This Norton Critical Edition includes: . The first edition of the novel (1847), accompanied by a new preface and revised explanatory footnotes. . Key excerpts from Emily Brontë's diary papers and devoirs, along with thirteen of her sister Charlotte Brontë's letters regarding publication of both the 1847 and 1850 editions, and Charlotte's notes of introduction to the posthumous 1850 edition. . Thirteen of Charlotte Brontë's letters regarding the publication of both the 1847 and 1850 editions of Wuthering Heights, along with key excerpts from her diary and devoirs. . Twenty-one of Emily's poems, including the eighteen selected for publication by Charlotte with the 1850 edition and a further three poems new to this Fifth Norton Critical Edition. . Thirteen reviews of both the 1847 and 1850 editions of the novel. . Five major critical assessments of Wuthering Heights, three of them new to the Fifth Edition. . A revised chronology and a selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

"Art dies the moment it acquires authority." So said Japan's quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nation's obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his death-and the death of others. Faced with pressure to conform, he declared his individuality to the world-in all its self-involved, self-conscious and self-hating glory. "Art", he wrote, "is 'I'." In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai's life mirrored his art and vice versa, as the writer/narrator falls from grace, rises to fame and falls again. Addiction, debt, shame and despair dogged Dazai until his self-inflicted death and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of readers who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social life-fit in and do as you are told-as well as the possibility, however desperate, of defiance. Long out of print, these stories will be a revelation to the legions of new fans of No Longer Human, The Setting Sun and The Flowers of Buffoonery.

Arthur Opp weighs 550 pounds and hasn't left his rambling Brooklyn home in a decade. Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career. The link between this unlikely pair is Kel's mother, Charlene, a former student of Arthur's. Told with warmth and intelligence through Arthur and Kel's own quirky and lovable voices, Heft is the story of two improbable heroes whose connection transforms both their lives.

In 2020, the novel coronavirus gripped the world in a global pandemic and led to the death of hundreds of thousands. The source of the previously unknown virus? Bats. This phenomenon-in which a new pathogen comes to humans from wildlife-is known as spillover, and it may not be long before it happens again. Prior to the emergence of our latest health crisis, renowned science writer David Quammen was traveling the globe to better understand spillover's devastating potential. For five years he followed scientists to a rooftop in Bangladesh, a forest in the Congo, a Chinese rat farm, and a suburban woodland in New York, and through high-biosecurity laboratories. He interviewed survivors and gathered stories of the dead. He found surprises in the latest research, alarm among public health officials, and deep concern in the eyes of researchers. Spillover delivers the science, the history, the mystery, and the human anguish of disease outbreaks as gripping drama. And it asks questions more urgent now than ever before: From what innocent creature, in what remote landscape, will the Next Big One emerge? Are pandemics independent misfortunes, or linked? Are they merely happening to us, or are we somehow causing them? What can be done? Quammen traces the origins of Ebola, Marburg, SARS, avian influenza, Lyme disease, and other bizarre cases of spillover, including the grim, unexpected story of how AIDS began from a single Cameroonian chimpanzee. The result is more than a clarion work of reportage. It's also the elegantly told tale of a quest, through time and landscape, for a new understanding of how our world works-and how we can survive within it.

The Nobel laureate Otto Warburg was widely regarded as one of the most important biochemists of the twentieth century. A Jewish homosexual living openly with his partner, he was also among the most despised figures in the Third Reich. Yet top Nazi officials-perhaps even Hitler himself-dreaded cancer and protected Warburg in the hope he could cure it. Using new archival sources and interviews with current cancer authorities, Sam Apple depicts a relentless figure, hungry for fame, who pursued his research even as the world around him disintegrated. Remarkably, Warburg's theory about the metabolic origins of cancer has been revived in our own time, as scientists investigate the dangers of sugar and the link between obesity and cancer. Ravenous is a book for readers of Alan Turing and The Emperor of All Maladies: a tale of scientific discovery, personal peril and the race to end a disastrous disease.

The tsunami of cheap credit that rolled across the planet between 2002 and 2008 was more than a simple financial phenomenon: it was temptation, offering entire societies the chance to reveal aspects of their characters they could not normally afford to indulge. Icelanders wanted to stop fishing and become investment bankers. The Greeks wanted to turn their country into a piñata stuffed with cash and allow as many citizens as possible to take a whack at it. The Germans wanted to be even more German; the Irish wanted to stop being Irish. Michael Lewis's investigation of bubbles beyond our shores is so brilliantly, sadly hilarious that it leads the American reader to a comfortable complacency: oh, those foolish foreigners. But when he turns a merciless eye on California and Washington, DC, we see that the narrative is a trap baited with humor, and we understand the reckoning that awaits the greatest and greediest of debtor nations.

