"A dazzling, deadpan nightmare."--Kaliane Bradley, author of The Ministry of Time A lost dystopian classic, set in a future without death. You don't own yourself any longer. Society owns you. Had it not been for society, you would not be lying here now. Bruno, a young magazine editor, seems to live a charmed life, until he discovers a growth on his neck - the first sign of incurable cancer. But his doctor offers him a unique opportunity: Bruno can choose to be "frozen down" until medical science has found a cure for his condition. He makes his decision, just after meeting and falling in love with an enigmatic ballet dancer. Decades later, he wakes up to find himself cured, but the world is now a very different place. Freezing technology is now ubiquitous, the pleasures of life have been subtly drained and society has started to fracture. Bruno must decide what he really wants from his life and whether it's worth the cost. Fans of dystopian fiction will love this creepingly claustrophobic classic, which asks all the big questions about aging, death, scientific progress and the meaning of life. Featuring an introduction by Sophie Mackintosh.

Faber-Castell 117897. Härte: Multi, Produktfarbe: Schwarz. Verpackungsart: Karton mit Aufhänger. Menge pro Packung: 6 Stück(e). Nachhaltigkeitszertifikate: PEFC

You remind me of my uncle's brother. He was always on the move, that man. Never without his passport. Had an eye for the girls. Very much your build. Bit of an athlete. Long-jump specialist. He had a habit of demonstrating different run-ups in the drawing-room round about Christmas time. Had a penchant for nuts. In a dilapidated house in West London, three men - kind but damaged Aston, the shambling tramp he invites to stay, and Aston's violently unpredictable brother Mick - fall into an unsettling and darkly funny tussle for power. The Caretaker was first performed at the Arts Theatre, London, in April 1960. ' There's such craft and concision to Pinter's depiction of a triangular territorial battle in a run-down West London attic that it still sets the bar inspirationally high. The play is both of its period and timeless, conveying the wider human condition in its tightly particular evocation of hardship and dispossession, its dialogue so wryly attuned to the way ordinary speech can be loaded and weaponised that it even got its own classification: "the comedy of menace".' Daily Telegraph ' A modern classic, a spiritual shocker, tough, cruel and brutally funny . . . Pinter transfixes the modern human condition in which people are both intruders and prisoners, aggressors and victims, pushers and fantasists. This is your life. ' Sunday Times

Faber-Castell 119037. Härte: B, Produktfarbe: Grün, Form: Hexagonal

Considered by many to be the iconic French memoirist's defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines. Annie Ernaux invents a form that is subjective and impersonal, private and collective, and a new genre - the collective autobiography - in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is 'a Remembrance of Things Past for our age of media domination and consumerism' (New York Times), a monumental account of twentieth-century French history as refracted through the life of one woman.

''I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.'' Louis MacNeice''s prescription is designed to look ordinary, rather than esoteric, but very little poetry can claim to meet these specifications, stringent in their very wideness. MacNeice''s work matches the world he famously described as ''incorrigibly plural.'' Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader.

As part of the Light Division created to act as the advance guard of Wellington''s army, the 95th Rifles are the first into battle and the last out. Fighting and thieving their way across Europe, they are clearly no ordinary troops. The 95th are in fact the first British soldiers to take aim at their targets, to take cover when being shot at, to move tactically by fire and manoeuvre. And by the end of the six-year campaign they have not only proved themselves the toughest fighters in the army, they have also - at huge personal cost - created the modern notion of the infantryman. In an exhilarating work of narrative military history, Mark Urban traces the story of the 95th Rifles, the toughest and deadliest sharpshooters of Wellington''s Army. ''If you like Sharpe, then this book is a must, your Christmas present solved.'' Bernard Cornwell, Daily Mail ''Urban writes history the way it should be written, alive and exciting.'' Andy McNab

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'Unlike anything I've read . ' New York TimesIn letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities.

The amphibious cult classic: when a lonely suburban housewife falls in love with a frogman called Larry, their lives will never be the same.

A debut novel of urgent big ideas imbued with pacy plotting and atmospheric power, by an exciting Icelandic literary talent.

Life on a remote island is turned upside down by a stranger's arrival, testing bonds of family and tradition and leaving a young dreamer's future hanging in the balance.

Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics - 'An Account of A Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family' that finds Joshua Cohen at the height of his powers.

Big Brother is watching you . A note from a colleague - 'I love you' - marks the beginning of a secret affair that breaks all the rules. But what will happen when they are found out?This classic dystopian novel is a vision of life under a totalitarian regime, where every thought or action could bring the Thought Police to the door .

Auster's radical modern ghost story from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian) Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality. If The New York Trilogy was Paul Auster's detective story, his mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today. 'His old-fashioned art of creating suspense . . . which rivals M. R. James or Conan Doyle. In fact, Oracle Night is best read as a post-modern ghost story.' The Guardian

'Magnificent.' New York Times 'Unforgettable.' Times Literary Supplement 'Exquisite.' New Yorker From the Sunday Times bestselling author of Call Me by Your Name and Find Me From a youthful infatuation with a cabinet maker in a small Italian fishing village, to a passionate yet sporadic affair with a woman in New York, to an obsession with a man he meets at a tennis court, Enigma Variations charts one man's path through the great loves of his life. Paul's intense desires, losses and longings draw him closer, not to a defined orientation, but to an understanding that 'heartache, like love, like low-grade fevers, like the longing to reach out and touch a hand across the table, is easy enough to live down'. André Aciman casts a shimmering light over each facet of desire, to probe how we ache, want and waver, and ultimately how we sometimes falter and let go of the very ones we want the most. We may not know what we want. We may remain enigmas to ourselves and to others. But sooner or later we discover who we've always known we were.

A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY ''Funny, poignant, savage, tender and appalling.'' Helen Dunmore ''One of the most intelligent current interpreters of domestic life.'' Catherine Taylor, Independent on Sunday ''Tender, haunting, grimly comic and infinitely disturbing.'' Evening Standard Arlington Park is an ordinary English suburb. Over the course of a single day, the novel moves from one household to another, revealing its characters: Juliet, enraged at the victory of men over women in family life; Amanda, warding off thoughts of death with obsessive housework; Solly, about to give birth to her fourth child; Maisie, struggling to accept provincial life; and Christine, the optimist and host of a dinner party where the neighbours come together.

Eberhard Faber 579900. Produktfarbe: Blau, Transparent, Material: Kunststoff

The complete screenplays of the acclaimed Emmy-nominated drama based on Sally Rooney's bestselling novel. 'You know, I did used to think that I could read your mind at times.' 'In bed you mean.' 'Yeah. And afterwards but I dunno maybe that's normal.' 'It's not.' Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular. Marianne is a loner. But when the two strike up a conversation, something life-changing begins. With an introduction by director Lenny Abrahamson and featuring iconic images from the show, Normal People: The Scripts contains the complete screenplays of the acclaimed Emmy-nominated television drama based on Sally Rooney's bestselling novel. OVER ONE MILLION COPIES SOLD! WINNER OF THE COSTA NOVEL AWARD 2018 WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR WINNER OF NOVEL OF THE YEAR AND BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS WINNER OF THE SPECSAVERS NATIONAL BOOK AWARDS INTERNATIONAL AUTHOR OF THE YEAR LONGLISTED FOR THE MAN BOOKER PRIZE 2018 LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2019

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