp cloth or mild soap. All 180 holes are easy to rinse, and the bamboo material dries quickly without cracking. 【🥂 From Party Platter to Home Organizer – One Stand, Many Uses】 Beyond appetizers, use this 6‑tier bamboo skewer holder in your kitchen for spice packets, on your desk for pens, or in a craft room for small tools. It’s a versatile skewer board stand that earns its place long after the last appetizer is gone.

【Sleeveless Lounge Set: Comfy meets Stylish—Your Daily Outfit Savior】 Tired of choosing between comfort and style? This lounge set ends the “comfy vs. stylish” battle for good. Whether you’re rushing on Monday, strolling on weekends, or heading to a last-minute date, it’s your new go-to for effortless, put-together looks. 【Cloud-Soft Fabric: No More Sticky, Uncomfortable Days】 Sleeveless design subtly hides “bye-bye arms” for a confident silhouette. High-waisted wide-leg pants slim your tummy instantly—hello. Perfect for curvy queens seeking a “hide-and-flatter” magic touch. 【5-Minute Outfit Win: Stress-Free Dressing for Busy Lives】 No more outfit panic—slip it on and go in seconds, Pair with slides for lazy, cozy vibes or sandals for instant chic . Ideal for busy gals, working moms, or lazy fashion lovers—save brain cells for what matters. 【1 Set = N Looks (and Savings!)】 Versatile enough to replace 3+ outfits in your closet. Lounge at home in cloud-like comfort, hit the yoga studio, run errands, or meet friends for coffee—all in one set. How to choose your size: This lounge set isn’t just clothing—it’s a lifestyle upgrade. Please select the appropriate size according to the size chart in the attached image. If you prefer a loose fit, please order a larger size. If you have any questions after receiving the product, please feel free to email us.