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Norton & Company Origins A1063121262
Our true origins are not only human, or even terrestrial, but in fact cosmic. Drawing on recent scientific breakthroughs and cross-pollination among geology, biology, astrophysics and cosmology, Origins illuminates the soul-stirring leaps in our understanding of the cosmos. This newly revised and updated edition features such startling discoveries as the more than 5,000 newly detected exoplanets that shed light on the origins of and possibilities for life in the cosmos, and data from a host of new ground-based and spaceborne observatories that has fundamentally changed what we know about the expanding universe-and maybe even the laws of physics. From the first image of a galaxy's birth to tantalising evidence of water not only on Mars but also on the asteroid Ceres, as well as moons of Jupiter and Saturn, coauthors Neil deGrasse Tyson and Donald Goldsmith conduct an exhilarating tour of the cosmos with clarity and exuberance.
From the telegraph and telephone in the 1800s to the internet and social media in our own day, the public has welcomed new communication systems. Whenever people gain more power to share information, the assumption goes, society prospers. Superbloom tells a startlingly different story. As communication becomes more mechanised and efficient, it breeds confusion more than understanding, strife more than harmony. Media technologies all too often bring out the worst in us. A celebrated commentator on the human consequences of technology, Nicholas Carr reorients the conversation around modern communication, challenging some of our most cherished beliefs about self-expression, free speech and media democratisation. He reveals how messaging apps strip nuance from conversation, how "digital crowding" erodes empathy and triggers aggression, how online political debates narrow our minds and distort our perceptions and how advances in AI are further blurring the already hazy line between fantasy and reality. Even as Carr shows how tech companies and their tools of connection have failed us, he forces us to confront inconvenient truths about our own nature. The human psyche, it turns out, is profoundly ill-suited to the "superbloom" of information that technology has unleashed.With rich psychological insights and vivid examples drawn from history and science, Superbloom provides both a panoramic view of how media shapes society and an intimate examination of the fate of the self in a time of radical dislocation. It may be too late to change the system, Carr counsels, but it's not too late to change ourselves.
"In the small town of Progrody, Nissen Piczenik makes his living as a respected coral merchant. Despite his knowledge of coral, Nissen has never seen the sea. When a visiting sailor offers to take Nissen to Odessa, he eagerly accepts. But upon his returnto Progrody, Nissen finds that a new coral merchant has moved into a neighboring town and is gaining popularity. As his customers dwindle, life takes an evil twist for Nissen Progrody. And the final decider of his fate may be the devil himself."--P. [4] of cover.
This richly documented Norton Critical Edition of Julius Caesar is based on the 1623 First Folio text. It is accompanied by a note on the text, an introduction that sets the biographical and historical stage necessary to appreciate this richly allusive play, explanatory annotations, a map, and five illustrations. "Sources and Contexts" presents possible sources as well as analogues to Julius Caesar, an account of Shakespeare's understanding of and approach to Roman history, and Ernest Schanzer's study of the narrative challenges posed by the play. "Criticism" includes early commentary-by, among others, Samuel Johnson, William Hazlitt, and Harley Granville-Barker-on Julius Caesar as well as modern interpretations. Among these are John W. Velz on role-playing in Julius Caesar; Jan H. Blits on Caesar's ambiguous end; Paul A. Cantor on rhetoric, poetry and the Roman republic; and R. A. Foakes on the themes of assassination and mob violence. "Performance History" reprints accounts of various aspects of staging Julius Caesar by Sidney Homan, John Nettles, and Robert F. Willson, Jr. A Film Bibliography and Selected Bibliography are also included.
In 2020, the novel coronavirus gripped the world in a global pandemic and led to the death of hundreds of thousands. The source of the previously unknown virus? Bats. This phenomenon-in which a new pathogen comes to humans from wildlife-is known as spillover, and it may not be long before it happens again. Prior to the emergence of our latest health crisis, renowned science writer David Quammen was traveling the globe to better understand spillover's devastating potential. For five years he followed scientists to a rooftop in Bangladesh, a forest in the Congo, a Chinese rat farm, and a suburban woodland in New York, and through high-biosecurity laboratories. He interviewed survivors and gathered stories of the dead. He found surprises in the latest research, alarm among public health officials, and deep concern in the eyes of researchers. Spillover delivers the science, the history, the mystery, and the human anguish of disease outbreaks as gripping drama. And it asks questions more urgent now than ever before: From what innocent creature, in what remote landscape, will the Next Big One emerge? Are pandemics independent misfortunes, or linked? Are they merely happening to us, or are we somehow causing them? What can be done? Quammen traces the origins of Ebola, Marburg, SARS, avian influenza, Lyme disease, and other bizarre cases of spillover, including the grim, unexpected story of how AIDS began from a single Cameroonian chimpanzee. The result is more than a clarion work of reportage. It's also the elegantly told tale of a quest, through time and landscape, for a new understanding of how our world works-and how we can survive within it.
