“An exuberant and propulsive thriller laced with sex, art, and history. Lisa Barr has created an unforgettable story that forces readers to question where the line should be drawn between the pursuit of justice and the hunt for revenge.”—Alyson Richman, bestselling author of The Secret of Clouds From the author of the award-winning Fugitive Colors and The Unbreakables, a gripping historical thriller about a young, ambitious journalist embroiled in an international art scandal centered around a Nazi-looted masterpiece—forcing the ultimate showdown between passion and possession, lovers and liars, history and truth. After talking her way into a job with Dan Mansfield, the leading investigative reporter in Chicago, rising young journalist Jules Roth is given an unusual—and very secret—assignment. Dan needs her to locate a piece of Nazi-looted art stolen by the Nazis more than 75 years earlier: legendary Expressionist artist Ernst Engel’s most famous work, Woman on Fire. World-renowned shoe designer Ellis Baum wants this portrait of a beautiful, mysterious woman for deeply personal reasons, and has enlisted Dan’s help to find it. But Jules doesn’t have much time; the famous designer is dying. Meanwhile, in a dangerous game of international suspense, provocative and powerful Margaux de Laurent also searches for the painting. Heir to her art collector family’s millions, Margaux is a cunning gallerist who gets everything she wants. The only thing standing in her way is Jules. Yet the passionate and determined Jules has unexpected resources of her own, including Adam Baum, Ellis’s grandson. A recovering addict and brilliant artist in his own right, Adam was once in Margaux’s clutches. He knows how ruthless she is, and he’ll do anything to help Jules locate the painting before Margaux gets to it first. A thrilling tale of secrets, love, sacrifice, and revenge that illuminates the destructive cruelty of war and greed and the triumphant power of beauty and love, Woman on Fire tells the story of a remarkable woman and an exquisite work of art that burns bright, moving through hands, hearts, and history.

After a time of peace, the Gelfling look to Kensho to take the place of Jen and Kira as leader of Thra. Meanwhile, Thurma strives to rebuild the realm of Mithra, but her quest is thrown into question when someone makes a claim as the true heir to the Ember Queen throne. Worlds apart and their hopes of reuniting dimming, Kensho and Thurma must face their past and future as each struggle to meet the challenge of their destinies. As they discover shocking truths and return to their homelands, will they be able to unite their two kingdoms when a new enemy more powerful than they could have imagined makes their move? Experience this complete epic by writer Adam Smith (Jim Henson’s Labyrinth) and acclaimed artist Alexandria Huntington collected in a premium hardcover for the first time! Collects Jim Henson’s Beneath The Dark Crystal #1-12.

After a time of peace, the Gelfling look to Kensho to take the place of Jen and Kira as leader of Thra. Meanwhile, Thurma strives to rebuild the realm of Mithra, but her quest is thrown into question when someone makes a claim as the true heir to the Ember Queen throne. Worlds apart and their hopes of reuniting dimming, Kensho and Thurma must face their past and future as each struggle to meet the challenge of their destinies. As they discover shocking truths and return to their homelands, will they be able to unite their two kingdoms when a new enemy more powerful than they could have imagined makes their move? Experience this complete epic by writer Adam Smith (Jim Henson’s Labyrinth) and acclaimed artist Alexandria Huntington collected in a premium hardcover for the first time! Collects Jim Henson’s Beneath The Dark Crystal #1-12.

