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The Time Machine - A Norton Critical Edition: An Invention. Authorative Text; Backgrounds and Contexts; Criticism (Norton Critical Editions, Band 0) 0393927946
The Awakening - A Norton Critical Edition: An Authoritative Text Biographical and Historical Contexts Criticism (Norton Critical Edition, 3, Band 0) 0393617319
The Awakening - A Norton Critical Edition: An Authoritative Text Biographical and Historical Contexts Criticism (Norton Critical Edition, 3, Band 0)
"In the small town of Progrody, Nissen Piczenik makes his living as a respected coral merchant. Despite his knowledge of coral, Nissen has never seen the sea. When a visiting sailor offers to take Nissen to Odessa, he eagerly accepts. But upon his returnto Progrody, Nissen finds that a new coral merchant has moved into a neighboring town and is gaining popularity. As his customers dwindle, life takes an evil twist for Nissen Progrody. And the final decider of his fate may be the devil himself."--P. [4] of cover.
Even in Germany, the scope and force of Bertolt Brecht's poetry did not become apparent until long after his death and today, many of his more than 2,000 poems have never appeared in English. Love Poems, the first volume in a monumental undertaking by David Constantine and Tom Kuhn to translate his poetic legacy into English, positions Brecht not only as one of the most famous playwrights of the twentieth century but also as a fiercely creative twentieth-century poet, one of the best in German literature. With a foreword by his daughter; Love Poems features 78 astonishing and deeply personal love poems that reveal Brecht as lover and love poet whose struggle to keep faith, hope and love alive during desperate times represents the essence of human relationships.
Four lives are drawn together in a sweeping, panoramic novel from Richard Powers, showcasing the Pulitzer Prize-winning author of The Overstory at the height of his skills. Twelve-year-old Evie Beaulieu sinks to the bottom of a swimming pool in Montreal strapped to one of the world's first aqualungs. Ina Aroita grows up on naval bases across the Pacific with art as her only home. Two polar opposites at an elite Chicago high school bond over a three-thousand-year-old board game; Rafi Young will get lost in literature, while Todd Keane's work will lead to a startling AI breakthrough. They meet on the history-scarred island of Makatea in French Polynesia, whose deposits of phosphorus once helped to feed the world. Now the tiny atoll has been chosen for humanity's next adventure: a plan to send floating, autonomous cities out onto the open sea. But first, the island's residents must vote to greenlight the project or turn the seasteaders away. Set in the world's largest ocean, this awe-filled book explores that last wild place we have yet to colonize in a still-unfolding oceanic game, and interweaves beautiful writing, rich characterization, profound themes of technology and the environment, and a deep exploration of our shared humanity in a way only Richard Powers can.
Supporting materials include an introduction, annotations, and a map. "Contexts" includes contemporary materials on the slave trade, religion, conduct literature for women, and landscape design that illuminate this dark and often disturbing novel. Elizabeth Inchbald's adaptation of Lovers' Vows (the play staged by the characters in Mansfield Park) is included, as are writings by Humphry Repton, Thomas Gisborne, Hannah More, and Mary Wollstonecraft, among others. "Criticism" presents a superb selection of critical writing about the novel. The critics include Jan Fergus, Lionel Trilling, Alistair Duckworth, Nina Auerebach, Claudia L. Johnson, Joseph Litvak, Edward Said, B. C. Southam, and Joseph Lew. A Chronology and Selected Bibliography are included.
Now in paperback, Satantango, the novel that inspired Béla Tarr's classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. "Their world," in the words of the renowned translator George Szirtes is "rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death." Into this world comes, it seems, a messiah...
WINNER OF THE 2024 INTERNATIONAL BOOKER PRIZE LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE LONGLISTED FOR THE 2024 NATIONAL TRANSLATION AWARD IN PROSE An epic storyteller with the most powerful voice in contemporary German literature, Jenny Erpenbeck has created an unforgettably compelling masterpiece with Kairos. The story of a romance begun in East Berlin at the end of the 1980s: the passionate yet difficult long-running affair of Katharina and Hans hits the rocks as a whole world-the socialist GDR-melts away. As the Times Literary Supplement writes: "The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck's work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of his period between states and ideologies." In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel.