Wildly entertaining, Maria Riva reveals the rich life of her mother in vivid detail, evoking Dietrich the woman, her legendary career, and her world. Opening with Dietrich's childhood in Berlin, we meet an energetic, disciplined, and ambitious young actress, whose own mother equated the stage with a world of vagabonds and thieves. Dietrich would quickly rise to stardom on the Berlin stage in the 1920s with her sharp wit and bisexuality-wearing the top hat and tails that revolutionized our concept of beauty and femininity. She would play vulgarity but not become in; startle the world but still maintain the aloofness of an aristocrat. As Riva herself remembers, "At age three, I knew quite definitely that I didn't have a mother, I belonged to a queen." Marlene Dietrich comes alive in these pages in all of her incarnations: as muse, artistic collaborator, bonafide movie star, box-office poison, lover, wife, and mother. Dietrich would stand up to the Nazis and galvanize American troops, eventually earning the Congressional Medal of Freedom. There were her rich artistic relationships with Josef von Sternberg (The Blue Angel, Morocco, Shanghai Express), Colette, Erich Maria Remarque, Noël Coward and Cole Porter, and her heady romances. In her final years, she would make herself visibly invisible, devoting herself to the immortality of her legend. Maria Riva's biography of her mother has the depth, range, and resonance of a novel and captures the conviction and passion of its remarkable subject.
"For the classroom and for the general reader, there's no better way to experience the context in which Jane Eyre was written, illuminating modern commentary, and the novel itself in an authoritative text." Fred kaplan, Queens College and The Graduate Center, City University of New York
The tsunami of cheap credit that rolled across the planet between 2002 and 2008 was more than a simple financial phenomenon: it was temptation, offering entire societies the chance to reveal aspects of their characters they could not normally afford to indulge. Icelanders wanted to stop fishing and become investment bankers. The Greeks wanted to turn their country into a piñata stuffed with cash and allow as many citizens as possible to take a whack at it. The Germans wanted to be even more German; the Irish wanted to stop being Irish. Michael Lewis's investigation of bubbles beyond our shores is so brilliantly, sadly hilarious that it leads the American reader to a comfortable complacency: oh, those foolish foreigners. But when he turns a merciless eye on California and Washington, DC, we see that the narrative is a trap baited with humor, and we understand the reckoning that awaits the greatest and greediest of debtor nations.
"The highest praise for a history book is that it makes you think about things in a new way." -Ian Morris, New York Times Book Review "Captivating. . . . A welcome and important corrective, Mikhail's recalibration of the modern era is ambitious and provocative. . . . Mikhail writes authoritatively, as one would expect from so accomplished a historian. He writes accessibly and vividly, too, which means that the book, while scholarly, is readable, enjoyable, and relatable. . . . A terrific guide to the Ottomans during a period of profound change." -Peter Frankopan, Air Mail "Seeing the Ottoman Empire as pivotal in shaping the Western world, this history casts developments such as the Reconquista, the Inquisition, the Reformation, and exploration of the New World as responses to rising Islamic power. . . . European rulers obsessively feared Muslim expansion; Mikhail traces the influence of this paranoia on the Islamophobia that continues to inform American politics." -The New Yorker "Mikhail's ambitions, like those of his subject, are bold, and in God's Shadow he has given us three or four books in one. At the centre is a fast-paced biography of its subject whose killing of his siblings, the alleged murder of his father and battlefield exploits makes the work highly readable." -Mark Mazower, Financial Times "Mikhail draws on sources in several languages to tell this gripping story; he wields a lucid and fast-moving prose, and his analysis is full of surprises. For like a skilled janissary-one of those elite troops that made Ottoman armies so formidable in the field-Mr. Mikhail has more than one string to his bow. He sets Selim's accomplishments within an exceedingly wide context. . . . Mr. Mikhail makes his case convincingly." -Eric Ormsby, Wall Street Journal "If you want a ticket out of 2020, may I recommend this biography of bloodthirsty Ottoman Sultan Selim I (1470-1520)? It not only argues that Columbus's voyage to America happened because Europeans were busy avoiding the Turks, it'll also tell you that the Turks had a thing for moles (in 1470, a Sufi mystic predicted that the next sultan would have seven moles, and indeed Selim was born with seven). There's also fratricide (a rite of passage for sultans-to-be), insane concubine politics, and circumcision festivals, and it sent me down a rabbit hole reading up on sultans. How's this for a jetpack out of the present: Look up Ibrahim the Mad (1615-1648), who was raised in a gilded cage, loved plus-size ladies, and drowned 280 women from his harem when he was paranoid that another man had 'tampered with' them." -Sandi Tan, Glamour "Mikhail, chair of Yale's history department and a specialist in Ottoman history, makes it his mission to demonstrate how this utterly compelling leader helped define his age, bending the world to his will. And he succeeds with a flourish.... Mikhail offers a refreshingly Ottoman-centric picture of the 15th- and 16th-century Mediterranean." -Justin Marozzi, The Spectator "[A] refreshingly readable history book that offers a new world view.... It challenges conventional Eurocentric narratives about the Matamoros ("moorslaying") Christopher Columbus and the triggers for the Protestant Reformation. A radical picture of the Ottoman Empire emerges "as a unified juggernaut" conquering and controlling three continents, while Europe was a "mosaic of squabbling polities". How I wish I'd been in Damascus when Selim discovered the tomb of Ibn 'Arabi." -Diana Darke, Times Literary Supplement "[Mikhail] masterfully juxtaposes the triumphs of Selim I's reign with events taking place elsewhere in the rapidly globalizing world of the early sixteenth century.... God's Shadow is a revisionist history in the best sense of the term. It offers readers a distinct prism through which to view a familiar and, at times, unfamiliar chronicle of events.... For readers unfamiliar with pre-modern Middle Eastern history, God's Shadow will be an excellent starting point.... Mikhail'
Now in paperback, Satantango, the novel that inspired Béla Tarr's classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. "Their world," in the words of the renowned translator George Szirtes is "rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death." Into this world comes, it seems, a messiah...
This Norton Critical Edition includes: · The first London edition (1759) of Sterne's revolutionary and influential novel. · Textual notes, explanatory footnotes, and a preface by Judith Hawley. · Three illustrations. · The Author on the Novel, fourteen judiciously chosen letters from the latest scholarly edition. · A wide range of early responses that demonstrate Tristram Shandy's changing reception from its publication through the nineteenth century. · Eleven major critical interpretations, ten of them new to this edition. · A Chronology of Laurence Sterne's life and work and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
Four lives are drawn together in a sweeping, panoramic novel from Richard Powers, showcasing the Pulitzer Prize-winning author of The Overstory at the height of his skills. Twelve-year-old Evie Beaulieu sinks to the bottom of a swimming pool in Montreal strapped to one of the world's first aqualungs. Ina Aroita grows up on naval bases across the Pacific with art as her only home. Two polar opposites at an elite Chicago high school bond over a three-thousand-year-old board game; Rafi Young will get lost in literature, while Todd Keane's work will lead to a startling AI breakthrough. They meet on the history-scarred island of Makatea in French Polynesia, whose deposits of phosphorus once helped to feed the world. Now the tiny atoll has been chosen for humanity's next adventure: a plan to send floating, autonomous cities out onto the open sea. But first, the island's residents must vote to greenlight the project or turn the seasteaders away. Set in the world's largest ocean, this awe-filled book explores that last wild place we have yet to colonize in a still-unfolding oceanic game, and interweaves beautiful writing, rich characterization, profound themes of technology and the environment, and a deep exploration of our shared humanity in a way only Richard Powers can.
In Thinking in an Emergency, Elaine Scarry lays bare the realities of "emergency" politics and emphasizes what she sees as the ultimate ethical concern: "equality of survival." She reveals how regular citizens can reclaim the power to protect one another and our democratic principles. Government leaders sometimes argue that the need for swift national action means there is no time for the population to think, deliberate, or debate. But Scarry shows that clear thinking and rapid action are not in opposition. Examining regions as diverse as Japan, Switzerland, Ethiopia, and Canada, Scarry identifies forms of emergency assistance that represent "thinking" at its most rigorous and remarkable. She draws on the work of philosophers, scientists, and artists to remind us of our ability to assist one another, whether we are called upon to perform acts of rescue as individuals, as members of a neighborhood, or as citizens of a country.