Die Rohstoffe, aus denen Kriege gemacht sind Alfredo Jaar (geb. 1956 in Santiago de Chile; lebt und arbeitet in New York) ist Künstler, Architekt und Filmemacher. Seit über 40 Jahren beschäftigt er sich mit komplexen gesellschaftlich-politischen Themen sowie den Grenzen und der Ethik der Darstellbarkeit. Ökonomische und soziale Missverhältnisse im Zusammen- hang mit der Ausbeutung von Ressourcen im Globalen Süden durch den Globalen Norden, ungleiche Machtverhältnisse und mediale Manipulation sind Anlass für Jaars tiefgreifende Recherchen, Interventionen und Werke, die Fotografie, Film und Installation umfassen. Mit The End of the World , dem mehrjährige Recherchen mit Unterstützung des Humangeografen und politischen Geologen Adam Bobbette vorausgingen, wirft Jaar ein Schlaglicht auf den Kampf um Ressourcen, der ein wesentlicher und in seiner Bedeutung steigender Faktor im internationalen Konfliktgeschehen ist. Die ortsspezifische Arbeit, ein 4 × 4 × 4 cm großer Würfel, ist zusammengesetzt aus den Rohstoffen Kobalt, Seltene Erden, Kupfer, Zinn, Nickel, Lithium, Mangan, Coltan, Germanium und Platin. Diese zehn strategischen Metalle spielen für die Bereiche Digitalisierung und Elektromobilität, für Hightechanwendungen und Speichermedien eine zentrale Rolle. Die Nachfrage danach steigt stetig, ihr Abbau geht mit massiven Menschenrechtsverletzungen und der Zerstörung der Natur einher. Scharfsinnig beobachtet Jaar diese Konfliktlinien, die unseren Planeten erschüttern. Angereichert wird seine künstlerische Recherche durch Essays von Adam Bobbette und Nancy Princenthal und einer Einleitung von Kathrin Becker. The Primary Materials That Wars Are Made Of Alfredo Jaar (b. Santiago de Chile, 1956; lives and works in New York) is an artist, architect, and filmmaker. For over four decades, he has dedicated himself to complex social and political issues and the limitations and ethics of representation. Economic and social imbalances in connection with the exploitation of resources in the Global South by the Global North, unequal power relations, and media manipulation prompt Jaar’s probing research, interventions, and works spanning the media of photography, film, and installation. In The End of the World, which grew out of a multi-year research project assisted by the human geographer and political geologist Adam Bobbette, Jaar shines a spotlight on the struggle for resources, which is a central and ever more salient factor in international conflicts. The site-specific work, a cube measuring 4 × 4 × 4 centimeters, is composed of several such resources: cobalt, rare earths, copper, tin, nickel, lithium, manganese, coltan, germanium, and platinum. These ten strategic metals are of vital importance in the fields of digital technology and electromobility, for high-tech applications and storage media. As demand for them has grown steadily, their extraction has been accompanied by massive human rights violations and environmental destruction. Jaar astutely observes these lines of conflict that convulse our planet. His artistic research is complemented by essays by Adam Bobbette and Nancy Princenthal and an introduction by Kathrin Becker.