In one hundred lean and incisive statements, Douglas Rushkoff argues that we are essentially social creatures and that we achieve our greatest aspirations when we work together-not as individuals. Yet today society is threatened by a vast antihuman infrastructure that undermines our ability to connect. Money, once a means of exchange, is now a means of exploitation; education, conceived as a way to elevate the working class, has become another assembly line; and the internet has only further divided us into increasingly atomised and radicalised groups. Team Human delivers a call to arms. If we are to resist and survive these destructive forces, we must recognise that being human is a team sport. In Rushkoff's own words: "Being social may be the whole point". Harnessing wide-ranging research on human evolution, biology and psychology, Rushkoff shows that when we work together we realise greater happiness, productivity and peace. If we can find others who understand this fundamental truth and reassert our humanity-together-we can make the world a better place to be human.
Wildly entertaining, Maria Riva reveals the rich life of her mother in vivid detail, evoking Dietrich the woman, her legendary career, and her world. Opening with Dietrich's childhood in Berlin, we meet an energetic, disciplined, and ambitious young actress, whose own mother equated the stage with a world of vagabonds and thieves. Dietrich would quickly rise to stardom on the Berlin stage in the 1920s with her sharp wit and bisexuality-wearing the top hat and tails that revolutionized our concept of beauty and femininity. She would play vulgarity but not become in; startle the world but still maintain the aloofness of an aristocrat. As Riva herself remembers, "At age three, I knew quite definitely that I didn't have a mother, I belonged to a queen." Marlene Dietrich comes alive in these pages in all of her incarnations: as muse, artistic collaborator, bonafide movie star, box-office poison, lover, wife, and mother. Dietrich would stand up to the Nazis and galvanize American troops, eventually earning the Congressional Medal of Freedom. There were her rich artistic relationships with Josef von Sternberg (The Blue Angel, Morocco, Shanghai Express), Colette, Erich Maria Remarque, Noël Coward and Cole Porter, and her heady romances. In her final years, she would make herself visibly invisible, devoting herself to the immortality of her legend. Maria Riva's biography of her mother has the depth, range, and resonance of a novel and captures the conviction and passion of its remarkable subject.
This Norton Critical Edition includes: Burton Raffel's masterful translation ("Indeed, Raffel seems to have created a Cervantine English" - Javier Herrero, University of Virginia), lightly revised by Diana de Armas Wilson and including the translator's note. A revised and expanded introduction as well as revised and expanded explanatory footnotes by Diana de Armas Wilson. A rich selection of contextual materials, including related writings by Cervantes and his contemporaries as well as a modern account of Don Quijote's influence over five centuries. Fifteen critical essays-seven of them new to the Second Edition-thematically organised to maximise classroom discussion. The new essays are by Ilan Stavans, Anne J. Cruz, Paul Michael Johnson, Pablo Garci¿a-Pin~ar, Anthony J. Cascardi, Barbara Fuchs and Andre¿s Lema-Hincapie¿. A chronology and a selected bibliography.
Having survived a long and desperate adventure in the Great South Sea, Captain Jack Aubrey and Stephen Maturin return to England to very different circumstances. For Jack it is a happy homecoming, at least initially, but for Stephen it is disastrous: his little daughter appears to be autistic, incapable of speech or contact, while his wife, Diana, unable to bear this situation, has disappeared, her house being looked after by the widowed Clarissa Oakes. Much of The Commodore takes place on land, in sitting rooms and in drafty castles, but the roar of the great guns is never far from our hearing. Aubrey and Maturin are sent on a bizarre decoy mission to the fever-ridden lagoons of the Gulf of Guinea to suppress the slave trade. But their ultimate destination is Ireland, where the French are mounting an invasion that will test Aubrey's seamanship and Maturin's resourcefulness as a secret intelligence agent. The subtle interweaving of these disparate themes is an achievement of pure storytelling by one of our greatest living novelists.
Arthur Opp weighs 550 pounds and hasn't left his rambling Brooklyn home in a decade. Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career. The link between this unlikely pair is Kel's mother, Charlene, a former student of Arthur's. Told with warmth and intelligence through Arthur and Kel's own quirky and lovable voices, Heft is the story of two improbable heroes whose connection transforms both their lives.
