Stories that are full of hope and courage brimming with positivity as an antidote to the at times challenging world we live in. > > With stories from: Ann Jungman, Emma Carroll, Kate Saunders, Kieran Larwood, Claire Barker, Natasha Farrant, Pip Jones, Martyn Ford, Lou Kuenzler, Ingrid Persaud, Lucy Farfort, Reba Khatun, Aisha Bushby, Ayesha Braganza, Rashmi Sirdeshpande, Michael Mann and Hannah Lee.

*Dave Pigeon (Turkey Dinner!) * / 10.49€ / Taschenbuch

Stories that are full of hope and courage brimming with positivity as an antidote to the at times challenging world we live in. > > With stories from: Ann Jungman, Emma Carroll, Kate Saunders, Kieran Larwood, Claire Barker, Natasha Farrant, Pip Jones, Martyn Ford, Lou Kuenzler, Ingrid Persaud, Lucy Farfort, Reba Khatun, Aisha Bushby, Ayesha Braganza, Rashmi Sirdeshpande, Michael Mann and Hannah Lee.

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A radical landmark in Caribbean literature, reissued with a new foreword by Jamaica Kincaid to mark Wilson Harris' centenary: this visionary masterpiece tracing the dreamlike voyage of a riverboat crew through the jungle defies definition sixty years on. I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Donne, their wild, domineering leader is obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; hallucinatory prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' visionary masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'The Guyanese William Blake . [Such] poetic intensity.' Angela Carter 'Staggering ... Brilliant and terrifying.' The Times 'Amazing ... Masterly ... Near-miraculous.' Observer 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Perhaps the most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'An extraordinary writer ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

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Der große Maler und Graphiker aus Dresden wird weltweit ausgestellt und gesammelt. Anläßlich seines 70. Geburtstages entstand diese Publikation, die 50 Jahre Werkschaffen und Künstlerbeziehungen dokumentieren möchte. Vom Skizzenblatt über die bevorzugte graphische Technik der Farblithographie hin zur Malerei und dem plastischen Werk. Das OEuvre ist vielseitig. Als Maler formuliert er in einer expressiven Bildsprache prägnante und kontrastierende Gleichnisse über die Welt und die Weltgeschichte.

FABER-CASTELL Dreieckige Wachsmalstifte Dank ihrer stabilen dreieckigen Form liegen die FABER-CASTELL Dreieckigen Wachsmalstifte sicher in jeder Kinderhand. Diese ergonomische Gestaltung fördert den richtigen Griff und erleichtert das Malen für kleine Künstler. Die Wachsmalstifte sind wasserfest und bieten eine hohe Farbintensität für leuchtende Kunstwerke. Zudem sind sie mit einer Papierbanderole versehen, die die Hände sauber hält. Sie fühlen sich nicht nur gut an, sondern regen die Kleinen auch dazu an, ihrer Fantasie freien Lauf zu lassen.

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Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar. 'Astonishing and moving. A pretty amazing book.' Tessa Hadley 'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann 'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho 'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li 'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson 'The most famous unknown of the century.' Djuna Barnes, author of Nightwood The only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release ... Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Eine atemberaubende Sammlung brandneuer Gutenachtgeschichten, die moderne Botschaften von Inklusivität, Akzeptanz und Mut angesichts von Widrigkeiten fördern. Diese Geschichten sind voller Hoffnung und Mut, sprühen vor Positivität als Antidot zu der manchmal herausfordernden Welt, in der wir leben. Dies ist ein Geschenk von grosser Schönheit, das über Jahre hinweg geschätzt werden wird. Illustriert von der fantastischen und Bestsellerautorin Sarah McIntyre. Mit Geschichten von Ann Jungman, Emma Carroll, Kate Saunders, Kieran Larwood, Claire Barker, Natasha Farrant, Pip Jones, Martyn Ford, Lou Kuenzler, Ingrid Persaud, Lucy Farfort, Reba Khatun, Aisha Bushby, Ayesha Braganza, Rashmi Sirdeshpande, Michael Mann und Hannah Lee.

Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar. 'Astonishing and moving. A pretty amazing book.' Tessa Hadley 'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann 'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho 'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li 'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson 'The most famous unknown of the century.' Djuna Barnes, author of Nightwood The only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release ... Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Faber-Castell 212051. Typ: Malbuch/Album, Anzahl Teile: 1 Stück(e), Anzahl der Seiten: 60 Seiten

From one of the most important contemporary thinkers we have, a compelling, forceful tract about women and motherhood that demands immediate attention. Moving commandingly between pop cultural references such as Roald Dahl's 'Matilda' to observations about motherhood in the ancient world, from and thoughts about the stigmatization of single mothers in the UK, Mothers delivers a groundbreaking report into something so prevalent we hardly notice. A short, provocative work that considers how motherhood the object of intense ambivalence, of idealization and hatred-is the ultimate scapegoat for everything that is wrong with the world.

*Neighbors and Other Stories (Faber Editions) * - Introduced by Tayari Jones / 10.89€ / Taschenbuch

FABER-CASTELL Dreieckige Wachsmalstifte Dank ihrer stabilen dreieckigen Form liegen die FABER-CASTELL Dreieckigen Wachsmalstifte sicher in jeder Kinderhand. Diese ergonomische Gestaltung fördert den richtigen Griff und erleichtert das Malen für kleine Künstler. Die Wachsmalstifte sind wasserfest und bieten eine hohe Farbintensität für leuchtende Kunstwerke. Zudem sind sie mit einer Papierbanderole versehen, die die Hände sauber hält. Sie fühlen sich nicht nur gut an, sondern regen die Kleinen auch dazu an, ihrer Fantasie freien Lauf zu lassen.

Faber-Castell 201641. Menge pro Packung: 21 Stück(e), Schreibfarben: Mehrfarbig, Empfohlenes Geschlecht: Junge/Mädchen

FROM THE GLOBAL BESTSELLING AUTHOR '[Kingsolver] reminds us that a novel can be wildly entertaining and still have a social conscience' NEW YORK TIMES, '100 Best Books of the 21st Century' (on Demon Copperhead) You've taken Demon to your hearts, prepare for another 'emotionally raw, riotously entertaining' read as you meet Livia. Here's my question: How does a person step in front of a train and leave everything right there? Livia Bohusz misses her big brother, Cyrus. But since the day he took his own life, a day that changed everything, eleven-year-old Livia has also known she has no choice but to survive. Her solace is music. A gifted pianist, Livia's only escape is the quiet rapture it brings as she practises, so when Livia starts college as a music major and scholarship prodigy, it feels as if a new life might begin. Immersing herself in her passions in a world where she excels, even as she struggles to fit in with more urbane classmates, she glimpses the possibilities of a life beyond the farm and her parents. Then one springtime, as the smell of reviving grass and crocuses, and the sounds of songbirds fill the air, Livia catches a glimpse of shirt sleeves rolled to the elbow, muscles you wouldn't miss in the rear view: 'Who is that man?' It is a question Livia may come to wish she had never asked. Readers love Barbara Kingsolver: 'Barbara Kingsolver's way with words is beyond description!' 'That's the magic of Barbara Kingsolver I guess - to make you laugh in one line and then absolutely wreck you in the next. What a genius' 'I love Kingsolver because I never know where she will go next but it will always be somewhere that I've never been before' 'Barbara Kingsolver has an understanding of the human condition and the abuses inflicted by an unjust society upon those who do not deserve that' 'A trademark ability to tell a story with empathy' 'One of those writers who somehow can produce writing that sounds as natural as talking and yet that somehow comes out as poetry' 'Kingsolver is a magician with words'

Comfrey is noted by both organic gardeners and herbalists for its great usefulness and versatility. Of particular interest is the ´Bocking 14´ cultivar of Russian comfrey. This strain was developed during the 1950s by Lawrence D. Hills, who founded the organic gardening organisation now known as Garden Organic. Lawrence D. Hills was the world authority on comfrey. In this book, originally published in 1976, he wrote for farmers and gardeners in all countries, showing how this useful plant could be cultivated in both tropical and temperate zones to produce a crop equally rewarding for gardener, smallholder and mechanised farmer. Subtitled Past, Present and Future, Hills´s work remains the most comprehensive survey of the properties and cultivation of comfrey, and undoubtedly the essential book on the subject, as well as a lasting testament to his indefatigable efforts to achieve a better understanding of it.