Das Rauschen der Kräfte Ton, Bronze, Kupfer, Glas, Holz, Stein, natürliche und gefundene Materialien sind die Grundelemente, aus denen Katinka Bock (geb. 1976 in Frankfurt am Main, lebt und arbeitet in Berlin und Paris) ihre Skulpturen und Installationen schafft, die Zeitlichkeit und Raum erforschen und Zeugnis von einer intensiven Beschäftigung mit Geschichte, Topografie und Geografie ablegen. In ihrem künstlerischen Arbeitsprozess verbindet Katinka Bock häufig Außen- und Innenraum miteinander und hebt dadurch die Trennung von Ausstellungsort und Produktionsstätte auf. Ihre Werke können den Eindruck von Flüchtigkeit erwecken oder wie ein die Zeiten überdauerndes Denkmal wirken. Der Katalog dokumentiert drei Ausstellungen, die die Künstlerin von 2019 bis 2020 im Pivô in São Paulo, in der Kestner Gesellschaft Hannover und bei Anticipations in Paris realisiert hat, und verwebt die einzelnen Stationen zu einer Erfahrungseinheit. Voneinander unabhängige historische Ereignisse werden in den drei Ausstellungsprojekten auf Bedeutungsebene miteinander verschränkt. Eine besondere Rolle nimmt dabei das Material Bronze ein, das für Katinka Bock neben schützenden und isolierenden Qualitäten auch die Fähigkeit des Energietransports besitzt. Somit werden die raumgreifenden Installationen zu Sinnbildern von Zusammenhalt, Wissenstransfer und emotionaler Anteilnahme. Mit Texten von Lea Altner, Thomas Boutoux, Fernanda Brenner, Adam Budak, Rebecca Lamarche-Vadel, François Quintin, Clara Schulmann, Christina Végh und der Künstlerin. The noise of forces Clay, bronze, copper, glass, wood, stone, natural and found materials: these are the basic elements out of which Katinka Bock (b. Frankfurt am Main, 1976; lives and works in Berlin and Paris) creates sculptures and installations that probe time and space and bear witness to her sustained engagement with history, topography, and geography. Bock’s practice often connects interior and exterior settings, undoing the division between exhibition site and scene of production. Her works by turns exude an air of evanescence or stand before the beholder as enduring monuments. The catalogue documents three exhibitions that the artist realized at Pivô, São Paulo, the Kestner Gesellschaft, Hannover, and Anticipations, Paris, in 2019–2020; and weaves the different stations together for a new encompassing experience. The three exhibition projects interlink mutually independent historic events on the semantic level. Bronze as a material plays a key role in this connection; to Katinka Bock’s mind, it possesses protective and isolating qualities, but also the capacity to transport energy, making the sprawling installations compelling visualizations of cohesion, the transfer of knowledge, and emotional sympathy. With writings by Lea Altner, Thomas Boutoux, Fernanda Brenner, Adam Budak, Rebecca Lamarche-Vadel, François Quintin, Clara Schulmann, Christina Végh, and the artist.

“An exuberant and propulsive thriller laced with sex, art, and history. Lisa Barr has created an unforgettable story that forces readers to question where the line should be drawn between the pursuit of justice and the hunt for revenge.”—Alyson Richman, bestselling author of The Secret of Clouds From the author of the award-winning Fugitive Colors and The Unbreakables, a gripping historical thriller about a young, ambitious journalist embroiled in an international art scandal centered around a Nazi-looted masterpiece—forcing the ultimate showdown between passion and possession, lovers and liars, history and truth. After talking her way into a job with Dan Mansfield, the leading investigative reporter in Chicago, rising young journalist Jules Roth is given an unusual—and very secret—assignment. Dan needs her to locate a piece of Nazi-looted art stolen by the Nazis more than 75 years earlier: legendary Expressionist artist Ernst Engel’s most famous work, Woman on Fire. World-renowned shoe designer Ellis Baum wants this portrait of a beautiful, mysterious woman for deeply personal reasons, and has enlisted Dan’s help to find it. But Jules doesn’t have much time; the famous designer is dying. Meanwhile, in a dangerous game of international suspense, provocative and powerful Margaux de Laurent also searches for the painting. Heir to her art collector family’s millions, Margaux is a cunning gallerist who gets everything she wants. The only thing standing in her way is Jules. Yet the passionate and determined Jules has unexpected resources of her own, including Adam Baum, Ellis’s grandson. A recovering addict and brilliant artist in his own right, Adam was once in Margaux’s clutches. He knows how ruthless she is, and he’ll do anything to help Jules locate the painting before Margaux gets to it first. A thrilling tale of secrets, love, sacrifice, and revenge that illuminates the destructive cruelty of war and greed and the triumphant power of beauty and love, Woman on Fire tells the story of a remarkable woman and an exquisite work of art that burns bright, moving through hands, hearts, and history.