From the telegraph and telephone in the 1800s to the internet and social media in our own day, the public has welcomed new communication systems. Whenever people gain more power to share information, the assumption goes, society prospers. Superbloom tells a startlingly different story. As communication becomes more mechanised and efficient, it breeds confusion more than understanding, strife more than harmony. Media technologies all too often bring out the worst in us. A celebrated commentator on the human consequences of technology, Nicholas Carr reorients the conversation around modern communication, challenging some of our most cherished beliefs about self-expression, free speech and media democratisation. He reveals how messaging apps strip nuance from conversation, how "digital crowding" erodes empathy and triggers aggression, how online political debates narrow our minds and distort our perceptions and how advances in AI are further blurring the already hazy line between fantasy and reality. Even as Carr shows how tech companies and their tools of connection have failed us, he forces us to confront inconvenient truths about our own nature. The human psyche, it turns out, is profoundly ill-suited to the "superbloom" of information that technology has unleashed.With rich psychological insights and vivid examples drawn from history and science, Superbloom provides both a panoramic view of how media shapes society and an intimate examination of the fate of the self in a time of radical dislocation. It may be too late to change the system, Carr counsels, but it's not too late to change ourselves.
This Norton Critical Edition is the most extensively annotated student edition available. "Backgrounds" features material carefully chosen to enhance readers' appreciation of the novel, including biographical commentary, early works and correspondence related to Northanger Abbey, and excerpts by Ann Radcliffe, Frances Burney, and William Wordsworth, among others, tracing Austen's connection to her Romantic contemporaries. "Criticism" collects thirteen assessments of Northanger Abbey from a wide range of voices and periods, including essays by Margaret Oliphant and Rebecca West and critics Patricia Meyer Spacks, Claudia L. Johnson, Lee Erickson, and Joseph Litvak. A Chronology and Selected Bibliography are also included.
Praise for David McCloskey THE SEVENTH FLOOR "[A] terrific espionage series." - Sarah Lyall, New York Times Book Review "A rare combination of experience and talent." - Mick Herron, author of The Secret Hours and the Slough House series MOSCOW X "A gripping read . . . leavened with dry, poetic wit." - Adam LeBor, Financial Times "A jaw-dropper from start to finish. David McCloskey is the new John le Carré." - Brad Thor, author of Edge of Honor DAMASCUS STATION "A propulsive thriller [that] is, at once, a master class in spy craft and a poignant story of forbidden love set during the brutal Syrian civil war." - People "Of the contemporary heirs to Fleming, David McCloskey is the most readable and exciting. A former CIA analyst, Mr. McCloskey writes novels that bristle with tradecraft and gadgets." - Economist "A gripping, well-written page turner that is part-thriller, part-love story, part-spy tale, and part-historical fiction. . . . Any one of those elements on their own makes it well worth reading; the combination makes it compelling." - Foreign Policy "The best spy novel I have ever read." - General David Petraeus, former director of the CIA
This Norton Critical Edition includes: Burton Raffel's masterful translation ("Indeed, Raffel seems to have created a Cervantine English" - Javier Herrero, University of Virginia), lightly revised by Diana de Armas Wilson and including the translator's note. A revised and expanded introduction as well as revised and expanded explanatory footnotes by Diana de Armas Wilson. A rich selection of contextual materials, including related writings by Cervantes and his contemporaries as well as a modern account of Don Quijote's influence over five centuries. Fifteen critical essays-seven of them new to the Second Edition-thematically organised to maximise classroom discussion. The new essays are by Ilan Stavans, Anne J. Cruz, Paul Michael Johnson, Pablo Garci¿a-Pin~ar, Anthony J. Cascardi, Barbara Fuchs and Andre¿s Lema-Hincapie¿. A chronology and a selected bibliography.
Virtual reality is genuine reality; that's the central thesis of Reality+. In a highly original work of "technophilosophy," David J. Chalmers gives a compelling analysis of our technological future. He argues that virtual worlds are not second-class worlds, and that we can live a meaningful life in virtual reality. We may even be in a virtual world already. Along the way, Chalmers conducts a grand tour of big ideas in philosophy and science. He uses virtual reality technology to offer a new perspective on long-established philosophical questions. How do we know that there's an external world? Is there a god? What is the nature of reality? What's the relation between mind and body? How can we lead a good life? All of these questions are illuminated or transformed by Chalmers' mind-bending analysis. Studded with illustrations that bring philosophical issues to life, Reality+ is a major statement that will shape discussion of philosophy, science, and technology for years to come.