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*Nomadland * - Surviving America in the Twenty-First Century / 10.99€ / Taschenbuch

*Misbehaving * - The Making of Behavioral Economics / 12.79€ / Taschenbuch

*Good-Bye * / 16.49€ / Taschenbuch

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*Dianaworld * - An Obsession / 25.29€ / Buch

It is accompanied by detailed explanatory annotations. "Contexts" collects materials that influenced Swift's writing of the novel, as well as documents that suggest its initial reception, including Swift's correspondence, Alexander Pope's poems on Gulliver's Travels, and relevant passages from Gargantua and Pantagruel. "Criticism" includes fourteen assessments of Gulliver's Travels by the Earl of Orrery, Sir Walter Scott, Pat Rogers, Michael McKen, J.A. Downie, J. Paul Hunter, Laura Brown, Douglas Lane Patey, Dennis Todd, Richard H. Rodino. Irvin Ehrenpreis, Janine Barchas, Claude Rawson, and Howard D. Weinbrot. A Chronology and a Selected Bibliography are included.

Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms. "Contexts" helps the reader understand the novel's historical and religious significance. Included are four contemporary accounts of marooned men, Defoe's autobiographical passages on the novel's allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel's religious aspects. "Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill. "Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn. A Chronology of Defoe's life and work and an updated Selected Bibliography are also included.

The text of the Fourth Edition of the Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages. "Backgrounds" collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen's correspondence with her publisher about the business of writing, revealing Austen's view of her own writing and career. In addition, there are two sets of verses-"Kitty, A Fair But Frozen Maid" and "Robin Adair"-referenced in Emma as well as responses (1815-1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson. "Reviews and Criticism" includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan. A Chronology and Selected Bibliography are also included.

Michael Lewis was fresh out of Princeton and the London School of Economics when he landed a job at Salomon Brothers, one of Wall Street's premier investment firms. During the next three years, Lewis rose from callow trainee to bond salesman, raking in millions for the firm and cashing in on a modern-day gold rush. Liar's Poker is the culmination of those heady, frenzied years-a behind-the-scenes look at a unique and turbulent time in American business. From the frat-boy camaraderie of the forty-first-floor trading room to the killer instinct that made ambitious young men gamble everything on a high-stakes game of bluffing and deception, here is Michael Lewis's knowing and hilarious insider's account of an unprecedented era of greed, gluttony, and outrageous fortune.

"Art dies the moment it acquires authority." So said Japan's quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nation's obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his death-and the death of others. Faced with pressure to conform, he declared his individuality to the world-in all its self-involved, self-conscious and self-hating glory. "Art", he wrote, "is 'I'." In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai's life mirrored his art and vice versa, as the writer/narrator falls from grace, rises to fame and falls again. Addiction, debt, shame and despair dogged Dazai until his self-inflicted death and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of readers who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social life-fit in and do as you are told-as well as the possibility, however desperate, of defiance. Long out of print, these stories will be a revelation to the legions of new fans of No Longer Human, The Setting Sun and The Flowers of Buffoonery.

Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers. In her new translation of Kafka's masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa's grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment.

This Norton Critical Edition includes: Emily Wilson's authoritative translation of Homer's masterpiece, accompanied by her informative introduction, explanatory footnotes and book-by-book summaries. Four maps, created especially for this translation. Contextual materials including sources and analogues by Homer, Sappho, Pindar and others. Also included are carefully chosen passages from (mainly) ancient texts that provide insight into The Odyssey and its reception by Plato, Aristotle, Ovid, Pseudo-Longinus, Lucian, Apollodorus, Heraclitus, Porphyry, Proclus, Hyginus, Dante Alighieri, Alfred Lord Tennyson, C. P. Cavafy, Derek Walcott and Margaret Atwood. Nine critical essays addressing key topics-composition; representation of religion and the gods; class and slavery; gender; colonisation and the meaning of home; trickery, intelligence and lying; and more- essential to the study of The Odyssey. Essays by Robert Fowler, Laurel Fulkerson, Barbara Graziosi, Laura M. Slatkin, Sheila Murnaghan, Patrice Rankine, Helene P. Foley, Egbert J. Bakker and Lillian Eileen Doherty are included. A glossary and a list of suggested further readings. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.