Distribution News High Note No 18 Title: Alternate Summer Artist: TOM HARRELL Trumpet player, bandleader, composer, and arranger Tom Harrell picked up rave reviews for 2022s Oak Tree, and here he follows it up with another ambitious, hard-to-resist album, once again made up entirely of his own remarkable compositions. Harrell is highly regarded, not for playing loudly, fast, or high, but rather for his extraordinary talent at fashioning ravishingly beautiful auricular shapes with a wonderfully expressive tone and depth. He is also an exceptionally fine arranger, crafting scores embroidered with felicities of detail and an inevitability which are unique in jazz. Teamed here for the second time with Venezuelan-born pianist Luis Perdomo, featuring the tenor saxophones of Danya Stephens and Mark Turner, the guitar of Charles Altura and regular collaborators, German-Nigerian bassist Ugonna Okegwo and American drummer Adam Cruz, Harrell and his associates emphasize the diverse musical influences of the compositions with a versatility that vividly displays their common strength.

Don’t miss this exclusive, original Diablo® graphic novel chronicling the origins of Rathma, founder of the necromancer class, protector of the balance between life and death. Centuries after Lilith’s banishment, her son, Linarian, has buried his lineage, denying his innate ability to control life and death. But when a ruthless queen shatters his peace and summons him to the ruined citadel of the Firstborn, Linarian must take up the mantle to save Sanctuary from her twisted intentions. As his power grows, a familiar voice calls to him from the darkness, showing him the potential of his talents and the perilous road he must walk to understand them. From the Diablo® development team and critically acclaimed author-artist duo Fred Kennedy and Adam Gorham comes a compelling, magnificently illustrated new tale. Legends of the Necromancer: Rathma lays bare how the death of innocence can come to define us, or become the catalyst that helps us grow.

In 1981 Robert Adams published a volume of essays entitled Beauty in Photography, in which he suggested that art is too important to confuse with interior decoration or an investment opportunity. Its real use, he contended, is to affirm meaning and thus to keep intact an affection for life. Why People Photograph gathers a selection of Adams's writing since then. His subjects vary, but again he questions accepted prejudice, this time not only the view that art is trivial but that artists are separate. He demonstrates that many understand themselves to be bound to the world by complex and important obligations. Adams's writing is free of academic jargon. Readers will also appreciate his attention to common experience (he talks about trying to earn an income), his enjoyment of the unorthodox (one essay concerns dogs and photography), and above all his conviction that art matters. Photographers may or may not make a living by photography, he writes, but they are alive by it.

Bloomsbury presents The Ultimates by Ted Adams, read by Mack Sanderson. Explore the Stories Behind the Legends The 1990s and early 2000s were a time of intense change and experimentation for Marvel Comics. Out of this emerged The Ultimates—a comic that would have an explosive impact on Marvel and the broader pop culture landscape. Writer Mark Millar, with artists Bryan Hitch, Andrew Currie, and Paul Neary, reimagined the classic characters that made up Marvel's premiere super hero team, the Avengers. Looking at them through a modern, post-9/11 lens, the creators treated the characters as super soldiers who reported to the US government. Ted Adam's entry in The Marvel Age of Comics takes readers through Marvel of the '90s: the Marvel Knights imprint, the creation of the Ultimate universe with Spider-Man and the X-Men, and finally the Ultimates themselves. With its unique blend of grounded realism and over-the-top action, The Ultimates ensured that comic books and pop culture would never be the same.

Distribution News High Note No 18 Title: Alternate Summer Artist: TOM HARRELL Trumpet player, bandleader, composer, and arranger Tom Harrell picked up rave reviews for 2022s Oak Tree, and here he follows it up with another ambitious, hard-to-resist album, once again made up entirely of his own remarkable compositions. Harrell is highly regarded, not for playing loudly, fast, or high, but rather for his extraordinary talent at fashioning ravishingly beautiful auricular shapes with a wonderfully expressive tone and depth. He is also an exceptionally fine arranger, crafting scores embroidered with felicities of detail and an inevitability which are unique in jazz. Teamed here for the second time with Venezuelan-born pianist Luis Perdomo, featuring the tenor saxophones of Danya Stephens and Mark Turner, the guitar of Charles Altura and regular collaborators, German-Nigerian bassist Ugonna Okegwo and American drummer Adam Cruz, Harrell and his associates emphasize the diverse musical influences of the compositions with a versatility that vividly displays their common strength.

