US foreign policy is undergoing a dire transformation, forever changing America's place in the world. Institutions of diplomacy and development are bleeding out after deep budget cuts; the diplomats who make America's deals and protect its citizens around the world are walking out in droves. Offices across the State Department sit empty, while abroad the military-industrial complex has assumed the work once undertaken by peacemakers. We're becoming a nation that shoots first and asks questions later. In an astonishing journey from the corridors of power in Washington, DC, to some of the most remote and dangerous places on earth-Afghanistan, Somalia, and North Korea among them-acclaimed investigative journalist Ronan Farrow illuminates one of the most consequential and poorly understood changes in American history. His firsthand experience as a former State Department official affords a personal look at some of the last standard bearers of traditional statecraft, including Richard Holbrooke, who made peace in Bosnia and died while trying to do so in Afghanistan. Drawing on recently unearthed documents, and richly informed by rare interviews with whistle-blowers, a warlord, and policymakers-including every living former secretary of state from Henry Kissinger to Hillary Clinton to Rex Tillerson-and now updated with revealing firsthand accounts from inside Donald Trump's confrontations with diplomats during his impeachment and candid testimonials from officials in Joe Biden's inner circle, War on Peace makes a powerful case for an endangered profession. Diplomacy, Farrow argues, has declined after decades of political cowardice, shortsightedness, and outright malice-but it may just offer America a way out of a world at war.
Covering a broad range of couples as well as a variety of relational problems, this casebook is a resource for clinicians who want practical guidance for putting the powerful Gottman method to work.
Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.
Praise for the Aubrey/Maturin Series and Patrick O'Brian "The best historical novels ever written." -Richard Snow, New York Times Book Review "I love these books.... [They offer] the same sense of lived experience as Hilary Mantel.... They will sweep you away and return you delighted, increased and stunned. If the phrase 'Napoleonic war fiction' fills you with anticipation, then you don't need me to convince you to read [Patrick] O'Brian. But for the rest of you.... [P]lease, just trust me." -Nicola Griffith, NPR "A few books work their way... onto [bestseller] lists by genuine, lasting excellence-witness The Lord of the Rings, or Patrick O'Brian's sea stories." -Ursula K. Le Guin "Like John LeCarré, [O'Brian] has erased the boundary separating a debased genre from 'serious' fiction. O'Brian is a novelist, pure and simple, one of the best we have." -Mark Horowitz, Los Angeles Times Book Review "[Patrick O'Brian has] the power of bringing near to the reader... savagery and tenderness, beauty and mystery and boldness and dignity." -Eudora Welty "O'Brian's eloquent admirers include not merely distinguished critics and reviewers but... thousands upon thousands of fervent readers who thank the gods for him.... [H]is work accomplishes nobly the three grand purposes of art: to entertain, to edify, and to awe." -Stephen Becker, Paris Review "For escapist reading, I especially like the sea novels of Patrick O'Brian." -Bill Bryson "O'Brian's narrative... provides endlessly varying shocks and surprises-comic, grim, farcical and tragic. An essential of the truly gripping book for the narrative addict is the creation of a whole, solidly living world for the imagination to inhabit, and O'Brian does this with prodigal specificity and generosity." -A. S. Byatt "I prefer the Aubrey-Maturin series to all others.... Every book is packed to absolute straining with erudition, wit, history, and thunderous action." -Joe Hill "All of the Aubrey-Maturin series by Patrick O'Brian [is on my shelves]." -Mindy Kaling, New York Times
A fictional writer in his thirties named Osamu Dazai has just sent his publisher a terrible manuscript, filling him with dread and shame. Shortly afterward, while moping around a park in suburban Tokyo, he spots someone drowning in a nearby aqueduct. He doesn't want to become a witness to a suicide and eventually decides to flee the park. But as he is leaving, he trips over the boy who had been drowning, and the two begin an unlikely conversation that turns into an intellectual spat. Hoping to ingratiate himself with the boy-a high-school dropout-Dazai finds himself agreeing to perform in the boy's stead that very night as the live narrator of a film screening... So begins the madcap adventure of The Beggar Student, where there is glamor in destitution, and intellectual one-upmanship reveals glimmers of truth. Replete with settings incorporated into the popular anime Bungo Stray Dogs and with echoes of No Longer Human, this biting novella captures the infamous Japanese writer at his mordant best.
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This incisive history upends the complacency that confines anti-Judaism to the ideological extremes in the Western tradition. With deep learning and elegance, David Nirenberg shows how foundational anti-Judaism is to the history of the West. Questions of how we are Jewish and, more critically, how and why we are not have been churning within the Western imagination throughout its history. Ancient Egyptians, Greeks, and Romans; Christians and Muslims of every period; even the secularists of modernity have used Judaism in constructing their visions of the world. The thrust of this tradition construes Judaism as an opposition, a danger often from within, to be criticized, attacked, and eliminated. The intersections of these ideas with the world of power-the Roman destruction of the Second Temple, the Spanish Inquisition, the German Holocaust-are well known. The ways of thought underlying these tragedies can be found at the very foundation of Western history.
Napoleon has been defeated at Waterloo, and the ensuing peace brings with it both the desertion of nearly half of Captain Aubrey's crew and the sudden dimming of Aubrey's career prospects in a peacetime navy. When the Surprise is nearly sunk on her way to South America-where Aubrey and Stephen Maturin are to help Chile assert her independence from Spain-the delay occasioned by repairs reaps a harvest of strange consequences. The South American expedition is a desperate affair; and in the end Jack's bold initiative to strike at the vastly superior Spanish fleet precipitates a spectacular naval action that will determine both Chile's fate and his own.