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When her twenty-five-year marriage suddenly falls apart, journalist Florence Williams expects the loss to hurt. But when she starts feeling physically sick, losing weight and sleep, she sets out in pursuit of rational explanation. She travels to the frontiers of the science of "social pain" to learn why heartbreak hurts so much - and why so much of the conventional wisdom about it is wrong. Soon Williams finds herself on a surprising path that leads her from neurogenomic research laboratories to trying MDMA in a Portland therapist's living room, from divorce workshops to the mountains and rivers that restore her. She tests her blood for genetic markers of grief, undergoes electrical shocks while looking at pictures of her ex, and discovers that our immune cells listen to loneliness. Searching for insight as well as personal strategies to game her way back to health, she seeks out new relationships and ventures into the wilderness in search of an extraordinary antidote: awe. With warmth, daring, wit, and candor, Williams offers a gripping account of grief and healing. Heartbreak is a remarkable merging of science and self-discovery that will change the way we think about loneliness, health, and what it means to fall in and out of love.
Josef Mengele has come to symbolise both the evil of the Nazi regime and the failure of justice. Drawing on new scholarship and sources, David G. Marwell examines Mengele's life, chronicling his university studies, which led to two PhDs; his wartime service, in combat and at Auschwitz, where his "selections" determined the fate of countless innocents and his "scientific" pursuits resulted in the traumatisation and death of thousands more; and his post-war refuge in Germany and South America. Mengele describes the international search in 1985, which ended in a cemetery in Sao Paulo and the forensic investigation that produced overwhelming evidence that Mengele had died-but failed to convince those who, arguably, most wanted him dead. This is a story of science without limits, escape without freedom and resolution without justice.
How do we properly define cultural appropriation and is it always wrong? If we can write in the voice of another, should we? And if so, what questions do we need to consider first? In Appropriate, creative writing professor Paisley Rekdal addresses a young writer to delineate how the idea of cultural appropriation has evolved-and perhaps calcified-in our political climate. Rekdal examines the debate between appropriation and imagination, exploring the ethical stakes of writing from the position of a person unlike ourselves. What follows is a penetrating exploration of fluctuating literary power and authorial privilege, about whiteness and what we really mean by the term "empathy". Rekdal offers a study of techniques, both successful and unsuccessful, that writers from William Styron to Peter Ho Davies to Jeanine Cummins have employed to create characters outside their own identities. Lucid, reflective and astute, Appropriate presents a generous new framework for one of the most controversial subjects in contemporary literature.
In the half a square mile of decay and demolition that was England's Saxon capital, eternity is loitering between the firetrap housing projects. Embedded in the grubby amber of the district's narrative among its saints, kings, prostitutes, and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrolcolored puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the second-century Book of Tobit wait in urine-scented stairwells, the delinquent specters of unlucky children undermine a century with tunnels, and in upstairs parlors laborers with golden blood reduce fate to a snooker tournament. An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake's eternal holy city. Fierce in its imagining and stupefying in its scope, Alan Moore's epic novel, Jerusalem, is the tale of Everything, told from a vanished gutter.
Ruth Ben-Ghiat is the expert on the "strongman" playbook employed by authoritarian demagogues from Mussolini to Putin-enabling her to predict with uncanny accuracy the recent experience in America and Europe. In Strongmen, she lays bare the blueprint these leaders have followed over the past 100 years, and empowers us to recognize, resist, and prevent their disastrous rule in the future. For ours is the age of authoritarian rulers: self-proclaimed saviors of the nation who evade accountability while robbing their people of truth, treasure, and the protections of democracy. They promise law and order, then legitimize lawbreaking by financial, sexual, and other predators. They use masculinity as a symbol of strength and a political weapon. Taking what you want, and getting away with it, becomes proof of male authority. They use propaganda, corruption, and violence to stay in power. Vladimir Putin and Mobutu Sese Seko's kleptocracies, Augusto Pinochet's torture sites, Benito Mussolini and Muammar Gaddafi's systems of sexual exploitation, and Silvio Berlusconi and Donald Trump's relentless misinformation: all show how authoritarian rule, far from ensuring stability, is marked by destructive chaos. No other type of leader is so transparent about prioritizing self-interest over the public good. As one country after another has discovered, the strongman is at his worst when true guidance is most needed by his country. Recounting the acts of solidarity and dignity that have undone strongmen over the past 100 years, Ben-Ghiat makes vividly clear that only by seeing the strongman for what he is-and by valuing one another as he is unable to do-can we stop him, now and in the future.