Don’t miss this exclusive, original Diablo® graphic novel chronicling the origins of Rathma, founder of the necromancer class, protector of the balance between life and death. Centuries after Lilith’s banishment, her son, Linarian, has buried his lineage, denying his innate ability to control life and death. But when a ruthless queen shatters his peace and summons him to the ruined citadel of the Firstborn, Linarian must take up the mantle to save Sanctuary from her twisted intentions. As his power grows, a familiar voice calls to him from the darkness, showing him the potential of his talents and the perilous road he must walk to understand them. From the Diablo® development team and critically acclaimed author-artist duo Fred Kennedy and Adam Gorham comes a compelling, magnificently illustrated new tale. Legends of the Necromancer: Rathma lays bare how the death of innocence can come to define us, or become the catalyst that helps us grow.

'Beautiful, lyrical and unvarnished' MIRANDA COWLEY HELLER, author of THE PAPER PALACE 'Affecting and powerful' OBSERVER 'A page-turner' FINANCIAL TIMES A riveting novel about Cape Cod, complicated families and long-buried secrets Summer, Cape Cod. Every member of the Gardner family is hiding a secret. Ken, a businessman with political ambitions, is caught in an internet chatroom and forced into couples therapy. Abby is ashamed to still depend on her brother's goodwill to sustain her life as an artist. Adam, their father and brilliant oceanographer, decides to come off his bipolar disorder medication to make one last scientific breakthrough. And then there's Steph: a new person living on the periphery, who harbours a secret that will change everything . . . 'Smart, funny and beautifully written. Brodeur is a brilliant dissector of family relationships, a lyricist of the natural world, and an astute observer of our inner turmoils' MONICA ALI 'Gorgeous, gripping, I couldn't put it down' RUTH OZEKI

Winner 2023 Will Eisner Award - Best U.S. Edition of International Material. In this exceptional noir tour de force from writer Juan Díaz Canales and artist Juanjo Guarnido, the hotly anticipated worldwide bestseller returns to American shores after a seven-year hiatus with a brand-new two-part storyline! Following its chart-topping 2021 release in Europe and now translated for English-language readers by the team of Brandon Kander and Diana Schutz, this volume features feline private eye John Blacksad as he tangles with the unions, the mob, and mid-century construction magnate Lewis Solomon, who plans to pave New York City’s green space, come hell or high water. From soaring heights to terrifying depths, Blacksad must steer the right course between the lofty world of Shakespearean theater and the seedy nether regions of the city. Towering above it all is the foreboding figure of Solomon, who will let nothing thwart his dream of power. With three prestigious prizes from the Angoulême International Comics Festival as well as multiple Eisner and Harvey awards, the Blacksad series of graphic albums is a global success story, now published in thirty-nine different countries. Writer Juan Díaz Canales and artist Juanjo Guarnido have crafted a master class in comics storytelling for a worldwide audience. “A tour de force! Don’t miss this!”—Neal Adams “Grade A!”—Entertainment Weekly “Brilliant art and an unusual display of anthropomorphic realism.”—Will Eisner “Ranks among the very best cartooning I’ve ever seen in comics.”—iFanboy

Winner 2023 Will Eisner Award - Best U.S. Edition of International Material. In this exceptional noir tour de force from writer Juan Díaz Canales and artist Juanjo Guarnido, the hotly anticipated worldwide bestseller returns to American shores after a seven-year hiatus with a brand-new two-part storyline! Following its chart-topping 2021 release in Europe and now translated for English-language readers by the team of Brandon Kander and Diana Schutz, this volume features feline private eye John Blacksad as he tangles with the unions, the mob, and mid-century construction magnate Lewis Solomon, who plans to pave New York City’s green space, come hell or high water. From soaring heights to terrifying depths, Blacksad must steer the right course between the lofty world of Shakespearean theater and the seedy nether regions of the city. Towering above it all is the foreboding figure of Solomon, who will let nothing thwart his dream of power. With three prestigious prizes from the Angoulême International Comics Festival as well as multiple Eisner and Harvey awards, the Blacksad series of graphic albums is a global success story, now published in thirty-nine different countries. Writer Juan Díaz Canales and artist Juanjo Guarnido have crafted a master class in comics storytelling for a worldwide audience. “A tour de force! Don’t miss this!”—Neal Adams “Grade A!”—Entertainment Weekly “Brilliant art and an unusual display of anthropomorphic realism.”—Will Eisner “Ranks among the very best cartooning I’ve ever seen in comics.”—iFanboy

A National Bestseller! "Juicy…simmers with tension as secrets explode out into the open." —The Washington Post * "So alluring…I raced happily through the pages." —The New York Times Book Review * "Compulsively readable." —Vogue * "An absolutely captivating read." —Elin Hilderbrand From the author of the bestselling memoir Wild Game comes a riveting novel about Cape Cod, complicated families, and long-buried secrets. Ken and Abby Gardner lost their mother when they were small and they have been haunted by her absence ever since. Their father, Adam, a brilliant oceanographer, raised them mostly on his own in his remote home on Cape Cod, where the attachment between Ken and Abby deepened into something complicated—and as adults their relationship is strained. Now, years later, the siblings' lives are still deeply entwined. Ken is a successful businessman with political ambitions and a picture-perfect family and Abby is a talented visual artist who depends on her brother's goodwill, in part because he owns the studio where she lives and works. As the novel opens, Adam is approaching his seventieth birthday, staring down his mortality and fading relevance. He has always managed his bipolar disorder with medication, but he's determined to make one last scientific breakthrough and so he has secretly stopped taking his pills, which he knows will infuriate his children. Meanwhile, Abby and Ken are both harboring secrets of their own, and there is a new person on the periphery of the family—Steph, who doesn't make her connection known. As Adam grows more attuned to the frequencies of the deep sea and less so to the people around him, Ken and Abby each plan the elaborate gifts they will present to their father on his birthday, jostling for primacy in this small family unit. Set in the fraught summer of 2016, Little Monsters is a "smart, page-flipping novel…[with] shades of Succession" (The Boston Globe) from a writer who knows Cape Cod inside and out—its Edenic lushness and its snakes.

The New York Times bestseller and one of Barack Obama's Favorite Books of 2024 "The gift book of the year, a volume that should have broad appeal and deliver many hours of pleasure to the recipient. The Work of Art is a gorgeous book.” —John Warner, The Chicago Tribune From former editor of New York magazine Adam Moss, a collection of illuminating conversations examining the very personal, rigorous, complex, and elusive work of making art What is the work of art? In this guided tour inside the artist’s head, Adam Moss traces the evolution of transcendent novels, paintings, jokes, movies, songs, and more. Weaving conversations with some of the most accomplished artists of our time together with the journal entries, napkin doodles, and sketches that were their tools, Moss breaks down the work—the tortuous paths and artistic decisions—that led to great art. From first glimmers to second thoughts, roads not taken, crises, breakthroughs, on to one triumphant finish after another. Featuring: Kara Walker, Tony Kushner, Roz Chast, Michael Cunningham, Moses Sumney, Sofia Coppola, Stephen Sondheim, Susan Meiselas, Louise Glück, Maria de Los Angeles, Nico Muhly, Thomas Bartlett, Twyla Tharp, John Derian, Barbara Kruger, David Mandel, Gregory Crewdson, Marie Howe, Gay Talese, Cheryl Pope, Samin Nosrat, Joanna Quinn & Les Mills, Wesley Morris, Amy Sillman, Andrew Jarecki, Rostam, Ira Glass, Simphiwe Ndzube, Dean Baquet & Tom Bodkin, Max Porter, Elizabeth Diller, Ian Adelman / Calvin Seibert, Tyler Hobbs, Marc Jacobs, Grady West (Dina Martina), Will Shortz, Sheila Heti, Gerald Lovell, Jody Williams & Rita Sodi, Taylor Mac & Machine Dazzle, David Simon, George Saunders, Suzan-Lori Parks