This Norton Critical Edition includes: The 1874 corrected edition of the text, with small textual variations from Eliot's manuscript. Introductory materials and explanatory footnotes by Ronjaunee Chatterjee. Twenty-three background selections from Eliot's correspondence, journals, and other writings. Seventeen critical responses, including five contemporary reactions and twelve critical analyses of the novel's most important themes. A chronology of Eliot's life and a selected bibliography.
Josef Mengele has come to symbolise both the evil of the Nazi regime and the failure of justice. Drawing on new scholarship and sources, David G. Marwell examines Mengele's life, chronicling his university studies, which led to two PhDs; his wartime service, in combat and at Auschwitz, where his "selections" determined the fate of countless innocents and his "scientific" pursuits resulted in the traumatisation and death of thousands more; and his post-war refuge in Germany and South America. Mengele describes the international search in 1985, which ended in a cemetery in Sao Paulo and the forensic investigation that produced overwhelming evidence that Mengele had died-but failed to convince those who, arguably, most wanted him dead. This is a story of science without limits, escape without freedom and resolution without justice.
Josef Mengele has come to symbolise both the evil of the Nazi regime and the failure of justice. Drawing on new scholarship and sources, David G. Marwell examines Mengele's life, chronicling his university studies, which led to two PhDs; his wartime service, in combat and at Auschwitz, where his "selections" determined the fate of countless innocents and his "scientific" pursuits resulted in the traumatisation and death of thousands more; and his post-war refuge in Germany and South America. Mengele describes the international search in 1985, which ended in a cemetery in Sao Paulo and the forensic investigation that produced overwhelming evidence that Mengele had died-but failed to convince those who, arguably, most wanted him dead. This is a story of science without limits, escape without freedom and resolution without justice.
This Norton Critical Edition includes: The 1874 corrected edition of the text, with small textual variations from Eliot's manuscript. Introductory materials and explanatory footnotes by Ronjaunee Chatterjee. Twenty-three background selections from Eliot's correspondence, journals, and other writings. Seventeen critical responses, including five contemporary reactions and twelve critical analyses of the novel's most important themes. A chronology of Eliot's life and a selected bibliography.
"America's funniest science writer" (Washington Post) takes us down the hatch on an unforgettable tour. The alimentary canal is classic Mary Roach terrain: the questions explored in Gulp are as taboo, in their way, as the cadavers in Stiff and every bit as surreal as the universe of zero gravity explored in Packing for Mars. Why is crunchy food so appealing? Why is it so hard to find words for flavors and smells? Why doesn't the stomach digest itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis? In Gulp we meet scientists who tackle the questions no one else thinks of-or has the courage to ask. We go on location to a pet-food taste-test lab, a fecal transplant, and into a live stomach to observe the fate of a meal. With Roach at our side, we travel the world, meeting murderers and mad scientists, Eskimos and exorcists (who have occasionally administered holy water rectally), rabbis and terrorists-who, it turns out, for practical reasons do not conceal bombs in their digestive tracts. Like all of Roach's books, Gulp is as much about human beings as it is about human bodies.
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Hailed as "the great nature writer of this generation" (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself. In this highly anticipated sequel to his international bestseller The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Traveling through "deep time"-the dizzying expanses of geologic time that stretch away from the present-he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come. Woven through Macfarlane's own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls "the awful darkness within the world." Global in its geography and written with great lyricism and power, Underland speaks powerfully to our present moment. Taking a deep-time view of our planet, Macfarlane here asks a vital and unsettling question: "Are we being good ancestors to the future Earth?" Underland marks a new turn in Macfarlane's long-term mapping of the relations of landscape and the human heart. From its remarkable opening pages to its deeply moving conclusion, it is a journey into wonder, loss, fear, and hope. At once ancient and urgent, this is a book that will change the way you see the world.