The New York Times bestseller and one of Barack Obama's Favorite Books of 2024 "The gift book of the year, a volume that should have broad appeal and deliver many hours of pleasure to the recipient. The Work of Art is a gorgeous book.” —John Warner, The Chicago Tribune From former editor of New York magazine Adam Moss, a collection of illuminating conversations examining the very personal, rigorous, complex, and elusive work of making art What is the work of art? In this guided tour inside the artist’s head, Adam Moss traces the evolution of transcendent novels, paintings, jokes, movies, songs, and more. Weaving conversations with some of the most accomplished artists of our time together with the journal entries, napkin doodles, and sketches that were their tools, Moss breaks down the work—the tortuous paths and artistic decisions—that led to great art. From first glimmers to second thoughts, roads not taken, crises, breakthroughs, on to one triumphant finish after another. Featuring: Kara Walker, Tony Kushner, Roz Chast, Michael Cunningham, Moses Sumney, Sofia Coppola, Stephen Sondheim, Susan Meiselas, Louise Glück, Maria de Los Angeles, Nico Muhly, Thomas Bartlett, Twyla Tharp, John Derian, Barbara Kruger, David Mandel, Gregory Crewdson, Marie Howe, Gay Talese, Cheryl Pope, Samin Nosrat, Joanna Quinn & Les Mills, Wesley Morris, Amy Sillman, Andrew Jarecki, Rostam, Ira Glass, Simphiwe Ndzube, Dean Baquet & Tom Bodkin, Max Porter, Elizabeth Diller, Ian Adelman / Calvin Seibert, Tyler Hobbs, Marc Jacobs, Grady West (Dina Martina), Will Shortz, Sheila Heti, Gerald Lovell, Jody Williams & Rita Sodi, Taylor Mac & Machine Dazzle, David Simon, George Saunders, Suzan-Lori Parks

This abundantly illustrated volume offers an exploration of the depictions of illness and healing in Western artworks that range from Egyptian wall carvings to medieval manuscripts, and from paintings and sculpture by the great masters of the Renaissance such as Michelangelo and Leonardo da Vinci to twentieth-century artists such as Matisse and Magritte. Thematic chapters cover the examination of patients and their various maladies including disabilities and mental illnesses; healing and medical treatments; and the sufferings of patients and their hopes for cures and recovery. Psychological anguish--as represented in The Expulsion of Adam and Eve by Masaccio and Munch's The Scream--is treated along with the physical manifestations of pain. This volume, the seventeenth in the popular Guide to Imagery series, offers analyses by both an art historian and a practicing physician who comment, respectively, on the cultural context in which specific artworks were created and the level of technical knowledge available at that time, an approach that makes for a fascinating look at a topic that has figured frequently in the Western artistic tradition.

Andy Gage was born in 1965 and murdered not long after by his stepfather. . . . It was no ordinary murder. Though the torture and abuse that killed him were real, Andy Gage's death wasn't. Only his soul actually died, and when it died, it broke in pieces. Then the pieces became souls in their own right, coinheritors of Andy Gage's life. . . . While Andy deals with the outside world, more than a hundred other souls share an imaginary house inside Andy's head, struggling to maintain an orderly coexistence: Aaron, the father figure; Adam, the mischievous teenager; Jake, the frightened little boy; Aunt Sam, the artist; Seferis, the defender; and Gideon, who wants to get rid of Andy and the others and run things on his own. Andy's new coworker, Penny Driver, is also a multiple personality, a fact that Penny is only partially aware of. When several of Penny's other souls ask Andy for help, Andy reluctantly agrees, setting in motion a chain of events that threatens to destroy the stability of the house. Now Andy and Penny must work together to uncover a terrible secret that Andy has been keeping . . . from himself.